Kenneth Gamble Sheet Music
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Love Train: Marching Band Conductor Score & Parts -
When Will I See You Again: SSA Choral Octavo -
When Will I See You Again: Choral SoundPax -
When Will I See You Again: SSA Choral Octavo -
Love Train: Marching Band Conductor Score 
Love Train: Marching Band Conductor Score
Love Train: Marching Band Conductor Score
Words and music by Kenneth Gamble and Leon Huff / arr. Jerry Burns
Grade: 1.5 (Very Easy)
Shipped$6.00Sale price $6.00 Regular price -
When Will I See You Again: Choral SoundPax -
When Will I See You Again: SoundTrax Digital Audio Download -
If You Don't Know Me by Now: Choral Octavo SoundTrax CD -
If You Don't Know Me by Now: SATB Choral Octavo -
When Will I See You Again: Choral Octavo SoundTrax CD -
If You Don't Know Me by Now: SAB Choral Octavo -
If You Don't Know Me by Now: SoundTrax Digital Audio Download
About this collection
Kenneth Gamble Sheet Music
Kenneth Gamble's sheet music collection brings beloved soul and pop hits into the rehearsal room across multiple ensembles. The collection spans SATB, SAB, and SSA voicings for choir, plus marching band conductor scores, all available in print and digital formats including SoundTrax accompaniment audio.
Who it's for
- Choir directors seeking secular pop arrangements for SATB and mixed voices
- Marching band directors looking for accessible, crowd-pleasing selections
- Music teachers who want recognized songs that engage students
What's inside
- Choral octagos in SATB, SAB, and SSA voicings from the Alfred Pop Choral Series
- Marching band conductor scores and parts at Grade 1.5 (Very Easy) level
- SoundTrax digital audio downloads and CDs for rehearsal and performance accompaniment
- Print and digital delivery options to suit your workflow
Things to consider
These arrangements work best when you need pieces that students recognize instantly and audiences enjoy hearing. The Grade 1.5 marching band adaptations fit early-season shows or groups building fundamentals, while the choral versions adapt easily to concert settings across different voicing needs. Consider