{"title":"Roderick Williams Sheet Music","description":"\u003cp\u003eRoderick Williams Sheet Music features sacred and secular choral works by the celebrated British baritone and composer. This collection includes settings for SATB choir, many with divisi, spanning unaccompanied octavos to accompanied arrangements with organ and instrumental parts. Explore contemplative sacred anthems drawing on liturgical texts, Latin antiphons, and biblical passages, alongside secular choral pieces. Whether preparing concert repertoire, sacred music for worship, or festival performances, these pieces showcase Williams' gift for rich harmonic texture and expressive counterpoint across intermediate to advanced levels.\u003c\/p\u003e","products":[{"product_id":"now-winter-nights-for-ssaattbb-choir-98-ep73559","title":"Now winter nights for SSAATTBB Choir: Choral Works (inc. Oratorios)","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578916663432,"sku":"98-EP73559","price":6.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73559_large_136cfcf5-0d85-4dab-8fbc-8bec55c0e1be.jpg?v=1779254682"},{"product_id":"the-responses-including-the-lord-s-prayer-98-ep73764","title":"The Responses (including The Lord's Prayer): SATB Double Choral Octavo","description":"\"While still a university student, I discovered a disc of Russian Orthodox Music as recorded by the Tallis Scholars. It made a great impression on me and I was especially struck by a beautiful double choir 'Lord's Prayer' by Rachmaninov from his \u003ci\u003eLiturgy of St John Chrysostom\u003c\/i\u003e. I wondered what it might be like to create something in its image that would be suitable for use in Anglican Choral Evensong. So I wrote a set of verses and responses for double choir in the spirit of this Russian tradition.\"\u003cbr\u003e--- Roderick Williams\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578917318792,"sku":"98-EP73764","price":5.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73764_large_1788defc-d0b7-44a4-ab78-5df2a30a321a.jpg?v=1779255038"},{"product_id":"exultate-for-satb-choir-soprano-saxophone-and-percussion-98-ep73568","title":"Exultate for SATB Choir, Soprano Saxophone and Percussion: Choral Works (inc. Oratorios)","description":"Roderick Williams's 'Exultate' is an exuberant piece taking its text from the first 4 verses of Psalm 81 for SATB choir, soprano saxophone and percussion (4 tom-tom drums, or similar).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592263495816,"sku":"98-EP73568","price":5.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73568_large_40e0e1b7-4230-485f-9ffa-17ebc6041062.jpg?v=1779255317"},{"product_id":"god-so-loved-the-world-98-ep73586","title":"God So Loved the World: SATB divisi Choral Octavo","description":"\u003ci\u003eGod So Loved the World\u003c\/i\u003e by Roderick Williams is an anthem for SATB choir (with divisi), organ, and alto saxophone, using the same biblical text (John 3:16) which is famously used by John Stainer in his work \u003ci\u003eThe Crucifixion\u003c\/i\u003e. Roderick Williams uses Stainer's anthem as the starting and end point for the choir, introducing and developing the Christus character portrayed by both Stainer and J.S. Bach in his Passions to powerful effect. It was commissioned by saxophonist Sam Corkin as part of the Palimpsest project at Canterbury Cathedral and was first performed at the Canterbury Festival in October 2022.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592505651336,"sku":"98-EP73586","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73586_large_88fb0793-b07d-4cdc-8df1-3ed4489d2f25.jpg?v=1779255059"},{"product_id":"ave-maris-stella-for-satb-choir-and-piano-98-ep73570","title":"Ave maris stella for SATB Choir and Piano: Choral Octavo","description":"A 5-minute uplifting piece for SATB and piano that uses the ancient latin hymn of praise to the Virgin Mary. The verses alternate between full choir and solo or duet passages, accompanied by lush, romantic harmonies. Composed for senior school choir but would suit church choirs around the world.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592506994824,"sku":"98-EP73570","price":5.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73570_large_e2d542a0-15c2-40e2-a167-41b8b10fc02c.jpg?v=1779255197"},{"product_id":"love-bade-me-welcome-for-satb-choir-98-ep73569","title":"Love bade me welcome for SATB Choir: Choral Octavo","description":"A setting for unaccompanied SATB choir with divisi of George Herbert's poem. The richly textured homophonic piece ends with a beautiful ostinato. Duration 4'30\"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598178578568,"sku":"98-EP73569","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73569_large_19a42639-3456-4f81-b493-0c483e3993cd.jpg?v=1779255003"},{"product_id":"the-westminster-service-98-ep73799","title":"The Westminster Service: SATB \u0026 Organ Choral Octavo","description":"It was a particular pleasure and honor to be invited to write a new service for the choir of Westminster Abbey alongside whom I have sung on a number of occasions, including a service to commemorate the Abolition of Slavery and of course the Coronation of King Charles III.\u003cbr\u003e\u003cbr\u003eMy initial response to this commission was to explore how Mary, most likely a teenage girl, would have been overwhelmed to experience a visitation from an archangel, not to mention hearing the news that she would soon give birth and then that her child would change the course of history. This scenario created in my mind an almost operatic treatment, based on awe, wonder and quite some degree of fear.\u003cbr\u003e\u003cbr\u003eHowever, re-reading Luke 1, I realized that Mary had some time to process this extraordinary visitation as she ran to Elizabeth's home and by the time she had reached there, a different mood had taken over her, giving her the impetus to break out into the remarkable, bold words that form the Magnificat. I was struck by the sense of joy, the sheer thrill of her realising she had a new a wonderful purpose and that joy is made even more ecstatic by her youth and her humble origins. It seemed natural for this joy to continue into the words spoken by the aging Simeon, who finds the release he has been craving, finally rewarding his patience.\u003cbr\u003e\u003cbr\u003eA further influence on my writing was the Sacred Concerts of Duke Ellington, the third of which was premiered at Westminster Abbey in 1973. Although I don't have a particular background in jazz, I did compose entire jazz choral evensong and choral matins services which were broadcast in 2006 and 2007 respectively. My desire was to write music in a jazz style that might be suitable for everyday use, to bring the sense of joy and excitement into Anglican worship that Duke Ellington's concerts suggested to me.\u003cbr\u003e\u003cbr\u003eHowever, those services were written for choir and jazz piano trio and proved too complicated to incorporate into a general church setting. I hope that the Westminster Service will prove easier to manage, even though it may still test the mettle of many a choir. I also hope that the joy of singing the music will make the effort required feel worthwhile.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598179496072,"sku":"98-EP73799","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73799_large_be0691b1-07d0-4fb6-b50b-bd792cb3a684.jpg?v=1779255061"},{"product_id":"christmas-bells-for-satb-choir-and-piano-98-ep73567","title":"Christmas Bells for SATB Choir and Piano: Choral Works (inc. Oratorios)","description":"An energetic four-minute setting for SATB and piano of Henry Wadsworth Longfellow's poem, which begins \"I heard the bells on Christmas Day\". Roderick Williams composed the piece in 2014 as the Financial Times Christmas Carol.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598186147976,"sku":"98-EP73567","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73567_large_1969fea6-ba80-4325-ab45-e568fd1f65c3.jpg?v=1779255253"},{"product_id":"ave-verum-corpus-re-imagined-for-3-satb-choirs-98-ep73566","title":"Ave Verum Corpus Re-imagined for 3 SATB Choirs: Choral Works (inc. Oratorios)","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598686974088,"sku":"98-EP73566","price":5.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73566_large_2f6291d4-6887-4d7e-89cb-0bdf285adf76.jpg?v=1779255316"},{"product_id":"inviolata-after-lusitano-98-ep73786","title":"Inviolata (after Lusitano): Choral Octavo","description":"\u003cp\u003e\"\u003ci\u003eInviolata\u003c\/i\u003e is an act of homage set on top of another act of homage. When the motet by Josquin des Pres (c. 1450 – 1521) first appeared in print around 1519, he set the bar high for all composers (and there were several) who followed in his wake. His five-part polyphonic decoration of the 'Inviolata, integra et casta es Maria' plainsong is in three sections and includes a double, canonic cantus firmus running throughout at the fifth. This demonstration of technical expertise feels effortless in Josquin’s hands. Vicente Lusitano (c. 1520 – 1561), a Portuguese composer possibly of African descent, took up the challenge and more; he decided to retain the double canon but add extra voices to create his an eight-part texture. Lusitano’s neglected place in history has garnered a lot of interest recently and Rory McCleery with the Marion Consort have been powerful advocates for his music.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eRory invited me to compose my own response to Lusitano’s\u003ci\u003e Inviolata\u003c\/i\u003e setting. I would be adding a third layer on top of Josquin’s original, as seen through Lusitano’s eyes and then my own. While I did consider constructing my own eight-part polyphonic texture in kind, I acknowledge that I am no Josquin! Besides which, the harmonic rules that governed Josquin and Lusitano barely apply in my century which makes the exercise largely redundant. This is something I explore a little by adding my own musica ficta (modern-day accidentals) to Part One of Lusitano’s original, before my 21st century harmony takes the music in a different direction. Instead, thanks to a suggestion from my older brother (who happens to be an expert practitioner of Medieval and early Renaissance polyphony), I thought to go back a stage further even than Josquin’s setting and consider the plainsong itself. This was the original melody and text that inspired the whole chain of compositions and I wondered whether it could be my basis for an exploration of plainsong, homophony, organum and polyphony, a sort of mini-history lesson in music.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003eAdded to this commission was the circumstances of its premiere as a recording. It was devised for a project in which each individual consort voice was recorded separately in order to be played from an individual speaker. The resulting sound installation was arranged in an otherwise empty room, giving an audience member complete freedom to roam and experience the voices individually at point-blank range or together as part of the full consort. This gave me an opportunity to play with sound and space, having singers at times whisper text into one’s ear, as though hearing scraps in the darkness of an abbey cloister. Mixing English with Latin also allowed me to explore the passionate emotion of this Marian text and the extraordinary position Mary holds within the Catholic faith. What Josquin or Lusitano might make of it we shall never know but the homage to their versions is present within my own.\"\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cp\u003e---Roderick Williams                                                                                                                                                                   \u003c\/p\u003e","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598772924552,"sku":"98-EP73786","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73786_large_94d0924a-2e28-44d2-bb1f-66c9b20505bc.jpg?v=1779255322"},{"product_id":"vox-angelica-vox-humana-98-ep73732","title":"Vox Angelica, Vox Humana: SATB Choral Book","description":"Written for the inauguration of the organ in Peterhouse, Cambridge, and featuring a prominent organ part, this 8.5 minute work for choir and organ sets, in Latin, three biblical stories featuring angels. The choral writing features unison, organum, and chordal sections, suggesting the contrasts between the sound of angels and of humankind.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598773055624,"sku":"98-EP73732","price":6.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73732_large_e72ae27d-8b39-437e-a4e5-c17a3073378f.jpg?v=1779255290"},{"product_id":"exceeding-glad-98-ep73750","title":"Exceeding Glad: Choral Full Score","description":"\"\u003ci\u003eExceeding Glad\u003c\/i\u003e was commissioned explicitly to reflect my personal experience of the Coronation of King Charles III in May 2023. I was extremely fortunate in being asked to perform at the event as well as to contribute some music. In the week leading up to Coronation Day, I was staying in the Westminster area, close to the Abbey, and was able to soak up the extraordinary, almost unreal atmosphere. It was in marked contrast to the air of dignified solemnity that had accompanied the funeral of Queen Elizabeth II the previous year; the Coronation was to be a celebration on a grand scale and spirits were high.\u003cbr\u003e\u003cbr\u003eKing Charles took a personal, close interest in the music for the whole occasion and commentators noted the breadth and diversity of his choice. The Ascension Gospel Choir made a memorable contribution to the service and certainly added to the joy of the occasion. This sense of joy was present in the noise and brilliance of the amalgamated musicians that day, also in the pealing of the Abbey bells. On the one hand, the day was a showcase for pageantry, precision, and expertise; on the other it was one huge party.\u003cbr\u003e\u003cbr\u003eA month to the day after the coronation, I was invited to a concert, to be attended by King Charles, at which the four Handel \u003ci\u003eCoronation Anthems\u003c\/i\u003e were performed. I was seated close enough to observe the King listening to this music and I couldn't help but wonder how the biblical texts, immortalized by Handel's genius centuries ago, would strike the present King. Might he also, as he listened again to \"Zadok the Priest,\" have been taken back to the moment of his anointment in Westminster Abbey one month previously? How the texts of these anthems must have resounded in his head, possibly in something of a blur. And how strange it felt for us in the audience to have the text and music of these four anthems focused so powerfully on one human being, present right in front of us.\u003cbr\u003e\u003cbr\u003eAll these reflections are contained within this short choral piece, which seeks to capture some of that joyous atmosphere.\"\u003cbr\u003e--- Roderick Williams, February 2024","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598773121160,"sku":"98-EP73750","price":5.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73750_large_dbb30f56-f2cc-4cdd-9c01-5f4161e66f34.jpg?v=1779255290"},{"product_id":"eriskay-love-lilt-98-ep73585","title":"Eriskay Love Lilt: ChoralWorks(Secular)","description":"\u003cp\u003eA gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCommissioned by The Sixteen choir and recorded on their 2021 album 'Goodnight Beloved'\u003c\/li\u003e\n\u003cli\u003eRoderick Williams is a composer\/arranger and also a world-renowned baritone\u003c\/li\u003e\n\u003cli\u003eThe arrangement is described by Williams as ‘having a little nod to Ravel and Grieg'\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598929326216,"sku":"98-EP73585","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73585_large_6532afb2-0e02-4fad-b7f5-531c566c8bf1.jpg?v=1779255318"},{"product_id":"queen-elizabeth-s-winchester-carol-98-ep73565","title":"Queen Elizabeth's Winchester Carol: Choral Octavo","description":"Queen Elizabeth's Winchester Carol, also known as 'The Royal Carol' uses a poem by King Henry VIII and equates the ever-green holly and ivy with the constancy of love. Composed for unaccompanied SATB divisi, and duration 3 minutes.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598929621128,"sku":"98-EP73565","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73565_large_a0310d91-4807-436f-b220-392c22ed3f6b.jpg?v=1779255317"},{"product_id":"sing-joyfully-98-ep73711","title":"Sing Joyfully: SSATBB with Piano Choral Octavo","description":"The title Sing Joyfully was actually suggested to me by one of its commissioners from the Saffron Walden Choral Society, as a working title for a piece of music that would eventually explore the pleasure to be derived from singing. The title immediately brought to mind the anthem by William Byrd, with which I then chose to begin this new piece, divesting the work of its religious nature by omitting parts of the text.\u003cbr\u003e\u003cbr\u003eI decided, inspired by the nature of the commission, to collect some texts that specifically describe singing communally and what benefits this holds for the individual and for society as a whole. A passage from Thomas Morley's Plaine and Easy Introduction to Practical Music describes the narrator's discomfort at being unable to join his fellow guests in some convivial communal singing. This then leads into words from a research paper published in the journal Royal Society Open Science by Eiluned Pearce, Jacques Launay and Robin Dunbar that details some scientifically observed benefits of communal singing. This paper was brought to my attention when I was lucky enough to receive an advance copy of the book Why We Sing by Julia Hollander, published by Allen Unwin. Julia's book is full of science on this topic, interwoven with wonderful anecdotal evidence from Julia's own life and practice; she kindly permitted me to quote a few sentences from her uplifting book.\u003cbr\u003e\u003cbr\u003eFinally, I asked choir members themselves from Saffron Walden to answer general questions about why they personally chose to sing and why they became members of this society. Some of these responses are woven into the text.\u003cbr\u003e\u003cbr\u003eA final request of the commissioners was that there be an element in which the audience could participate. On the return of the initial Byrd point, the piece turns into a simple round with an extra part for any further members of the audience who wish to be included. Hopefully it won't just be the members of the choir who can experience the joy of singing together.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eRoderick Williams","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600026955912,"sku":"98-EP73711","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73711_large_cba8c313-4243-4f92-bc26-b77fc044fb29.jpg?v=1779255321"},{"product_id":"exultate-soprano-saxophone-and-percussion-part-98-ep73568a","title":"Exultate (soprano saxophone and percussion part): Choral Works (inc. Oratorios)","description":"This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600515035272,"sku":"98-EP73568A","price":7.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73568A_large_a40c05de-0a04-4124-82e2-56fa0c0f102e.jpg?v=1779256222"},{"product_id":"o-rex-gentium-98-ep73608","title":"O Rex Gentium: ChoralWorks(Sacred)-MixedVoices","description":"\u003cp\u003e6-minute unaccompanied work for SATB choir with divisi, setting the Latin text 'O Rex Gentium', one of the seven ancient advent 'O Antiphons'.\u003c\/p\u003e\u003cp\u003eRoderick Williams is one of the UK's most sought-after baritones, encompassing a repertoire from the baroque to world premieres of contemporary music. As a composer he has had works premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national UK radio. His choral works are frequently performed and recorded and include \u003cem\u003eAve verum corpus re-imagined\u003c\/em\u003e, composed for the ORA singers, and \u003cem\u003eNow Winter Nights\u003c\/em\u003e composed for VOCES8. He was awarded an OBE for services to music in June 2017.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600515723400,"sku":"98-EP73608","price":4.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73608_large_30f09c7f-8dc8-443b-a760-1fe8cf30cbb7.jpg?v=1779256225"},{"product_id":"god-so-loved-the-world-98-ep73586a","title":"God So Loved the World: SATB Choral","description":"\u003ci\u003eGod so loved the world\u003c\/i\u003e by Roderick Williams is an anthem for SATB choir (with divisi), organ and alto saxophone, using the same biblical text (John 3:16) which is famously used by John Stainer in his work \u003ci\u003eThe Crucifixion\u003c\/i\u003e. Roderick Williams uses Stainer's anthem as the starting and end point for the choir, introducing and developing the Christus character portrayed by both Stainer and J.S. Bach in his Passions to powerful effect. It was commissioned by saxophonist Sam Corkin as part of the Palimpsest project at Canterbury Cathedral and was first performed at the Canterbury Festival in October 2022.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600516051080,"sku":"98-EP73586A","price":15.94,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73586A_large_66f54efb-45b6-4458-ad9d-405cdcfe9f79.jpg?v=1779256223"},{"product_id":"and-a-little-child-shall-lead-them-98-ep73610","title":"And a Little Child Shall Lead Them: ChoralWorks(Sacred)-MixedVoices","description":"\u003cp\u003eAn 8-minute work with text from the Book of Isaiah, written for unaccompanied SATB (with divisi) with an extensive solo line for alto, and for optional baritone.\u003c\/p\u003e\u003cp\u003eThis is a slow and reflective composition with sections of impressive counterpoint writing that build the intensity and journey of one of Roderick William's earliest pieces.\u003c\/p\u003e\u003cp\u003eRoderick Williams is one of the UK's most sought-after baritones, encompassing a repertoire from the baroque to world premieres of contemporary music. As a composer he has had works premiered at the Wigmore and Barbican Halls, the Purcell Room and live on national UK radio. His choral works are frequently performed and recorded and include \u003cem\u003eAve verum corpus re-imagined\u003c\/em\u003e, composed for the ORA singers, and \u003cem\u003eNow Winter Nights\u003c\/em\u003e composed for VOCES8. He was awarded an OBE for services to music in June 2017.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600516411528,"sku":"98-EP73610","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP73610_large_0383278d-0d8c-4ef0-856a-af2cac8f1fec.jpg?v=1779256224"}],"url":"https:\/\/www.alfred.com\/collections\/roderick-williams-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}