{"title":"Nieweg Performance Editions Kalmus Sheet Music","description":"\u003cp\u003eNieweg Performance Editions Kalmus Sheet Music offers conductor scores and orchestral parts for celebrated symphonic works and ballets. This collection features impressionistic masterworks and large ensemble arrangements by composers including Claude Debussy, Maurice Ravel, Gustav Holst, and Samuel Coleridge-Taylor. Each edition provides full orchestra scores and instrumental parts suitable for chamber orchestras and professional ensembles performing standard concert repertoire.\u003c\/p\u003e","products":[{"product_id":"planets-the-op-32-h125-no-1-mars-the-bringer-of-war-36-a820102","title":"Planets, The (Op. 32\/H125), No. 1: Mars, the Bringer of War: Full Orchestra, Conductor Score \u0026 Parts","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563653558408,"sku":"36-A820102","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820102_large_b1bff2ba-6f86-46cb-8020-8e97f17b69ed.jpg?v=1779255160"},{"product_id":"planets-the-op-32-h125-no-1-mars-the-bringer-of-war-36-a820101","title":"Planets, The (Op. 32\/H125), No. 1: Mars, the Bringer of War: Full Orchestra, Conductor Score","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563654017160,"sku":"36-A820101","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820101_large_415b2e8e-e6f3-4d17-8b8c-35f5312f7df0.jpg?v=1779255348"},{"product_id":"concerto-for-violin-no-3-in-b-minor-op-61-36-a197548","title":"Concerto for Violin No. 3 in B minor, Op. 61: Full Orchestra, Solo Strings with Ensemble Conductor Score \u0026 Parts","description":"The CONCERTO FOR VIOLIN No. 3 in B minor, Op. 61 was written in March of 1880, when Camille Saint-Saëns (1835-1921) was 44 years old and at the peak of his output. Written for fellow composer and virtuoso Pablo de Sarasate, the soloist initially deemed the work not virtuosic enough to satisfy audiences, although time and seeing the work win success for other soloists led to a revived enthusiasm and the concerto's inclusion in Sarasate's repertoire. Saint-Saëns places the dramatic and technical passages in the 1st and 3rd movements, while the 2nd movement is graceful and songlike. This concerto, along with the INTRODUCTION AND RONDO CAPRICCIOSO, Op. 28, and the HAVANAISE, Op. 83, remain the most popular works for violin and orchestra by Saint-Saëns. Instrumentation: 2(2dPicc).2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. 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rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566614311048,"sku":"36-A187548","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187548_large_b1988db1-0d9e-42b9-a419-31eeb9c620ce.jpg?v=1779255065"},{"product_id":"concerto-for-cello-no-1-in-a-minor-op-33-36-a242248","title":"Concerto for Cello No. 1 in A minor, Op. 33: Full Orchestra, Solo Strings with Ensemble 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Premiered by Tolbecque, who was closely associated with the Société des Concerts du Conservatoire, France's leading concert society, at the Paris Conservatoire on January 19, 1873, this performance was perceived as a mark of Saint-Saëns' growing acceptance by the French musical establishment. Many composers, including Shostakovich and Rachmaninoff, consider this concerto to be the greatest written for cello, with the work solving the issue of balance by limiting the role of the orchestra more often to the background and to punctuating chords. Rather than three   seperate movements, the work is composed in three distinct sections with single musical ideas and themes running through the entire work, a decision likely inspired by conversations with Franz Liszt. Despite the tremendously demanding solo part, this remains a favorite of cellists and a regular work in the repertoire. This edition has been edited by Clinton Nieweg and Nancy Bradburd, with the cello solo part edited by William Stokking. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Cello.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566614376584,"sku":"36-A242248","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A242248_large_fb1445dc-b077-4bb4-b26f-b681e35f32ea.jpg?v=1779255352"},{"product_id":"l-heure-espagnole-the-spanish-hour-m-52-36-a678002","title":"L'Heure Espagnole (The Spanish Hour), M. 52: Light Opera, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"In 1907, Maurice Ravel (1875-1937) began to compose his one-act theatrical piece, L'HEURE ESPAGNOLE (The Spanish Hour), after his opera-loving father suffered a stroke.  It has been suggested that this troubling event inspired him to take his first foray into opera.  Maurice Étienne Legrand, under the pseudonym Franc-Nohain, penned the libretto, which was based on his 1904 play of the same name.  The plot follows the wife of a clockmaker who tries to seduced several men in his absence, causing them to entrap themselves in her husband's clocks.  Dedicated to Louise Cruppi, it premiered in a double billing with Jules Massenet's Thérèse on May 19, 1911 at the Opera-Comique in Paris. Instrumentation: 2+Picc.2+EH.2+BCL.2: Sarrussophone: 4.2.3.1: Timp:Perc(5-7): 2Hp:Clst: Str (4.4.3.3.3 in set): \u003cbr\u003evocal soli (5 roles, ATTBB).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566677127304,"sku":"36-A678002","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A678002_large_dc36d6ee-5bc7-4e6b-977d-5105005a295a.jpg?v=1779255190"},{"product_id":"l-heure-espagnole-the-spanish-hour-m-52-36-a678001","title":"L'Heure Espagnole (The Spanish Hour), M. 52: Light Opera, Orchestra Accompaniment, Conductor Score","description":"In 1907, Maurice Ravel (1875-1937) began to compose his one-act theatrical piece, L'HEURE ESPAGNOLE (The Spanish Hour), after his opera-loving father suffered a stroke.  It has been suggested that this troubling event inspired him to take his first foray into opera.  Maurice Étienne Legrand, under the pseudonym Franc-Nohain, penned the libretto, which was based on his 1904 play of the same name.  The plot follows the wife of a clockmaker who tries to seduced several men in his absence, causing them to entrap themselves in her husband's clocks.  Dedicated to Louise Cruppi, it premiered in a double billing with Jules Massenet's Thérèse on May 19, 1911 at the Opera-Comique in Paris. Instrumentation: 2+Picc.2+EH.2+BCL.2: Sarrussophone: 4.2.3.1: Timp:Perc(5-7): 2Hp:Clst: Str (4.4.3.3.3 in set): \u003cbr\u003evocal soli (5 roles, ATTBB).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566677225608,"sku":"36-A678001","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A678001_large_4597b283-ce52-419d-bba5-56bf9ad75bed.jpg?v=1779255594"},{"product_id":"mignon-overture-36-a248201","title":"Mignon: Overture: Full Orchestra, Conductor Score","description":"MIGNON is an opera in three acts by Ambroise Thomas (1811-1896). Premiered on November 17, 1866 at the Opéra-Comique, it achieved immediate success. The French libretto, based on a novel by Goethe, was written by Jules Barbier and Michel Carré. A revised version in Italian received its first performance at the Drury Lane Theatre in London on July 5, 1870. The plot involves a minstrel named Lothario, reduced to madness by the loss of his daughter to a group of gypsies. The student Wilhelm, after purchasing her freedom, falls in love with her. After Wilhelm rescues her from a burning castle, Lothario learns that Mignon, in fact, is his lost daughter. The overture, here edited by Clinton Nieweg and Nancy Bradburd in a newly-engraved edition, has enjoyed considerable popularity in concert halls. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703734920,"sku":"36-A248201","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A248201_large_a334c896-464c-4f28-b07a-34e05188eb22.jpg?v=1779254722"},{"product_id":"mignon-overture-36-a248202","title":"Mignon: Overture: Full Orchestra, Conductor Score \u0026 Parts","description":"MIGNON is an opera in three acts by Ambroise Thomas (1811-1896). Premiered on November 17, 1866 at the Opéra-Comique, it achieved immediate success. The French libretto, based on a novel by Goethe, was written by Jules Barbier and Michel Carré. A revised version in Italian received its first performance at the Drury Lane Theatre in London on July 5, 1870. The plot involves a minstrel named Lothario, reduced to madness by the loss of his daughter to a group of gypsies. 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Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704128136,"sku":"36-A248202","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A248202_large_9985b425-5724-44c0-91e8-39b2f34a1917.jpg?v=1779255185"},{"product_id":"night-on-bald-mountain-night-on-the-bare-mountain-36-a185402","title":"Night on Bald Mountain (Night on the Bare Mountain): Conductor Score \u0026 Parts","description":"Originally written by Modest Mussorgsky for piano and orchestra, Night on Bald Mountain, alternatively Night on the Bare Mountain, was long left neglected by the composer. Having several musical iterations in existence, Nikolai Rimsky-Korsakov, whose orchestration brought the piece out of obscurity, initially struggled with which of Mussorgsky's versions to use. Already a popular piece in Rimsky-Korsakov's day, its use in Disney's Fantasia cemented its place in the popular consciousness. Instrumentation: 2(+Picc).2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566721265800,"sku":"36-A185402","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A185402_large_a01bb7e4-9493-4f23-b12a-534f1e3becec.jpg?v=1779255189"},{"product_id":"concerto-for-violin-no-2-in-b-minor-op-7-la-clochette-la-campanella-36-a187501","title":"Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Full Orchestra Conductor Score","description":"The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566721429640,"sku":"36-A187501","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187501_large_fb0a89e8-aea7-49e6-8cf9-69c2a504ff6b.jpg?v=1779255066"},{"product_id":"symphony-no-1-in-d-36-a344602","title":"Symphony No. 1 in D: Conductor Score \u0026 Parts","description":"French Symphony Original Scoring, part of the Nieweg Performance Editions series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568239931528,"sku":"36-A344602","price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A344602_large_01081c62-9f66-4456-8c13-4e7fdd9e88e3.jpg?v=1779256313"},{"product_id":"symphony-no-1-in-d-36-a344601","title":"Symphony No. 1 in D: Conductor Score","description":"French Symphony Original Scoring, part of the Nieweg Performance Editions series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568240554120,"sku":"36-A344601","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A344601_large_9065dd54-359d-4141-858c-b5b71a2b8b35.jpg?v=1779256313"},{"product_id":"daphnis-et-chloe-suite-no-2-3rd-edition-36-a675492","title":"Daphnis et Chloe: Suite No. 2 (3rd Edition): Full Orchestra, Chorus with Ensemble Conductor Score","description":"Ravel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a \"symphonie choregraphique\" (choreographic symphony).  Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles.  Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions.  Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus, of which this Suite No. 2 is particularly popular. Instrumentation: 3(2\u0026amp;3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(8): Hp(2): Clst: Str (9-8-7-6-5 in set): Mx Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568288592008,"sku":"36-A675492","price":2.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A675492_large_261f26c3-b6f0-4dea-91fb-a6c04e20f1f1.jpg?v=1779254696"},{"product_id":"cinq-melodies-populaires-grecques-five-greek-folk-melodies-36-a814602","title":"Cinq Melodies Populaires Grecques (Five Greek Folk Melodies): Full Orchestra, Solo Voice(s) with Ensemble Conductor Score \u0026 Parts","description":"Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was giving on Greek folksong. Initially given five folksongs from which to choose, Ravel supplied a piano accompaniment for them in only thirty-six hours. Having impressed those who supplied the original five, three more were produced, which Ravel also quickly set to piano accompaniment, in a style imitative of the Mediterranean lands, but remaining distinctly French in its execution. The five melodies in this collection were selected from those eight. Ravel had started orchestrating all five as well, completing two, leaving Manuel Rosenthal to complete the the remaining three. Songs in the collection: I. Le Réveil de la Mariée (Wake Up, My Dear), II. Là-bas, vers l'église (Out There, Where the Church Tower), III. Quel galant m'est comparable (Which Gallant Can Compare With Me?), IV. Chanson des cueilleuses de lentisques (Song of the Lentisk Gatherers), and V. Tout gai! (Be Gay!). These Ravel\/Rosenthal orchestrations have been here edited by Clinton Nieweg. Instrumentation: 2(dPicc).2(2dEH).2.2: 2.1.0.0: Timp.Perc(3): Hp.Clst: Str (9-8-7-6-5 in set): Solo Voice (available separately).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568288723080,"sku":"36-A814602","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A814602_large_d54e1f41-6cb2-4dfd-89d2-93b14fb2e035.jpg?v=1779255353"},{"product_id":"death-and-transfiguration-op-24-tod-und-verklarung-36-a211702","title":"Death and Transfiguration, Op. 24 (Tod und Verklarung): Full Orchestra, Conductor Score \u0026 Parts","description":"The fourth in a set of tone poems that Richard Strauss (1864-1949) wrote before his career as an opera composer, DEATH AND TRANSFIGURATION (TOD UND VERKLÄRUNG) portrays the death of an artist and the struggle and flight of the soul as it achieves its final resting place. Under the spell of Wagner, Strauss had originally titled it LIEBESTOD UND VERKLÄRUNG after the final scene in TRISTAN UND ISOLDE. Completing the work in 1889, the composer conducted its premiere at the Eisenach Festival on June 21, 1890. He observed that \"dying is just the way I composed it\", reflecting on the work at the end of his life. Instrumentation: 3.2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp. Perc(1): 2Hp: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568289247368,"sku":"36-A211702","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A211702_large_adbec49e-580a-4533-a59a-a806bd2e1638.jpg?v=1779255036"},{"product_id":"daphnis-et-chloe-36-a675501","title":"Daphnis et Chloe: Full Orchestra, Full Score","description":"Maurice Ravel's (1875-1937) longest work at almost an hour, the complete one-act ballet Daphnis et Chloé was described by the composer as a \"symphonie choregraphique\" (choreographic symphony). Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles. Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions. Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus. Instrumental parts are included as substitutions for performances with no chorus. Instrumentation: 3(2nd\/3rd dPicc)+Afl.2+EH.2+EbCl+BCl.3+CBsn: 4.4.3.1: Timp.Perc(12 parts): Hp(2).Clst: Str (4-4-3-3-3 in set): Mixed Chorus (optional; available separately). Reprint edition and part of the Nieweg Performance Editions series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568289509512,"sku":"36-A675501","price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A675501_large_e861cec9-d7de-4f80-8de0-a127a6b6ab52.jpg?v=1779255352"},{"product_id":"danse-macabre-op-40-36-a198101","title":"Danse Macabre, Op. 40: Conductor Score","description":"Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Nichols mentions particularly adverse audience reactions to “the deformed Dies irae” melody and the “horrible screeching from the solo violin.” Drawing thematic material from an old French superstition that Death appears at the stroke of midnight on Halloween to dance with the risen dead, the Danse Macabre is now regarded as one of Saint-Saëns’ masterpieces. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set): Solo Violin in set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568289837192,"sku":"36-A198101","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A198101_large_ed634064-ffdc-4e34-a8c7-3b8e9ecc98ff.jpg?v=1779254715"},{"product_id":"mother-goose-five-pieces-for-children-ma-mere-l-oye-36-a639202","title":"Mother Goose: Five Pieces for Children (Ma Mere L'oye): Conductor Score \u0026 Parts","description":"Maurice Ravel’s (1875-1937) Ma mère l’Oye (“Mother Goose”) draws its inspiration from the fairy tales of Charles Perrault, Madame d’Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the first movement “Pavane de la Belle au Bois Dormant” in September of 1908, and after some encouragement from his publisher Jacques Durand, the remaining four movements were added between 1908 and 1910. The piece sought to both be performable by children and also to reflect the world of childhood. Dedicated to the two children of his friends the Godebskis, Ravel intended for them to premier the piece. However, when the piece proved too difficult for the pair, it was instead premiered at a concert in the Salle Gaveau in 1910 by 11-year old pianist Jeanne Leleu and 14-year old Geneviève Durony. In 1911, Ravel wrote an orchestral version of the suite, which became the basis of the ballet which was performed in January 1912. Instrumentation: 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260582536,"sku":"36-A639202","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A639202_large_ea842ac4-7fbc-4b54-af29-f4cb0f733851.jpg?v=1779255130"},{"product_id":"le-tombeau-de-couperin-suite-composer-s-transcription-36-a806401","title":"Le Tombeau de Couperin: Suite (composer's transcription): Full Orchestra, Ensemble Works Conductor Score","description":"Originally written as a suite for solo piano, Maurice Ravel (1875-1937) later orchestrated four movements from Le Tombeau de Couperin in 1919 (Prélude, Forlane, Menuet, and Rigaudon). This orchestral version was premiered in February of 1920 by conductor Rhené-Baton and the Pasdeloup Orchestra. Each movement of the suite was written in memory of Ravel's friends who had died fighting in World War I. It has remained one of Ravel's more popular works, with a ballet by the same name choreographed decades later by George Balanchine. Instrumentation: 2(2dPiccc).2(2dEH).2.2: 2.1.0.0: Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260877448,"sku":"36-A806401","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A806401_large_5a911bfe-e2c4-4373-ad81-9c46b46a845c.jpg?v=1779254695"},{"product_id":"till-eulenspiegel-lustige-streiche-op-28-36-a211801","title":"Till Eulenspiegel Lustige Streiche, Op. 28: Full Orchestra, Full Score","description":"TILL EULENSPIEGELS LUSTIGE STREICHE (TILL EULENSPIEGEL'S MERRY PRANKS), is a tone poem written in 1894-95 by Richard Strauss (1864-1949). It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel, who is represented by two themes. The first, played by the horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. Dedicated to Strauss' friend Arthur Seidl, it premiered on May 6, 1895 by the Gürzenich Orchestra Cologne conducted by Franz Wüllner. Instrumentation: 3+Picc.3+EH.2+ECl-BCl.3+CBsn: 8 (4 opt).6 (3 opt).3.1: Timp. Perc (3-4): Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578292760712,"sku":"36-A211801","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A211801_large_6028e373-8e34-40c9-b6b7-49e29aac8783.jpg?v=1779254719"},{"product_id":"la-valse-poeme-choregraphique-36-a817802","title":"La Valse - Poeme Choregraphique: Full Orchestra, Ensemble Works Conductor Score \u0026 Parts","description":"Maurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work. An older idea that Ravel had as early as 1906 was to compose a work titled \"Wien\" (Vienna) as a tribute to the Waltz King Johann Strauss II. Before any work was completed, World War I intervened, and Ravel composed nothing as he served as an ambulance driver at the front. He returned to the idea when famous impresario and founder of Ballets Russes, Serge Diaghilev, commissioned a new ballet from Ravel in 1919. Upon hearing a piano reduction of the new composition, however, Diaghilev referred to the work as a \"masterpiece,\" but rejected the work as \"not a ballet. It's a portrait of ballet.\" A young Francis Poulenc, who was in the room at the time, reported that, \"Ravel proceeded to give me a lesson in modesty which has lasted me all my life; he picked up his music quite quietly and, without worrying about what we all thought of it, calmly left the room.\" The rejection destroyed Ravel's and Diaghilev's relationship, and when they met one last time, Ravel's refusal to shake hands resulted in Diaghilev challenging the composer to a duel, though the Russian was talked down. Since its premiere in Paris on December 12, 1920, the work has found a regular home in the orchestra repertoire and was even staged as a ballet in the 1950s. But, despite Ravel's own attempt to put to bed the notion that the work is symbolic, many see a commentary on the post-war Europe after the war; a distorted version of a Viennese waltz that critiques Austro-German militarism and looks back at the world where the waltz dominated as a bygone era, one that the war destroyed. Whether a \"dance of death\" or what Ravel describes as just \"a dancing, whirling, almost hallucinatory ecstasy, an increasingly passionate and exhausting whirlwind of dancers, who are overcome and exhilarated by nothing but 'the waltz,'\" La Valse continues to have a place in the concert hall today. Instrumentation: 3(3dPicc).3(3dEH).2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578316353672,"sku":"36-A817802","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A817802_large_df44182c-1d96-4167-8923-432d32da10c2.jpg?v=1779255356"},{"product_id":"verklaerte-nacht-op-4-composer-s-1917-transcription-36-a790501","title":"Verklaerte Nacht, Op. 4 (composer's 1917 transcription): String Orchestra, Full Score","description":"VERKLÄRTE NACHT (TRANSFIGURED NIGHT), Op. 4, originally written for string sextet in one movement, was composed by Arnold Schoenberg (1874-1951) in 1899. Composed in three weeks, it is one of Schoenberg's earliest important works. It was inspired by Richard Dehmel's poem VERKLÄRTE NACHT and Schoenberg's feelings upon meeting his future wife. The piece can be divided into five distinct sections which refer to the five stanzas of Dehmel's poem. VERKLÄRTE NACHT premiered on March 18, 1902, in the Vienna Musikverein by the Rosé Quartet. This version, transcribed for string orchestra by the composer, premiered in the English city of Newcastle upon Tyne in December of 1924. This reprint edition is edited by Clinton F. Nieweg and Mark Laycock. Instrumentation: String Orchestra (8-8-3.3-3.3-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578343911560,"sku":"36-A790501","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A790501_large_a98c5c2c-ea16-4569-8948-9e5ff875e089.jpg?v=1779255348"},{"product_id":"premiere-rapsodie-pour-clarinet-et-orchestre-first-rhapsody-for-clarinet-orchestra-36-a616501","title":"Premiere Rapsodie pour Clarinet et Orchestre (First Rhapsody for Clarinet \u0026 Orchestra): Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score","description":"Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. Instrumentation: 3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set. Part of the Nieweg Performance Edition series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578344599688,"sku":"36-A616501","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616501_large_99d7e00a-b451-4274-9b22-780f0de29c86.jpg?v=1779255061"},{"product_id":"the-three-cornered-hat-three-dances-from-part-2-el-sombrero-des-tres-picos-36-a848501","title":"The Three Cornered Hat: Three Dances from Part 2 (El Sombrero des Tres Picos): Conductor Score","description":"\u003cem\u003eThe Three-Cornered Hat\u003c\/em\u003e is a two act ballet by Manuel de Falla that was commissioned by famed ballet impresario Sergei Diaghilev and premiered in 1919.  Incorporating Spanish dance rather than classical ballet style, the music uses traditional Andalusian folk music in telling the comedic story of a miller and his wife's encounter with a dandified, but lecherous, magistrate.  The \u003cem\u003eThree Dances\u003c\/em\u003e in this suite arranged by de Falla are taken from the second act of the ballet.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579065593992,"sku":"36-A848501","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A848501_large_9d844dbe-00d5-410a-ab14-d89557d97d37.jpg?v=1779255062"},{"product_id":"the-three-cornered-hat-three-dances-from-part-2-el-sombrero-des-tres-picos-36-a848502","title":"The Three Cornered Hat: Three Dances from Part 2 (El Sombrero des Tres Picos): Conductor Score \u0026 Parts","description":"The Three-Cornered Hat is a two act ballet by Manuel de Falla that was commissioned by famed ballet impresario Sergei Diaghilev and premiered in 1919.  Incorporating Spanish dance rather than classical ballet style, the music uses traditional Andalusian folk music in telling the comedic story of a miller and his wife's encounter with a dandified, but lecherous, magistrate.  The Three Dances in this suite arranged by de Falla are taken from the second act of the ballet.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579066052744,"sku":"36-A848502","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A848502_large_9a99fcd5-86a4-4efd-960c-6616075adf92.jpg?v=1779255254"},{"product_id":"notre-dame-entr-acte-and-carnival-music-36-a891902","title":"Notre Dame: Entr'acte and Carnival Music: Conductor Score \u0026 Parts","description":"Notre Dame by Franz Schmidt (1874-1939) is a romantic opera, with libretto written by both the composer himself and Leopold Wilk, a professional chemist and amateur poet. Based loosely on the 1831 Victor Hugo novel The Hunchback of Notre-Dame, the opera was premiered in Vienna in 1914. Best known for its Intermezzo and Carnival Music (which were written before the opera and later incorporated), Notre Dame was popular until the early 1920s before it faded from public performance. It has since been revived in Vienna and Dresden. Instrumentation: 2+Picc(dFl).2.2.2+CBsn: 4.3.3.0: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579066282120,"sku":"36-A891902","price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A891902_large_4fd05e27-f451-4fd7-888d-d62d3fce1eff.jpg?v=1779255283"},{"product_id":"miroirs-no-4-alborada-del-gracioso-composer-s-transcription-36-a906602","title":"Miroirs, No. 4: Alborada del Gracioso [composer's transcription]: Conductor Score \u0026 Parts","description":"A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS (\"Mirrors\") was written between 1904 and 1905, with each movement dedicated to a fellow member of the French avant-garde artist group Les Apaches. Ravel later orchestrated both the third movement called \"Une barque sur l'océan\" (\"A Boat on the Ocean\" - dedicated to Paul Sordes) and the fourth movement named \"Alborada del gracioso\" (\"The Jester's Aubade\" - dedicated to Michel-Dimitri Calvocoressi) himself. Ernesto Halffter later orchestrated the fifth movement (\"La vallée des cloches\" - \"The Valley of the Bells\" - dedicated to Maurice Delage), as did Percy Grainger, while Felix Günther scored movement two (\"Oiseaux tristes\" - \"Sad Birds\" - dedicated to Ricardo Viñes). Orchestrations of movement one (\"Noctuelles\" - \"Moths\" - dedicated to Léon-Paul Fargue) are more recent. This edition of the composer's transcription of \"Alborada del Gracioso\" has been edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 3(3rd dPicc).2+EH.2.2+CBsn: 4.2.3.1: Timp.Perc(6): 2Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579066544264,"sku":"36-A906602","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A906602_large_f9ab2b29-a4b3-48df-bf61-2abe9cc024e5.jpg?v=1779255349"},{"product_id":"ballade-in-a-minor-op-33-36-a890302","title":"Ballade in A minor, Op. 33: Full Orchestra Conductor Score \u0026 Parts","description":"The BALLADE in A minor, Op. 33 is an early composition by Samuel Coleridge-Taylor (1875-1912). Written only a year after completing his education at the Royal College of Music, this one-movement work full of ravishing melodies and lush string moments owes its existence to Coleridge-Taylor's mentor, Sir Edward Elgar. When Elgar was offered a commission by the 1898 Three Choirs Festival in Gloucester, Elgar responded, \"I have received a request from the secretary to write a short orchestra thing for the evening concert. I am sorry I am too busy to do so. I wish, wish, wish you would ask Coleridge-Taylor to do it. He still wants recognition, and he is far and away the cleverest fellow going amongst the young men. Please don't let your committee throw away the chance of doing a good act.\" Upon being offered the commission at Elgar's suggestion, Coleridge-Taylor wrote a work that develops his own voice while still retaining elements of his musical heroes such as Brahms, Tchaikovsky, and  Dvorák. Instrumenation in set: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5). This edition has been edited by Nancy Bradburd.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579067134088,"sku":"36-A890302","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A890302_large_1485bcfd-1471-4e77-9e91-843593ef239f.jpg?v=1779255197"},{"product_id":"miroirs-no-4-alborada-del-gracioso-composer-s-transcription-36-a906601","title":"Miroirs, No. 4: Alborada del Gracioso [composer's transcription]: Conductor Score","description":"A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS (\"Mirrors\") was written between 1904 and 1905, with each movement dedicated to a fellow member of the French avant-garde artist group Les Apaches. 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Instrumentation: 3(3rd dPicc).2+EH.2.2+CBsn: 4.2.3.1: Timp.Perc(6): 2Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579067166856,"sku":"36-A906601","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A906601_large_7a7c6b97-f66e-476f-9c57-02cfbe3b0238.jpg?v=1779254698"},{"product_id":"symphony-no-1-classical-op-25-critical-edition-36-a913001","title":"Symphony No. 1 \"Classical,\" Op. 25 (Critical Edition): Full Orchestra, Ensemble Works, Full Score (EDWIN F KALMUS)","description":"Sergei Prokofiev began work on Symphony No. 1 in D major, Op. 25 in 1916, but wrote most of it in 1917, completing the piece on September 10, 1917. The symphony was premiered on April 21, 1918 in Petrograd, conducted by the composer. This critical edition by Clinton Nieweg is based on all available sources. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set). Newly engraved with transposed Clarinet and Trumpet parts in the set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579067199624,"sku":"36-A913001","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A913001_large_9ee1d901-6c03-446d-b553-33b3ee95fc50.jpg?v=1779254694"},{"product_id":"symphony-no-1-classical-op-25-critical-edition-36-a913002","title":"Symphony No. 1 \"Classical,\" Op. 25 (Critical Edition): Full Orchestra, Ensemble Works, Score and Parts (EDWIN F KALMUS)","description":"Sergei Prokofiev began work on Symphony No. 1 in D major, Op. 25 in 1916, but wrote most of it in 1917, completing the piece on September 10, 1917. The symphony was premiered on April 21, 1918 in Petrograd, conducted by the composer. This critical edition by Clinton Nieweg is based on all available sources. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9-8-7-6-5 in set). Newly engraved with transposed Clarinet and Trumpet parts in the set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579067265160,"sku":"36-A913002","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A913002_large_32d48fe5-a723-4ead-94c3-944ee75ff31e.jpg?v=1779254695"},{"product_id":"the-fountains-of-rome-fonatana-di-roma-36-a792001","title":"The Fountains of Rome (Fonatana di Roma): Full Orchestra, Full Score","description":"Ottorino Respighi (1879-1936) constructed the first piece in his Roman trilogy, FONTANE DI ROMA (THE FOUNTAINS OF ROME), in four movements without break, each depicting a different fountain in Rome at various times of the day. The four fountains depicted are the Valle Giulia, Triton, Trevi, and Villa Medici. Completed in 1916, the work premiered on March 11, 1917 at the Teatro Augusteo in Rome under the direction of Antonio Guarnieri. Originally, Arturo Toscanini had been scheduled to conduct, but had cancelled after provoking controversy over a program which had included Richard Wagner's music amid the tense climate of World War I. Instrumentation: 2+Picc.2+EH.2+BCl.2: 4.3.3.1: Timp: Perc (4): 2Hp: Clst: Org (opt.): Pno: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579067986056,"sku":"36-A792001","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A792001_large_81efc9bb-4667-426f-8015-936ed9bb8aa6.jpg?v=1779255253"},{"product_id":"the-magic-toy-shop-la-boutique-fantasque-complete-ballet-36-a806502","title":"The Magic Toy Shop (La Boutique Fantasque, complete ballet): Full Orchestra Conductor Score \u0026 Parts","description":"The music for The Magic Toy Shop, a one act ballet about a love story between two can-can dancer dolls in a toy shop, is based on piano pieces that were a part of Rossini's Péchés de vieillesse.  Respighi introduced Rossini's score to the impresario Sergei Diaghilev, whose Ballets Russes premiered the ballet in London on June, 5, 1919 to an eagerly awaiting audience. Instrumentation in set: 2+Picc.2+EH.2.2: 4.3.3.1: Timp.Perc(5): Cel.Hp: Str(4.4.3.3.3).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068248200,"sku":"36-A806502","price":410.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A806502_large_dc006e3c-af1a-4e0f-9d0f-5577bce0eceb.jpg?v=1779255353"},{"product_id":"the-planets-op-32-h125-36-a820801","title":"The Planets, Op. 32\/H125: Conductor Score","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068313736,"sku":"36-A820801","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820801_large_56ba6733-432d-4182-bc78-9798c645434a.jpg?v=1779254697"}],"url":"https:\/\/www.alfred.com\/collections\/nieweg-performance-editions-kalmus-sheet-music.oembed?page=7","provider":"Alfred Music","version":"1.0","type":"link"}