Kalmus Vocal Library Sheet Music

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  • Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score & Parts

    Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score & Parts

    Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score & Parts

    By Ludwig van Beethoven

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  • Suor Angelica: Amici fiori (Original and Revised Versions of the Abandoned Aria for Angelica): High Voice, Orchestra Accompaniment, Score and Parts

    Suor Angelica: Amici fiori (Original and Revised Versions of the Abandoned Aria for Angelica): High Voice, Orchestra Accompaniment, Score and Parts

    Suor Angelica: Amici fiori (Original and Revised Versions of the Abandoned Aria for Angelica): High Voice, Orchestra Accompaniment, Score and Parts

    By Giacomo Puccini, ed. Michael Kaye, Libretto by Giovacchino Forzano

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  • Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score

    Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score

    Primo amore piacer del ciel, WoO 92 (Concert Aria): Conductor Score

    By Ludwig van Beethoven

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  • Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Full Orchestra Accompaniment Conductor Score & Parts

    Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Full Orchestra Accompaniment Conductor Score & Parts

    Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Full Orchestra Accompaniment Conductor Score & Parts

    By Ludwig van Beethoven

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  • Mit Maedeln sich vertragen, WoO 90 (Concert Aria): Low Voice, Orchestra Accompaniment Conductor Score

    Mit Maedeln sich vertragen, WoO 90 (Concert Aria): Low Voice, Orchestra Accompaniment Conductor Score

    Mit Maedeln sich vertragen, WoO 90 (Concert Aria): Low Voice, Orchestra Accompaniment Conductor Score

    By Ludwig van Beethoven

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  • Concert Aria: Soll ein Schuh nicht druecken!, WoO 91/2 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schoene Schusterin"): High Voice, Orchestra Accompaniment High Voice, Orchestra Accompaniment

    Concert Aria: Soll ein Schuh nicht druecken!, WoO 91/2 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schoene Schusterin"): High Voice, Orchestra Accompaniment High Voice, Orchestra Accompaniment

    Concert Aria: Soll ein Schuh nicht druecken!, WoO 91/2 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schoene Schusterin"): High Voice, Orchestra Accompaniment High Voice, Orchestra Accompaniment

    By Ludwig van Beethoven / lyr. Ignaz Umlauf

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  • Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Orchestra Accompaniment Conductor Score

    Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Orchestra Accompaniment Conductor Score

    Concert Aria: O welch' ein Leben! ein ganzes Meer, WoO 91/1 (Two Concert Arias from Ignaz Umlauf's Singspiel "Die Schöne Schusterin"): High Voice, Orchestra Accompaniment Conductor Score

    By Ludwig van Beethoven

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  • Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    By Franz Schubert / arr. William Ryden

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  • O Holy Night (Cantique de Noel) orchestration for high voice in Eb: High Voice, Keyboard Accompaniment Vocal Score

    O Holy Night (Cantique de Noel) orchestration for high voice in Eb: High Voice, Keyboard Accompaniment Vocal Score

    O Holy Night (Cantique de Noel) orchestration for high voice in Eb: High Voice, Keyboard Accompaniment Vocal Score

    By Adolphe Adam / arr. William Ryden

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  • O Holy Night (Cantique de Noel) orchestration for low voice in C: Low Voice, Keyboard Accompaniment Vocal Score

    O Holy Night (Cantique de Noel) orchestration for low voice in C: Low Voice, Keyboard Accompaniment Vocal Score

    O Holy Night (Cantique de Noel) orchestration for low voice in C: Low Voice, Keyboard Accompaniment Vocal Score

    By Adolphe Adam / arr. William Ryden

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  • Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    Ave Maria, Op. 52/6; D. 839 [arrangement for low voice, G]: Low Voice, Orchestra Accompaniment Low Voice, Orchestra Accompaniment

    By Franz Schubert / arr. William Ryden

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  • Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score

    Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score

    Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score

    By Ludwig van Beethoven/ Libretto by Friedrich Treitschke

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  • Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Keyboard Accompaniment, VS

    Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Keyboard Accompaniment, VS

    Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Keyboard Accompaniment, VS

    By J.S. Bach, ed./arr. by Bernhard Todt/ Gunter Raphael/ German text from the composer, an anonymous poet (Nos. 1-3), Psalm CXXXVIII: 2 (No. 2), Psalm XXVI: 2 (No. 2), and Johann Gramann (No. 4). English translation by John Michael Diack.

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  • Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score & Parts

    Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score & Parts

    Germania, Wie stehst du jetzt, WoO 94 [Finale from Treitschke's "Die gute Nachricht"]: Medium Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Ludwig van Beethoven/ Libretto by Friedrich Treitschke

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  • Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Cantata No. 51: Jauchzet Gott in allen Landen, BWV 51: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By J.S. Bach, ed./arr. by Wilhelm Rust/ Max Seiffert/ German text from the composer, an anonymous poet (Nos. 1-3), Psalm CXXXVIII: 2 (No. 2), Psalm XXVI: 2 (No. 2), and Johann Gramann (No. 4)

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  • Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Wesendonck Lieder: No. 5, Traume [composer's transcription - A-flat] (Fuenf Gedichte fuer eine Frauenstimme): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Richard Wagner/ Poems by Mathilde Wesendonck

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  • Exsultate, Jubilate, K. 165/158a: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Exsultate, Jubilate, K. 165/158a: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Exsultate, Jubilate, K. 165/158a: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Wolfgang Amadeus Mozart/ Text in Latin

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  • Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Gustav Mahler/ Text by Friedrich Rückert

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  • Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score

    Songs to Poems by Rueckert; No. 3: Ich bin der Welt abhanden gekommen, high voice (F, transposed): High Voice, Orchestra Accompaniment, Conductor Score

    By Gustav Mahler/ Text by Friedrich Rückert

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  • Samson, HWV 57: Let the bright seraphim: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Samson, HWV 57: Let the bright seraphim: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    Samson, HWV 57: Let the bright seraphim: Cantata/ Oratorio, Orchestra Accompaniment, Conductor Score

    By George Frideric Handel, ed./arr. by Ebenezer Prout

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  • Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score

    Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score

    Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score

    By Wolfgang Amadeus Mozart/ Italian text by Michele Sarcone

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  • Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Bella mia fiamma (Resta, o cara!), K. 528: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Wolfgang Amadeus Mozart/ Italian text by Michele Sarcone

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  • Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score & Parts

    By Wolfgang Amadeus Mozart/ Italian libretto may be by Caterino Mazzolà, though this in question.

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  • Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score

    Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score

    Misero! o sogno, o son desto, K. 431/425b: High Voice, Orchestra Accompaniment, Conductor Score

    By Wolfgang Amadeus Mozart/ Italian libretto may be by Caterino Mazzolà, though this in question.

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