{"title":"Kalmus Choral Library Sheet Music","description":"\u003cp\u003eThe Kalmus Choral Library offers a curated collection of sacred choral works spanning the Baroque through Romantic periods. This library features complete oratorios and masses by composers including Handel, Mozart, Mendelssohn, and Dubois—works such as \u003cem\u003eMessiah\u003c\/em\u003e, \u003cem\u003eJudas Maccabaeus\u003c\/em\u003e, and \u003cem\u003eThe Seven Last Words of Christ\u003c\/em\u003e. Each title includes full conductor scores and instrumental parts for orchestra or chamber ensemble accompaniment, making these cornerstone repertoire pieces accessible for choirs, school ensembles, and professional musicians. Whether preparing a large-scale oratorio or a intimate sacred work, this collection provides the authentic scores needed for rehearsal and performance.\u003c\/p\u003e","products":[{"product_id":"veni-sancte-spiritus-k-47-36-a267402","title":"Veni Sancte Spiritus, K. 47: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle \"Offertorium,\" it is clear this was intended for use during the church service's offertory. The text is derived from a Pentecostal antiphon, Ad invocandum Spiritum Sanctum. Instrumentation: 0.2.0.0: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mix Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565178810504,"sku":"36-A267402","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A267402_large_f6b72dea-3918-4d50-be58-2cf410c0d238.jpg?v=1779255062"},{"product_id":"stabat-mater-op-58-b-71-36-a259391","title":"Stabat Mater, Op. 58\/B. 71: Choir Vocal Score","description":"Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58 (B. 71). It is traditionally thought that Dvorák decided to compose it following the death of his two-day old daughter Josefa on August 21, 1875, finishing it after the death of two more children (11-month-old Ruzena on August 13, 1877, and his firstborn son Otakar a month later), but some doubts have been raised about this motivation. Regardless, this ten-movement sacred cantata remains a profound testament to human sorrow and hope, an appropriate setting of a text that describes Mary's suffering as she watches her son die on the Cross. The work was the primary vehicle to Dvorák's international fame following the premiere in Prague on December 23, 1880, by the Provisional Theatre Orchestra and Choir under Adolf Cech, and it remains one of his most popular and frequently performed works, and among the most famous settings of the medieval Stabat mater. This piano reduction is by Josef Zubaty.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565214298248,"sku":"36-A259391","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A259391_large_242f6438-24ba-49ab-9ecc-d1427409b7e0.jpg?v=1779255349"},{"product_id":"messiah-hwv-56-part-i-no-4-chorus-and-the-glory-of-the-lord-prout-36-a282602","title":"Messiah, HWV 56: Part I, No. 4, Chorus: And the Glory of the Lord (Prout): Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"This edition of George Frideric Handel's (1685-1759) most famous work was edited by Ebenezer Prout, and includes additional accompaniments largely re-written by him. The preface provided by Prout offers an explanation of what specific edits were made to AND THE GLORY OF THE LORD and why he made them. Instrumentation: 0.2.2.2: 2.0.0.0: Org: Str (4.4.3.3.3 in set): Chorus. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565242282120,"sku":"36-A282602","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A282602_large_9980d1cc-8df0-4365-87dc-e6751f25c56f.jpg?v=1779255182"},{"product_id":"messiah-hwv-56-part-ii-chorus-hallelujah-urtext-36-a884492","title":"Messiah, HWV 56: Part II, Chorus: Hallelujah (urtext): Cantata\/ Oratorio, Orchestra Accompaniment, Choral Score","description":"George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. This urtext edition of the HALLELUJAH CHORUS was edited by Arnold Schering with continuo realization by Kurt Soldan.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565274525832,"sku":"36-A884492","price":1.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A884492_large_c731c171-378e-4c2c-94de-045a3bad0448.jpg?v=1779255722"},{"product_id":"die-schoepfung-hob-xxi-2-the-creation-36-a264001","title":"Die Schoepfung, Hob.XXI: 2 (The Creation): Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score","description":"Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI: 2 in 1796, aided by a libretto by Gottfried van Swieten that incorporates various texts from Milton's Paradise Lost, Genesis, and the Psalms. Throughout the work, Haydn depicts the events of creation with Handelian choruses and colorful word-painting. The first public performance took place at the old Burgtheater in Vienna on March 19, 1799. Instrumentation: 3.2.2.2+1(CBsn): 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Soli STB in set: SATB Mix Chorus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565457862792,"sku":"36-A264001","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A264001_large_249025b6-e916-447f-9cd2-e253cd8acd92.jpg?v=1779255596"},{"product_id":"cantata-no-29-wir-danken-dir-gott-wir-danken-dir-bwv-29-36-a250201","title":"Cantata No. 29: Wir danken dir, Gott, wir danken dir, BWV 29: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score","description":"Johann Sebastian Bach (1685-1750) composed his CANTATA NN. 29: WIR DANKEN DIR, GOTT, WIR DANKEN DIR (WE THANK YOU, GOD, WE THANK YOU), BWV 29 for the installation of the new Leipzig town council in 1731. It was first performed as part of the celebratory service in the Nikolaikirche on August 27. An arrangement of his PARTITA NO. 3 serves as the opening Sinfonia, and he later borrowed music from the second movement to create the \"Gratias agimus\" in the MASS IN B MINOR. This reprint edition by Wilhelm Rust was released as part of the Bach Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: 0.2.0.0: 0.3.0.0: Timp: Org obl in set: Str (2.2.2.1.1): Soli SATB, Mixed Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565458813064,"sku":"36-A250201","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A250201_large_27f606ff-287a-4102-8b24-c06f5f10ccd2.jpg?v=1779255595"},{"product_id":"die-schoepfung-hob-xxi-2-the-creation-36-a264002","title":"Die Schoepfung, Hob.XXI: 2 (The Creation): Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI: 2 in 1796, aided by a libretto by Gottfried van Swieten that incorporates various texts from Milton's Paradise Lost, Genesis, and the Psalms. 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Written for the dedication of the Votive Chapel of the Linz Cathedral, it is scored for eight-part mixed choir and a small wind ensemble. Following construction delays, the mass finally premiered on October 4, 1869 in the newly completed chapel. Eschewing grand orchestral forces, Bruckner drew instead on Renaissance polyphony and plainchant influences, blending them with his own Romantic harmonic language to create a deeply spiritual and architecturally majestic work. The choral score is available as A258291. Instrumentation: 0.2.2.2: 4.2.3.0: Double Chorus. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565473263752,"sku":"36-A258291","price":7.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A258291_large_94920e31-5caa-47f0-9a19-b9fdf9bfb28b.jpg?v=1779255566"},{"product_id":"schicksalslied-op-54-song-of-destiny-song-of-fate-36-a134302","title":"Schicksalslied, Op. 54 (Song of Destiny; Song of Fate): Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"Johannes Brahms (1833-1897) completed SCHICKSALSLIED, Op. 54 (also SONG OF DESTINY; SONG OF FATE) in May of 1871, though he began the work in the summer of 1868. The inspiration came while Brahms was visiting his friend Albert Dietrich in Wilhelmshaven in 1868, where he came upon the novel HYPERION by Friedrich Hölderlin in Dietrich's library. Included in the book was the poem \"Hyperions Schicksalslied,\" and Brahms was so taken by the work that he began sketching this choral work that very day while sitting by the sea. The nearly three-year delay was due to the composer's uncertainly in how to finish it. SCHICKSALSLIED is considered among the best of Brahm's major choral works, and the work premiered on October 18, 1871, in Karlsruhe by the Philharmonischen Vereins, Brahms conducting. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Str (9.8.7.6.5 in set): SATB Chor. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565476016264,"sku":"36-A134302","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A134302_large_4e7b03d3-f44b-423d-8803-26baa1652301.jpg?v=1779254716"},{"product_id":"mass-no-2-in-e-minor-wab-27-1882-version-36-a258202","title":"Mass No. 2 in E minor, WAB 27 (1882 version): Mass, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"Anton Bruckner (1824-1896) initially composed the MASS NO. 2 IN E MINOR, WAB 27 in 1866, revising it several times prior to the performance of the 1882 version in Linz. Written for the dedication of the Votive Chapel of the Linz Cathedral, it is scored for eight-part mixed choir and a small wind ensemble. Following construction delays, the mass finally premiered on October 4, 1869 in the newly completed chapel. 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Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565476245640,"sku":"36-A258202","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A258202_large_da9740db-de3b-47c1-9f0a-ff23555887ae.jpg?v=1779255185"},{"product_id":"christus-there-shall-a-star-out-of-jacob-36-a290701","title":"Christus: There Shall a Star Out of Jacob: Conductor Score","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566614179976,"sku":"36-A290701","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A290701_large_762a520d-a620-4f2b-b787-6deea1b12483.jpg?v=1779255345"},{"product_id":"magnificat-in-g-minor-rv-610-611-36-a273301","title":"Magnificat in G minor, RV 610\/611: Conductor Score","description":"Antonio Vivaldi (1678-1741) wrote numerous versions in G minor of the Magnificat canticle, making alterations to his own settings over his decades serving as director of music at the Ospedale della Pietà, an orphanage for girls. While three versions exist as RV 610 in his catalog, a later version from perhaps 1739 was instead designated RV 611. This edition by Clayton Westermann includes both RV 610 and RV 611, offering choirs multiple ways to approach the nine movements of the work. Instrumentation: 0.2.0.1(opt.): 0.0.0.0: Org: Str (2-2-2-1-1 in set): Solo SATB: Mx Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566624469128,"sku":"36-A273301","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A273301_large_7e5b260c-1329-4082-8c48-e7883c0fb6e5.jpg?v=1779255353"},{"product_id":"die-schoepfung-hob-xxi-2-the-creation-36-a264091","title":"Die Schoepfung, Hob.XXI: 2 (The Creation): Cantata\/ Oratorio, Orchestra Accompaniment, VS","description":"Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. 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Throughout the work, Haydn depicts the events of creation with Handelian choruses and colorful word-painting. The first public performance took place at the old Burgtheater in Vienna on March 19, 1799. Instrumentation: 3.2.2.2+1(CBsn): 2.2.3.0: Timp: Str (4-4-3-3-3 in set): Soli STB in set: SATB Mix Chorus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566666936456,"sku":"36-A264094","price":1.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A264094_large_f74592d3-faa4-4fad-a14d-3d8ffc57ff70.jpg?v=1779255596"},{"product_id":"die-schoepfung-hob-xxi-2-the-creation-36-a264096","title":"Die Schoepfung, Hob.XXI: 2 (The Creation): Cantata\/ Oratorio, Orchestra Accompaniment, Bass Choral Part","description":"Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. 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It is admired for its contrapuntal refinement and elaborate vocal solos. Instrumentation: 0.0.2.1(opt): 0.2.0.0: Timp: Org: Str (2.2.2.1.1 in set): Solo SATB, Mx Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566667067528,"sku":"36-A264402","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A264402_large_08904a57-4355-455b-a3d0-7ccbfd6a3d2b.jpg?v=1779255188"},{"product_id":"missa-in-b-flat-hob-xxii-12-theresienmesse-36-a264494","title":"Missa in B-flat, Hob.XXII: 12 'Theresienmesse': Mass, Orchestra Accompaniment, Alto","description":"The MASS IN B-FLAT MAJOR, \"THERESIENMESSE,\" HOB.XXII: 12, is one of six masses that Franz Joseph Haydn (1732-1809) wrote to celebrate the name-day of his patron's wife, Princess Maria Josepha Hermenegilde of Esterházy. 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It places a stronger emphasis on the solo singers than in the D Major Mass, K. 194, to which it is sometimes compared. The earliest known performance took place on December 21, 1777, in the year that it was probably composed. Among the soloists, the castrato Francesco Ceccarelli received praise for his performance. The autograph score has not survived. Written originally for just 2 violins and contrabass in the string section, this edition also includes a viola part (not indicated in the score) and an extra contrabass part should the inclusion of a cellist be desired. Instrumentation: Org: Str (2.2.1.1.1 in set): Solo SATB. Mx Chor. Vocal score available separately from LudwigMasters (W727891).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566667198600,"sku":"36-A269047","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A269047_large_ebd598e0-b43a-4805-a0c4-1070f2385fe8.jpg?v=1779255007"},{"product_id":"die-schoepfung-hob-xxi-2-the-creation-36-a264093","title":"Die Schoepfung, Hob.XXI: 2 (The Creation): Cantata\/ Oratorio, Orchestra Accompaniment, Soprano Choral Part","description":"Attending performances of Handel's choral works while in England, Franz Josef Haydn (1732-1809) decided to write his own large-scale oratorio. He began to work on DIE SCHÖPFUNG (THE CREATION), Hob.XXI: 2 in 1796, aided by a libretto by Gottfried van Swieten that incorporates various texts from Milton's Paradise Lost, Genesis, and the Psalms. 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Dedicated to Serge Diaghilev, the work is unusually scored for four pianos, four soloists, chorus, and percussion. Its four scenes, performed without break, depict the rituals before and after a wedding ceremony, ending in an effervescent feast. 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Dedicated to Serge Diaghilev, the work is unusually scored for four pianos, four soloists, chorus, and percussion. Its four scenes, performed without break, depict the rituals before and after a wedding ceremony, ending in an effervescent feast. Instrumentation: Timp.Perc(7-8): Pno(4): Soli S.MzS.T.B in set: Mix Chorus (SATB).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566669066376,"sku":"36-A272701","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A272701_large_61e31fda-be26-4cf5-bbbf-273a72a99e2c.jpg?v=1779255637"},{"product_id":"dream-of-gerontius-the-op-38-36-a402202","title":"Dream of Gerontius, The, Op. 38: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"In 1898, Edward Elgar (1857-1934) was commissioned to compose a major work for the Birmingham Triennial Music Festival. 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The vocal score (W110391), which includes only English text, is also available from the publisher.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566694690952,"sku":"36-A524602","price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A524602_large_8844327e-2980-44be-89e6-af1f192f0ab9.jpg?v=1779255185"},{"product_id":"chandos-anthem-no-4-o-sing-unto-the-lord-hwv-249b-grote-elvers-36-a708791","title":"Chandos Anthem No. 4: O Sing unto the Lord, HWV 249b (Grote\/Elvers): Cantata\/ Oratorio, Orchestra Accompaniment, VS","description":"The Chandos Anthems, HWV 246-256, are a collection of eleven anthems composed by George Frideric Handel (1685-1759) when he was composer in residence at Cannons, the court of James Brydges, newly the First Duke of Chandos in 1719. As the chapel was incomplete, Handel wrote these works with fairly intimate scoring, using the instruments he had available to him, which is why they generally do not include viola parts. As a result, the accompaniment for the usually small choirs take on the light texture of chamber music. The text for each of the Chandos Anthems are different psalms selected by Handel himself. Chandos Anthem No. 4: O Sing unto the Lord, HWV 249b was written between 1717 and 1718, and is a setting of the Prayer Book versions of Psalms 93 and 96. It borrows heavily from O Sing unto the Lord a New Song, HWV 249a. 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Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703865992,"sku":"36-A265002","price":190.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265002_large_f8617c28-472d-4836-b961-a6c8aa951449.jpg?v=1779255189"},{"product_id":"missa-in-b-flat-hob-xxii-13-schoepfungsmesse-creation-mass-36-a265094","title":"Missa in B-flat, Hob.XXII: 13 'Schoepfungsmesse' (Creation Mass): Mass, Orchestra Accompaniment, Alto Part","description":"Franz Joseph Haydn (1732-1809) composed the MISSA IN B-flat, Hob.XXII: 13 in 1801. It is referred to as the SCHÖPFUNGSMESSE (CREATION MASS) because it includes the words \"qui tollis peccata mundi\" in the Gloria. Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703931528,"sku":"36-A265094","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265094_large_029899fb-1c13-41a0-861e-93311438577f.jpg?v=1779255295"},{"product_id":"psalm-150-m-69-36-a260101","title":"Psalm 150, M. 69: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score","description":"PSALM 150 (PSAUME 150) is a setting in D for chorus and orchestra by French composer César Franck (1822-1890) of the Biblical text. 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Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703964296,"sku":"36-A260101","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A260101_large_29c6ba94-ec02-4d76-a6ec-9fed98a71033.jpg?v=1779255349"},{"product_id":"missa-in-b-flat-hob-xxii-13-schoepfungsmesse-creation-mass-36-a265096","title":"Missa in B-flat, Hob.XXII: 13 'Schoepfungsmesse' (Creation Mass): Mass, Orchestra Accompaniment, Bass Part","description":"Franz Joseph Haydn (1732-1809) composed the MISSA IN B-flat, Hob.XXII: 13 in 1801. It is referred to as the SCHÖPFUNGSMESSE (CREATION MASS) because it includes the words \"qui tollis peccata mundi\" in the Gloria. Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703997064,"sku":"36-A265096","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265096_large_d7c2332a-abb4-42bf-a901-97eeaead29e9.jpg?v=1779255296"},{"product_id":"missa-in-b-flat-hob-xxii-13-schoepfungsmesse-creation-mass-36-a265001","title":"Missa in B-flat, Hob.XXII: 13 'Schoepfungsmesse' (Creation Mass): Mass, Orchestra Accompaniment, Conductor Score","description":"Franz Joseph Haydn (1732-1809) composed the MISSA IN B-flat, Hob.XXII: 13 in 1801. It is referred to as the SCHÖPFUNGSMESSE (CREATION MASS) because it includes the words \"qui tollis peccata mundi\" in the Gloria. Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704193672,"sku":"36-A265001","price":75.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265001_large_39d6e517-efad-4f23-a105-70972e28c5c0.jpg?v=1779255295"},{"product_id":"missa-in-b-flat-hob-xxii-13-schoepfungsmesse-creation-mass-36-a265093","title":"Missa in B-flat, Hob.XXII: 13 'Schoepfungsmesse' (Creation Mass): Mass, Orchestra Accompaniment, Soprano Part","description":"Franz Joseph Haydn (1732-1809) composed the MISSA IN B-flat, Hob.XXII: 13 in 1801. It is referred to as the SCHÖPFUNGSMESSE (CREATION MASS) because it includes the words \"qui tollis peccata mundi\" in the Gloria. Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704226440,"sku":"36-A265093","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265093_large_a7dba2ec-d621-42d8-a78e-edb8148ae24e.jpg?v=1779255295"},{"product_id":"psalm-150-m-69-36-a260102","title":"Psalm 150, M. 69: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"PSALM 150 (PSAUME 150) is a setting in D for chorus and orchestra by French composer César Franck (1822-1890) of the Biblical text. 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Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704291976,"sku":"36-A260102","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A260102_large_1ca64498-6fa1-433b-8c0a-cbc0e9fa5b53.jpg?v=1779255188"},{"product_id":"missa-in-b-flat-hob-xxii-13-schoepfungsmesse-creation-mass-36-a265095","title":"Missa in B-flat, Hob.XXII: 13 'Schoepfungsmesse' (Creation Mass): Mass, Orchestra Accompaniment, Tenor Part","description":"Franz Joseph Haydn (1732-1809) composed the MISSA IN B-flat, Hob.XXII: 13 in 1801. It is referred to as the SCHÖPFUNGSMESSE (CREATION MASS) because it includes the words \"qui tollis peccata mundi\" in the Gloria. Haydn did recycle music from Adam and Eve's final duet in THE CREATION, so scandalizing the Empress Maria Theresa that she demanded Haydn rewrite that passage for her personal copy. Instrumentation: 0.2.2.2: 2.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB: Mixed SATB Chorus. The vocal score is available from LudwigMasters (W7512). The set of score and parts, score alone, and each of the four individual choral parts (soprano, alto, tenor, bass) are available from Edwin F. Kalmus (A2650). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704357512,"sku":"36-A265095","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A265095_large_bb91f783-664d-4c29-ac09-bda70c093b62.jpg?v=1779255297"},{"product_id":"die-erste-walpurgisnacht-op-60-36-a266402","title":"Die Erste Walpurgisnacht, Op. 60: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"In 1831, Felix Mendelssohn (1809-1847) completed a secular cantata based on the Goethe poem DIE ERSTE WALPURGISNACHT (THE FIRST WALPURGIS NIGHT). The poem relates the first celebration of May's Eve, first practiced by the Bavarian Druids who masquerade as demons to frighten the Christians living nearby. The composer conducted the first public performance on January 10, 1833 at the Sing-Akademie in Berlin. In 1843, he published the final revised version as OPUS 60, here presented in this Kalmus edition. The German vocal score (W747491) and the English vocal score (W700091) can be ordered separately. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(1-2): Str (4.4.3.3.3 in set): Soli ATB. Mixed Chorus. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566705701000,"sku":"36-A266402","price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A266402_large_faccc165-0e64-414e-b95a-745b1ddb20fa.jpg?v=1779255062"},{"product_id":"die-erste-walpurgisnacht-op-60-36-a266401","title":"Die Erste Walpurgisnacht, Op. 60: Cantata\/ Oratorio, Orchestra Accompaniment, Conductor Score","description":"In 1831, Felix Mendelssohn (1809-1847) completed a secular cantata based on the Goethe poem DIE ERSTE WALPURGISNACHT (THE FIRST WALPURGIS NIGHT). The poem relates the first celebration of May's Eve, first practiced by the Bavarian Druids who masquerade as demons to frighten the Christians living nearby. The composer conducted the first public performance on January 10, 1833 at the Sing-Akademie in Berlin. In 1843, he published the final revised version as OPUS 60, here presented in this Kalmus edition. The German vocal score (W747491) and the English vocal score (W700091) can be ordered separately. Instrumentation: 2+Picc.2.2.2: 2.2.3.0: Timp.Perc(1-2): Str (4.4.3.3.3 in set): Soli ATB. Mixed Chorus. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566705864840,"sku":"36-A266401","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A266401_large_ae9bee4f-6e7a-4e10-8f77-a9aa02892739.jpg?v=1779255352"},{"product_id":"messiah-hwv-56-part-ii-chorus-hallelujah-mozart-prout-36-a282401","title":"Messiah, HWV 56: Part II, Chorus: Hallelujah (Mozart\/Prout): Cantata\/ Oratorio, Orchestra Accompaniment, Full Score","description":"George Frideric Handel (1685-1759) composed THE MESSIAH in 1741 - it is widely regarded as his most popular work. 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