Ruth Morris Gray Sheet Music
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622 items
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The Music-Makers: SAB Choral Octavo -
Until We Meet Again: SATB Choral Octavo -
Under the Greenwood Tree: SATB Choral Octavo -
Under the Greenwood Tree: 3-Part Mixed Choral Octavo -
Winter Frost: SAB Choral Octavo -
Fa La La La: 3-Part Mixed Choral Octavo -
Prelude to Bethlehem: SAB Choral Octavo -
Evening: SATB Choral Octavo -
E Ala E: SAB, a cappella Choral Octavo -
Winter Has Come: SATB Choral Octavo -
Aloha Spirit: 3-Part Mixed Choral Octavo -
Dance of the Elves: Choral Octavo SoundTrax CD -
White Fields in Winter: PianoTrax Digital Audio Download -
We Wish You: SoundTrax Digital Audio Download -
Born a Stranger: SATB Choral Octavo -
Winter Frost: PianoTrax Digital Audio Download -
Bella Ciao: SSA Choral Octavo -
Bella Ciao: TTB Choral Octavo -
White Fields in Winter: SSA Choral Octavo -
White Fields in Winter: SATB Choral Octavo -
White Fields in Winter: 3-Part Mixed Choral Octavo -
Bella Ciao: 3-Part Mixed Choral Octavo
About this collection
Ruth Morris Gray Sheet Music
Ruth Morris Gray has composed choral music spanning sacred, secular, and multicultural traditions for over four decades. This collection gathers her sheet music across multiple voicings and difficulty levels, from accessible 2-part arrangements to full SATB settings. Titles like Omnis Terra and Bwana Awabariki appear frequently in school and church choirs, offering both flexibility in ensemble size and rich cultural content.
Who it's for
- School and church choir directors at junior high through adult levels
- Private voice teachers and choral music educators
- Choir members and singers seeking accessible repertoire
What's inside
- Choral octavos in SATB, SAB, 2-part, and SSA voicings
- Sacred, secular, multicultural, and spiritual texts
- Multiple formats: printed octavos, PDF downloads, book & online audio
- Grade 2 through adult difficulty range
Things to consider
Start by matching the voicing to your ensemble size and experience level: 2-part and 3-part mixed arrangements work well for developing choirs, while SATB and SSA settings suit more established groups. Many titles in this collection pair well with optional accompaniment or a cappella performance, giving you flexibility depending on your rehearsal space and pianist availability. If you're building a multicultural or world music unit, Gray's arrangements draw from diverse traditions while staying accessible to student singers.