{"title":"Franz Liszt Sheet Music","description":"\u003cp\u003eExplore Franz Liszt's complete piano repertoire with this comprehensive collection of sheet music and instructional editions. From early advanced concert etudes like \u003cem\u003eUn sospiro\u003c\/em\u003e and the celebrated \u003cem\u003eHungarian Rhapsody, No. 2\u003c\/em\u003e to accessible intermediate selections such as the Schumann-Liszt \u003cem\u003eDedication\u003c\/em\u003e, these works span Liszt's range as both virtuoso composer and sensitive miniaturist. Most editions feature Alfred Masterwork Editions with historical context, performance notes, and editorial guidance from renowned scholars like Maurice Hinson. Available in individual sheet music and comprehensive collections—some with companion recordings—these publications serve advanced pianists preparing concert repertoire and intermediate students expanding their classical technique.\u003c\/p\u003e","products":[{"product_id":"totentanz-paraphrase-on-dies-irae-s-126-1-1st-version-1847-ed-busoni-36-a263302","title":"Totentanz (paraphrase on Dies Irae), S. 126\/1 (1st version, 1847, ed. Busoni): Full Orchestra, Solo Keyboard with Ensemble, Score and Parts","description":"The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed \"De Profundis,\" is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc. The second (final) version is also available from the publisher.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565462614152,"sku":"36-A263302","price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A263302_large_02f5d7ce-e88d-432c-bbc6-bbf2e85925ef.jpg?v=1779255642"},{"product_id":"totentanz-paraphrase-on-dies-irae-s-126-2-final-version-ca-1862-36-a164102","title":"Totentanz (paraphrase on Dies Irae), S. 126\/2 (final version, ca. 1862): Full Orchestra, Solo Keyboard with Ensemble, Conductor Score \u0026 Parts","description":"The idea for TOTENTANZ, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1838. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. This second and final version premiered at The Hague on April 15, 1865. The first version, which is nicknamed \"De Profundis,\" is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924) and is also available from the publisher. Instrumentation: 2+Picc.2.2.2: 2.2.3.1: Timp.Perc(3): Str (9.8.7.6.5 in set): Solo Pno in set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565473394824,"sku":"36-A164102","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A164102_large_fdf245f6-f49e-4997-9c16-207ffb9a176c.jpg?v=1779255185"},{"product_id":"dante-symphony-s-109-eine-symphonie-zu-dantes-divina-commedia-36-a321893","title":"Dante Symphony, S. 109 (Eine Symphonie zu Dantes Divina Commedia): Full Orchestra, Chorus with Ensemble, Soprano Choral Octavo","description":"Franz Liszt (1811-1886) composed the DANTE SYMPHONY, S. 109 (EINE SYMPHONIE ZU DANTES DIVINA COMMEDIA), inspired by Dante Alighieri's DIVINE COMEDY, between 1855 and 1856. Structured in two large movements, \"Inferno\" and \"Purgatorio,\" with an added \"Magnificat\" choral finale at the suggestion of Richard Wagner, the symphony traces a dramatic journey from the torments of Hell to the hope of spiritual redemption. Though not performed as frequently as some of his other orchestral works, it is recognized as one of his most ambitious symphonic creations due to its vivid orchestration and daring harmonic language. The work premiered in Dresden in 1857 under the direction of Hans von Bülow. Instrumentation: 2+1(Picc).2+1(EH).2+1(BCl).2: 4.2.3.1: Timp(2).Perc(3): Hp(2): Str(9.8.7.6.5 in set): Women's Chor. 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Though not performed as frequently as some of his other orchestral works, it is recognized as one of his most ambitious symphonic creations due to its vivid orchestration and daring harmonic language. The work premiered in Dresden in 1857 under the direction of Hans von Bülow. Instrumentation: 2+1(Picc).2+1(EH).2+1(BCl).2: 4.2.3.1: Timp(2).Perc(3): Hp(2): Str(9.8.7.6.5 in set): Women's Chor. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565476311176,"sku":"36-A321894","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A321894_large_05212e4b-b501-4287-93b4-c3a3ad319aa0.jpg?v=1779255571"},{"product_id":"suite-espania-op-47-granada-36-a013801","title":"Suite Espania, Op. 47: Granada: Full Orchestra Conductor Score","description":"Skillfully adapted for full orchestra, this movement comes from the composer's Suite Espagnole. 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From dramatic-virtuoso to pensive-romantic music, the 29 'travel pieces' represent the complete range of Liszt's compositional expression. For the first time, this first volume of the trilogy, Suisse (Switzerland) is published together with the Trois Morceaux suisses, in line with the composer's original intention to combine all his Swiss-inspired character pieces into a single volume. Edited by world-renowned Liszt expert and concert pianist Leslie Howard, the edition also contains Liszt's original fingerings.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578188132488,"sku":"98-EP72782","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/98-EP72782_large_361e6c73-c846-4850-a0b4-676a83aa31db.jpg?v=1779255057"},{"product_id":"harmonies-poetiques-and-religieuses-00-k03629","title":"Harmonies poétiques and réligieuses: Piano Book","description":"A collection of Advanced piano solos composed by Franz Liszt.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578222735496,"sku":"00-K03629","price":12.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-K03629_large_49f0be85-5f4d-49cf-b9ee-7a43666ebbea.jpg?v=1779254628"},{"product_id":"les-preludes-00-k00029","title":"Les Preludes: Full Orchestra Miniature Score","description":"Liszt composed \u003ci\u003e\"The Preludes\"\u003c\/i\u003e in January 1854, and conducted the first performance on February 23, 1854 at a Weimar Court Concert. The work was inspired by Lamartine's \u003ci\u003e\"Meditations Poetiques\"\u003c\/i\u003e and is based on the one beginning, \"What is our life but a series of Preludes to that unknown song, the first solemn note of whis is sounded by Death?\" These preludes are arranged for full orchestra.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578225520776,"sku":"00-K00029","price":11.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-K00029_large_b9dd3b15-0522-4f37-88a3-72f0df9657cb.jpg?v=1779255538"},{"product_id":"songs-volume-i-00-k09375","title":"Songs, Volume I: Vocal Comb Bound Book","description":"Songs of 1843 and 1844, including first setting of Oh! quand je dors. 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All but three written between 1875 and 1883.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578242527368,"sku":"00-K09380","price":14.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_6edc7463-1ed7-4231-877b-436965d1e9a1.png?v=1781581465"},{"product_id":"six-organ-preludes-and-fugues-00-k02102","title":"Six Organ Preludes and Fugues: Piano Comb Bound Book","description":"These preludes and fugues were originally composed for the organ, and Liszt transcribed them for piano solo. Included are two in C major, one in C minor, A minor, B minor, and E minor. The comb binding creates a lay-flat book that is perfect for study and performance.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578249408648,"sku":"00-K02102","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-K02102_large_ef318a06-589e-4c37-9f0a-d7dd71ff50a0.jpg?v=1779255250"},{"product_id":"hungarian-rhapsody-no-2-g-359-2-36-a165201","title":"Hungarian Rhapsody No. 2, G. 359\/2: Conductor Score","description":"Franz Liszt (1811-1886) wrote 19 Hungarian Rhapsodies for piano as a way to incorporate the music of his youth into his compositions, and Hungarian Rhapsody No. 2 in C-sharp minor, S.244\/2 (1847) is by far the most well-known of the collection. This orchestration by Karl Müller-Berghaus (1829-1907) is transposed down to the key of C-minor. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260320392,"sku":"36-A165201","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A165201_large_24ff75b0-a510-45c8-a517-d8c3c73344e5.jpg?v=1779254715"},{"product_id":"concerto-for-piano-no-2-in-a-s-125-36-a164002","title":"Concerto for Piano No. 2 in A, S. 125: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score \u0026 Parts","description":"Franz Liszt (1811-1886) started work on his CONCERTO FOR PIANO AND ORCHESTRA No. 2 in A major, S. 125, in 1839 and 1840.  Putting it through a series of revisions, he dedicated the concerto to his student Hans von Bronsart von Schellendorf.  The composer conducted the first performance in Weimar on January 7, 1857 with Bronsart as soloist.  Liszt completed a 4th revision in 1861.  Less virtuosic than his first piano concerto, it is played without break and serves as a masterful example of thematic transformation. Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(1-2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260517000,"sku":"36-A164002","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A164002_large_8ea94b4c-56a6-4fea-a44a-9122b4ac4109.jpg?v=1779255185"},{"product_id":"hungarian-rhapsody-no-2-s-244-2-also-s-359-4-doppler-36-a518301","title":"Hungarian Rhapsody No. 2, S.244\/2 (also S.359\/4) [Doppler]: Full Orchestra, Ensemble Works, Conductor Score","description":"Franz Liszt (1811-1886) wrote 19 HUNGARIAN RHAPSODIES for piano as a way to incorporate the music of his youth into his compositions, and HUNGARIAN RHAPSODY No. 2 in C-sharp minor, S.244\/2 (also formerly listed as S.359\/4) (1847) is by far the most well-known of the collection. This orchestration is by Franz Doppler (1821-1883), though there is some question about the extent of Doppler's and Liszt's contributions. It is believed that Doppler did the original orchestration for this edition, which was then reviewed and amended by Liszt. Transposed to the key of D minor. Instrumentation: 2+1(Picc).2.2+1(DCl or EbCl).2: 4.2.3.1: Timp.Perc(2): Str (9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260713608,"sku":"36-A518301","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A518301_large_404d4f40-4c94-41e5-b163-b6dcf277bf1c.jpg?v=1779254690"},{"product_id":"la-campanella-00-k03624","title":"La Campanella: Piano","description":"This virtuosic piece, commonly known as one of the most difficult in piano repertoire, was written by Franz Liszt in 1838. It is based on the last movement of Paganini's second violin concerto. Liszt was a great fan of Paganini and after hearing one of his performances decided to become the equivalent of Paganini on the piano. 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New Dover compilation.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578319204488,"sku":"06-426610","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/06-426610_large_2147d2ae-a8de-49b9-83e5-ecfef580b19e.jpg?v=1779254743"},{"product_id":"the-schubert-song-transcriptions-for-solo-piano-series-ii-the-complete-winterreise-and-seven-other-great-songs-06-288765","title":"The Schubert Song Transcriptions for Solo Piano\/Series II: The Complete Winterreise and Seven Other Great Songs: Piano Book","description":"Contents: All 24 songs of Schubert's great song cycle \u003ci\u003eWinterreise\u003c\/i\u003e, along with the 4 songs of \u003ci\u003eGeistliche Lieder\u003c\/i\u003e and the beloved single songs \"La Rose,\" \"Die Forelle\" and \"Lob der Thranen.\" Reproduced from extremely rare early editions overseen by Liszt himself. 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