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Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano\/Alto, Tenor, and Baritone\/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. \u003cbr\u003e\u003cbr\u003eTitles: All for You (\u003ci\u003eSaturday Night\u003c\/i\u003e) * Autumn (\u003ci\u003eStarting Here, Starting Now\u003c\/i\u003e) * Ballad of Dependency (\u003ci\u003eThe Threepenny Opera\u003c\/i\u003e) * The Boy Friend (\u003ci\u003eThe Boy Friend\u003c\/i\u003e) * Bring on Tomorrow (\u003ci\u003eFame -- The Musical\u003c\/i\u003e) * Goodbye, Little Dream, Goodbye (\u003ci\u003eAnything Goes 1988 Revival\u003c\/i\u003e) * I Speak Six Languages (\u003ci\u003eThe 25th Annual Putnam County Spelling Bee\u003c\/i\u003e) * I'm a Stranger Here Myself (\u003ci\u003eOne Touch of Venus\u003c\/i\u003e) * Jilted (\u003ci\u003eOf Thee I Sing\u003c\/i\u003e) * Just Imagine (\u003ci\u003eGood News\u003c\/i\u003e) * A Little Bit in Love (\u003ci\u003eWonderful Town\u003c\/i\u003e) * A Little Bit of Good (\u003ci\u003eChicago\u003c\/i\u003e) * Long Ago (\u003ci\u003eHalf a Sixpense\u003c\/i\u003e) * Love in a Home (\u003ci\u003eLil' Abner\u003c\/i\u003e) * Love Is Sweeping the Country (\u003ci\u003eOf Thee I Sing\u003c\/i\u003e) * Mira (\u003ci\u003eCarnival\u003c\/i\u003e) * My Love Is on the Way (\u003ci\u003eThe Golden Apple\u003c\/i\u003e) * My Man's Gone Now (\u003ci\u003ePorgy and Bess\u003c\/i\u003e) * Once Upon a Dream (\u003ci\u003eJekyll \u0026amp; Hyde\u003c\/i\u003e) * Only Love (\u003ci\u003eScarlet Pimpernel\u003c\/i\u003e) * Patterns (\u003ci\u003eCloser Than Ever\u003c\/i\u003e) * Practically Perfect (\u003ci\u003eMary Poppins -- Stage Version\u003c\/i\u003e) * Romance (\u003ci\u003eThe Desert Song\u003c\/i\u003e) * Safety in Numbers (\u003ci\u003eThe Boy Friend\u003c\/i\u003e) * The Sailor of My Dreams (\u003ci\u003eDames at Sea\u003c\/i\u003e) * Some Other Time (\u003ci\u003eOn the Town\u003c\/i\u003e)* The Sun Whose Rays Are All Ablaze (\u003ci\u003eThe Mikado\u003c\/i\u003e) * Tell Me (\u003ci\u003eMarie Christine\u003c\/i\u003e) * This Is All Very New to Me (\u003ci\u003ePlain and Fancy\u003c\/i\u003e) * Timid Frieda (Les Timides) (\u003ci\u003eJacques Brel Is Alive \u0026amp; Well \u0026amp; Living in Paris\u003c\/i\u003e) * Was She Prettier Than I? 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Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano\/Alto, Tenor, and Baritone\/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. \u003cbr\u003e\u003cbr\u003eTitles: I'm Not That Smart (\u003ci\u003eThe 25th Annual Putnam County Spelling Bee\u003c\/i\u003e) * My Unfortunate Erection (Chip's Lament) (\u003ci\u003eThe 25th Annual Putnam County Spelling Bee\u003c\/i\u003e) * Dames (\u003ci\u003e42nd Street\u003c\/i\u003e) * Radames' Letter (\u003ci\u003eElton John and Tim Rice's \"Aida\"\u003c\/i\u003e) * The Gypsy in Me \u003ci\u003eAnything Goes (1988 Revival)\u003c\/i\u003e) * Ballad of Booth (Part III) (\u003ci\u003eAssassins\u003c\/i\u003e) * What Am I Doin'? 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Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano\/Alto, Tenor, and Baritone\/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. \u003cbr\u003e\u003cbr\u003eTitles: My Own Best Friend (\u003ci\u003eChicago\u003c\/i\u003e) * Back on Base (\u003ci\u003eCloser Than Ever\u003c\/i\u003e) * That Mister Man of Mine (\u003ci\u003eDames At Sea\u003c\/i\u003e) * A Little Brains, A Little Talent (\u003ci\u003eDamn Yankees\u003c\/i\u003e) * Something of My Own (\u003ci\u003eDessa Rose\u003c\/i\u003e) * Ladies (\u003ci\u003eDestry Rides Again\u003c\/i\u003e) * I Know the Truth (\u003ci\u003eElton John and Tim Rice's \"Aida\"\u003c\/i\u003e) * Holding to the Ground (\u003ci\u003eFalsettos\u003c\/i\u003e) * Think of Meryl Streep (\u003ci\u003eFame: The Musical\u003c\/i\u003e) * A Little Girl From Little Rock (\u003ci\u003eGentlemen Prefer Blondes\u003c\/i\u003e) * Lazy Afternoon (\u003ci\u003eThe Golden Apple\u003c\/i\u003e) * What Is a Woman? \u003ci\u003eI Do, I Do\u003c\/i\u003e) * Old Friend (\u003ci\u003eI'm Getting My Act Together and Taking It on the Road\u003c\/i\u003e) * Last Midnight (\u003ci\u003eInto The Woods\u003c\/i\u003e) * Moments in the Woods (\u003ci\u003eInto The Woods\u003c\/i\u003e) * Somewhere That's Green (\u003ci\u003eLittle hop of Horrors\u003c\/i\u003e) * West End Avenue (\u003ci\u003eThe Magic Show\u003c\/i\u003e) * Tell Me Why (\u003ci\u003eA Man of No Importance\u003c\/i\u003e) * Take It on the Chin (\u003ci\u003eMe and My Girl\u003c\/i\u003e) * Like It Was (\u003ci\u003eMerrily We Roll Along\u003c\/i\u003e) * The Music Still Plays On \u003ci\u003eA New Brain\u003c\/i\u003e) * Mad About the Boy (\u003ci\u003eOh! 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