| Title |
Composer |
| Unit 1: Establishing Keys with V7 to I Cadences |
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| Unit 2: Hearing Tendency Tones and Resolution |
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| Unit 3: Learning the IMA7 and V7 Chords |
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| Unit 4: Getting to Know the Scales Involved in V7--I |
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| Unit 5: Chord Changes to NO JIVE |
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| Unit 6: Taking the "Jazz Turns" |
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| Unit 7: Moving Ahead with the Be-Bop Dominant |
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| Unit 8: Getting Down with Blue Notes and Scales |
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| Unit 9: Putting It All Together |
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| Unit 10: Coming to Terms |
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| Unit 11: NO JIVE |
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| Unit 12: Hearing the Sound of the iimi7--V7 Progression |
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| Unit 13: Learning the iimi7 Chord and Connecting to V7 |
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| Unit 14: Moving Through the Scales for ii--V |
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| Unit 15: Learning the Changes to WAY COOL |
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| Unit 16: Finding the ii--V Line |
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| Unit 17: Nailing the Changes---3rds and 7ths |
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| Unit 18: Getting More Chromatic |
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| Unit 19: Putting It All Together |
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| Unit 20: Coming to Terms |
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| Unit 21: WAY COOL |
|
| About the Author |
|
| Am I Blue? (from "On with the Show") |
Harry Akst (composer); Grant Clarke (lyricist) |
| Blues in the Night |
Harold Arlen (composer); Johnny Mercer (lyricist) |
| The Birth of the Blues (from "George White's Scandals") |
Lew Brown (lyricist); Buddy DeSylva (lyricist); Ray Henderson (composer) |
