{"title":"Gregory Vaught Sheet Music","description":"\u003cp\u003eExplore orchestral music edited and arranged by Gregory Vaught, featuring iconic works for full orchestra and chamber ensembles. This collection includes Gustav Holst's \u003cem\u003eThe Planets\u003c\/em\u003e—available in complete and individual movement editions—and Niccolò Paganini's \u003cem\u003eViolin Concerto No. 2\u003c\/em\u003e with transposed parts for accessibility. Each score includes conductor materials and instrumental parts, with optional instrumentation options to suit various ensemble sizes. Ideal for conductors and orchestras seeking reliable, performance-ready editions of these beloved classical works.\u003c\/p\u003e","products":[{"product_id":"planets-the-op-32-h125-no-1-mars-the-bringer-of-war-36-a820102","title":"Planets, The (Op. 32\/H125), No. 1: Mars, the Bringer of War: Full Orchestra, Conductor Score \u0026 Parts","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563653558408,"sku":"36-A820102","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820102_large_b1bff2ba-6f86-46cb-8020-8e97f17b69ed.jpg?v=1779255160"},{"product_id":"planets-the-op-32-h125-no-1-mars-the-bringer-of-war-36-a820101","title":"Planets, The (Op. 32\/H125), No. 1: Mars, the Bringer of War: Full Orchestra, Conductor Score","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563654017160,"sku":"36-A820101","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820101_large_415b2e8e-e6f3-4d17-8b8c-35f5312f7df0.jpg?v=1779255348"},{"product_id":"the-planets-op-32-h125-36-s008001","title":"The Planets, Op. 32\/H125: Full Orchestra, Ensemble Works Conductor Score \u0026 Parts","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor. Study score only.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565457010824,"sku":"36-S008001","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S008001_large_d698390a-cdf9-447c-9cce-c50a73a6c28f.jpg?v=1779255347"},{"product_id":"concerto-for-violin-no-2-in-b-minor-op-7-la-clochette-la-campanella-36-a187548","title":"Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Full Orchestra Conductor Score","description":"The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566614311048,"sku":"36-A187548","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187548_large_b1988db1-0d9e-42b9-a419-31eeb9c620ce.jpg?v=1779255065"},{"product_id":"concerto-for-violin-no-2-in-b-minor-op-7-la-clochette-la-campanella-36-a187501","title":"Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Full Orchestra Conductor Score","description":"The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566721429640,"sku":"36-A187501","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187501_large_fb0a89e8-aea7-49e6-8cf9-69c2a504ff6b.jpg?v=1779255066"},{"product_id":"premiere-rapsodie-pour-clarinet-et-orchestre-first-rhapsody-for-clarinet-orchestra-36-a616501","title":"Premiere Rapsodie pour Clarinet et Orchestre (First Rhapsody for Clarinet \u0026 Orchestra): Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score","description":"Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. Instrumentation: 3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set. Part of the Nieweg Performance Edition series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578344599688,"sku":"36-A616501","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616501_large_99d7e00a-b451-4274-9b22-780f0de29c86.jpg?v=1779255061"},{"product_id":"the-planets-op-32-h125-36-a820801","title":"The Planets, Op. 32\/H125: Conductor Score","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068313736,"sku":"36-A820801","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820801_large_56ba6733-432d-4182-bc78-9798c645434a.jpg?v=1779254697"},{"product_id":"the-planets-op-32-h125-36-a820802","title":"The Planets, Op. 32\/H125: Conductor Score \u0026 Parts","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068805256,"sku":"36-A820802","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820802_large_f3998643-8bde-495f-97da-c1361e1c9f1c.jpg?v=1779254697"},{"product_id":"don-quixote-for-cello-and-orchestra-op-35-36-a212101","title":"Don Quixote for Cello and Orchestra, Op. 35: Conductor Score","description":"Subtitled \"Fantastic Variations on a Theme of Knightly Character,\" Don Quixote by Richard Strauss (1864-1949) is based on Cervantes's saga of the adventures of the Don and is one of the major cello works in the repertoire. This tone poem premiered on March 8th, 1898 in Cologne with Friedrich Grützmacher as cello soloist and Franz Wüllner conducting the Städtisches Orchester. This edition by Gregory Vaught was revised in 2010. Instrumentation: 2+Picc.2+EH.2+BCl(2dEb).3+CBsn: 6.3.3.2: Timp.Perc(2): Hp; Str (9-8-7-6-5 in set): Solo Cello.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44591954362504,"sku":"36-A212101","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A212101_large_8c61819a-55c5-4abf-bcab-48201d511118.jpg?v=1779255353"},{"product_id":"don-quixote-for-cello-and-orchestra-op-35-36-a212148","title":"Don Quixote for Cello and Orchestra, Op. 35: Conductor Score \u0026 Parts","description":"Subtitled \"Fantastic Variations on a Theme of Knightly Character,\" Don Quixote by Richard Strauss (1864-1949) is based on Cervantes's saga of the adventures of the Don and is one of the major cello works in the repertoire. This tone poem premiered on March 8th, 1898 in Cologne with Friedrich Grützmacher as cello soloist and Franz Wüllner conducting the Städtisches Orchester. This edition by Gregory Vaught was revised in 2010. Instrumentation: 2+Picc.2+EH.2+BCl(2dEb).3+CBsn: 6.3.3.2: Timp.Perc(2): Hp; Str (9-8-7-6-5 in set): Solo Cello.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44591955345544,"sku":"36-A212148","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A212148_large_7d3d2d59-9f4f-4391-80e9-87c7917921f5.jpg?v=1779254628"},{"product_id":"the-planets-op-32-h125-36-a820892","title":"The Planets, Op. 32\/H125: Full Orchestra Conductor Score","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598175269000,"sku":"36-A820892","price":2.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820892_large_c940886e-efac-4624-a626-e3c7ee7e0f20.jpg?v=1779255195"},{"product_id":"concerto-for-violin-no-2-in-b-minor-op-7-la-clochette-la-campanella-36-a187502","title":"Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Conductor Score \u0026 Parts","description":"The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  ","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598439477384,"sku":"36-A187502","price":165.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187502_large_db2acc28-7606-421a-b583-6de72fc2b698.jpg?v=1779254720"},{"product_id":"don-quixote-for-cello-and-orchestra-op-35-36-a212102","title":"Don Quixote for Cello and Orchestra, Op. 35: Conductor Score \u0026 Parts","description":"Subtitled \"Fantastic Variations on a Theme of Knightly Character,\" Don Quixote by Richard Strauss (1864-1949) is based on Cervantes's saga of the adventures of the Don and is one of the major cello works in the repertoire. This tone poem premiered on March 8th, 1898 in Cologne with Friedrich Grützmacher as cello soloist and Franz Wüllner conducting the Städtisches Orchester. This edition by Gregory Vaught was revised in 2010. Instrumentation: 2+Picc.2+EH.2+BCl(2dEb).3+CBsn: 6.3.3.2: Timp.Perc(2): Hp; Str (9-8-7-6-5 in set): Solo Cello.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598702243976,"sku":"36-A212102","price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A212102_large_fd6b863b-f328-4ad4-a69c-a1b1ceed4268.jpg?v=1779255353"},{"product_id":"premiere-rapsodie-pour-clarinet-et-orchestre-first-rhapsody-for-clarinet-orchestra-36-a616502","title":"Premiere Rapsodie pour Clarinet et Orchestre (First Rhapsody for Clarinet \u0026 Orchestra): Full Orchestra, Solo Woodwind(s) with Ensemble, Conductor Score \u0026 Parts","description":"Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. Instrumentation: 3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set. Part of the Nieweg Performance Edition series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598702375048,"sku":"36-A616502","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616502_large_d9c78cf8-88c8-4424-bc5b-0fec8429d2ce.jpg?v=1779254693"},{"product_id":"planets-the-op-32-h125-no-4-jupiter-the-bringer-of-jollity-36-a820202","title":"Planets, The (Op. 32\/H125), No. 4: Jupiter, the Bringer of Jollity: Full Orchestra, Conductor Score \u0026 Parts","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Mars, the Bringer of War\" and this excerpt of \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements in the suite. This critical edition of the \"Jupiter\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  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Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" This critical edition of the \"Venus\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 4.3+EH.3+BCl.3+CBsn: 6.0.0.0: Perc(1): Hp(2).Clst: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600045961352,"sku":"36-A843002","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A843002_large_2c5ffbca-66f7-4202-b0e3-c1594a3b0d72.jpg?v=1779255168"},{"product_id":"planets-the-op-32-h125-no-2-venus-the-bringer-of-peace-36-a843001","title":"Planets, The (Op. 32\/H125), No. 2: Venus, the Bringer of Peace: Full Orchestra, Conductor Score","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" This critical edition of the \"Venus\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 4.3+EH.3+BCl.3+CBsn: 6.0.0.0: Perc(1): Hp(2).Clst: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600046518408,"sku":"36-A843001","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A843001_large_7bfedfff-3921-4378-b0a6-7b60cc5c8353.jpg?v=1779255597"},{"product_id":"planets-the-op-32-h125-36-a820801os","title":"Planets, The (Op. 32\/H125): Full Orchestra, Oversized Score","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor. 11x14 oversized score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600047992968,"sku":"36-A820801OS","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820801OS_large_f6b148c0-0065-43a7-ba8d-c1ab77d311a4.jpg?v=1780581885"},{"product_id":"the-pleasure-dome-of-kubla-khan-op-8-original-version-1920-36-a296301","title":"The Pleasure Dome of Kubla Khan, Op. 8 [original version, 1920]: Full Orchestra, Conductor Score","description":"A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge.  The composer originally wrote it for piano in 1912.  Four years later, at the encouragement of Ferruccio Busoni, he expanded it into a shimmering symphonic poem.  Following the first performance in the autumn of 1919 under the direction of Pierre Monteux, it achieved great success and remains one of his most frequently-performed works today.  The work reveals the influence of French impressionism, meandering through the lush gardens of the legendary palace. This edition by Gregory Vaught is part of the Nieweg Performance Editions series. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600053727368,"sku":"36-A296301","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A296301_large_5c434d61-17c4-45dd-ae79-d6a532986255.jpg?v=1779255601"},{"product_id":"the-pleasure-dome-of-kubla-khan-op-8-original-version-1920-36-a296302","title":"The Pleasure Dome of Kubla Khan, Op. 8 [original version, 1920]: Full Orchestra, Conductor Score \u0026 Parts","description":"A dream inspired Charles Tomlinson Griffes (1884-1920) to compose The Pleasure Dome of Kubla Kahn, based on the poem by Samuel Taylor Coleridge.  The composer originally wrote it for piano in 1912.  Four years later, at the encouragement of Ferruccio Busoni, he expanded it into a shimmering symphonic poem.  Following the first performance in the autumn of 1919 under the direction of Pierre Monteux, it achieved great success and remains one of his most frequently-performed works today.  The work reveals the influence of French impressionism, meandering through the lush gardens of the legendary palace. This edition by Gregory Vaught is part of the Nieweg Performance Editions series. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.3: 4.3.3.1: Timp.Perc(3): Hp(2).Clst.Pno: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600053825672,"sku":"36-A296302","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A296302_large_058a0bea-653f-411e-bd3f-914c317642ce.jpg?v=1779255185"},{"product_id":"premiere-rapsodie-pour-clarinet-et-orchestre-first-rhapsody-for-clarinet-orchestra-36-a616548","title":"Premiere Rapsodie pour Clarinet et Orchestre (First Rhapsody for Clarinet \u0026 Orchestra): Full Orchestra, Solo Woodwind(s) with Ensemble, Solo Clarinet","description":"Gabriel Fauré, then director of the Conservatoire de Paris, named Claude Debussy (1862-1918) to the Conservatoire's board of directors in 1909, and promptly commissioned two works from Debussy for the 1910 clarinet examinations. For the sight-reading portion of the exam, he offered the charming Petite Pièce. But for the core part of the exam, he composed Première Rhapsodie, L. 116, CD. 124, a work that demands great technical skill and musicality from the soloist. The work was dedicated to the professor of clarinet at the Paris Conseratory from 1904-1918, Prospère Mimart, and it was Mimart who premiered the work on January 16, 1911, with M.G. Kriéger at the piano. Quickly recognized as a masterpiece, performances with the piano accompaniment quickly began to appear on programs. Debussy was so pleased with the reception that he orchestrated the piano part in 1911, and the work has remained a staple of the repertoire for clarinet and orchestra since. Instrumentation: 3.2+EH.2.3: 4.2.0.0: Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Clarinet in set. Part of the Nieweg Performance Edition series.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600119263368,"sku":"36-A616548","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616548_large_104c028a-3d03-4503-8700-9959c4f730e3.jpg?v=1779255352"},{"product_id":"concerto-for-violin-no-2-in-b-minor-op-7-la-clochette-la-campanella-36-a187501os","title":"Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Full Orchestra, Solo Strings with Ensemble, Oversize Score","description":"The rondo third movement of Niccolò Paganini's \u003ci\u003eViolin Concerto No. 2\u003c\/i\u003e owes its nickname \"La Clochette\" or \"La Campanella\" (\"Little Bell\") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph\/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  11x14 oversized full score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44866449637512,"sku":"36-A187501OS","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A187501OS_large_cbbb026b-27d0-4a5c-b05a-a002d9eacb12.jpg?v=1780977065"}],"url":"https:\/\/www.alfred.com\/collections\/gregory-vaught-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}