{"title":"Otto Taubmann Sheet Music","description":"\u003cp\u003eExplore Otto Taubmann's curated editions of classical and romantic masterworks. This collection includes Liszt's symphonic poem \u003cem\u003eLes Préludes\u003c\/em\u003e in full orchestra study score and conductor parts, Mozart's \u003cem\u003eCoronation Mass\u003c\/em\u003e (K. 317) with keyboard accompaniment for choral performance, and Busoni's \u003cem\u003eConcertino\u003c\/em\u003e arranged for clarinet and piano. Whether you're preparing an orchestral concert, leading a choir, or rehearsing a clarinet soloist, these published scores and parts support musicians across skill levels and ensemble sizes.\u003c\/p\u003e","products":[{"product_id":"concertino-in-b-flat-for-clarinet-and-piano-op-48-bv-276-36-m226791","title":"Concertino in B-flat for Clarinet and Piano, Op. 48\/BV 276: Clarinet, Solo with Piano, Solo with Piano (LUDWIGMASTERS)","description":"Known for its lyrical melodies and intricate harmonies, characteristic of Busoni's style, the CONCERTINO in B FLAT is written in four movements and has a blend of classical and romantic influences. This arrangement by Otto Taubmann for clarinet and piano is approximately 11 minutes. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579061170312,"sku":"36-M226791","price":7.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-M226791_large_2be78d24-c61e-4960-9791-1259669849e8.jpg?v=1779255283"},{"product_id":"symphonic-poem-no-3-les-preludes-s-97-36-a163802","title":"Symphonic Poem No. 3: Les Preludes, S. 97: Full Orchestra, Conductor Score \u0026 Parts","description":"Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert performances at the piano and settlement in Weimar. The Western music world was entrenched in a debate about non-programmatic versus programmatic music and the future of the symphonic form. Liszt's symphonic poems put him firmly in the programmatic camp, while he also adapted Beethoven's cyclic form so that the entire work could be contained in a single movement. His SYMPHONIC POEM No. 3: LES PRÉLUDES (\"Preludes\" or \"The Beginnings\"), S. 97 is the actual first use of the term \"symphonic poem.\" It was originally intended as an overture for a choral cycle titled LES QUATRE ÉLÉMENS (\"The Four Elements\"), based on four poems by Joseph Autran. When the overture concept was abandoned for the symphonic poem, the inspiration also changed to an ode by the French poet Alphonse de Lamartine, also titled LES PRÉLUDES, resulting in some confusion about the programmatic inspiration. Further controversy resulted from Liszt's recruitment of composer Joachim Raff to help assist Liszt in orchestration, and area of weakness the great pianist. Despite later research proving that Liszt had a dominant hand and final say in all orchestration matters, often rejecting or modifying Raff's proposals, Raff's public proclamations that he was responsible for the orchestration created doubts about Liszt's role in that for decades. The work premiered in Weimar on February 23, 1854, Liszt himself conducting, and it has remained the most popular of his symphonic poems in the orchestral repertoire, performed frequently today. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600061821064,"sku":"36-A163802","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A163802_large_86f1f538-1756-4477-8e69-44578d5a6a68.jpg?v=1779255185"},{"product_id":"mass-no-15-in-c-k-317-coronation-mass-36-a269491","title":"Mass No. 15 in C, K. 317 (Coronation Mass): Mass, Keyboard Accompaniment","description":"Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's father Leopold acquired a position for him as court organist and composer at Salzburg Cathedral, and this mass likely premiered there on Easter Sunday, April 4, 1779. The work earned the nickname Krönungsmesse (Coronation Mass) in the early 19th century after it became popular for royal and imperial coronations in Vienna's Imperial Court. As it contains all of the sections of the Ordinary, this lighter mass setting may be considered a Missa solemnis, although its brevity may also classify it as a Missa brevis. Movements: I. Kyrie, II. Gloria, III. Credo, IV. Sanctus, V. Benedictus, VI. Agnus Dei. This piano reduction has been completed by Otto Taubmann.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600638013576,"sku":"36-A269491","price":9.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A269491_large_b9a4a204-b0f5-4eed-8648-c2d28c443ddb.jpg?v=1779255253"},{"product_id":"les-preludes-s-97-symphonic-poem-no-3-36-s013401","title":"Les Préludes, S. 97 (Symphonic Poem No. 3): Full Orchestra Study Score","description":"Hungarian virtuoso pianist and composer Franz Liszt (1811-1886) began to develop the concept of the symphonic poem (symphonische dichtung; poème symphonique) following his 1847 retirement from concert performances at the piano and settlement in Weimar. The Western music world was entrenched in a debate about non-programmatic versus programmatic music and the future of the symphonic form. Liszt's symphonic poems put him firmly in the programmatic camp, while he also adapted Beethoven's cyclic form so that the entire work could be contained in a single movement. His \u003ci\u003eSymphonic Poem No. 3: Les Préludes\u003c\/i\u003e (\"Preludes\" or \"The Beginnings\"), S. 97 is the actual first use of the term \"symphonic poem.\" It was originally intended as an overture for a choral cycle titled L\u003ci\u003eLes quatre éléments\u003c\/i\u003e (\"The Four Elements\"), based on four poems by Joseph Autran. When the overture concept was abandoned for the symphonic poem, the inspiration also changed to an ode by the French poet Alphonse de Lamartine, also titled \u003ci\u003eLes Préludes\u003c\/i\u003e, resulting in some confusion about the programmatic inspiration. Further controversy resulted from Liszt's recruitment of composer Joachim Raff to help assist Liszt in orchestration, and area of weakness the great pianist. Despite later research proving that Liszt had a dominant hand and final say in all orchestration matters, often rejecting or modifying Raff's proposals, Raff's public proclamations that he was responsible for the orchestration created doubts about Liszt's role in that for decades. The work premiered in Weimar on February 23, 1854, Liszt himself conducting, and it has remained the most popular of his symphonic poems in the orchestral repertoire, performed frequently today. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3): Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44866446360712,"sku":"36-S013401","price":11.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S013401_large_4bea8ce3-cca5-4ab7-943a-2f51a9fda1a1.jpg?v=1779254649"}],"url":"https:\/\/www.alfred.com\/collections\/otto-taubmann-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}