Essential Pop Hits: New Pop Music for Choirs
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Brighter Days: SATB Choral Octavo -
The Risk: SATB Choral Octavo -
So Easy: SAB Choral Octavo -
I Just Might: SATB Choral Octavo -
Strangers Like Me: 2-Part Choral Octavo -
That's All: SAB Choral Octavo -
In Dreams: SATB Choral Octavo -
Uptown Funkytown: SATB Choral Octavo 
Uptown Funkytown: SATB Choral Octavo
Uptown Funkytown: SATB Choral Octavo
Words and music by Philip Lawrence, Bruno Mars, Devon Gallaspy, Lonnie Simmons, Nicholaus Williams, Ronnie Wilson, Mark Ronson, Rudolph Taylor, Jeff Bhasker, Robert E. Wilson, Charles K. Wilson, Steve Greenberg / arr. Jack Zaino
Shipped$2.75Sale price $2.75 Regular price -
All Star: 2-Part Choral Octavo -
I Can See Clearly Now: SATB Choral Octavo -
Love Train: SATB Choral Octavo -
Dream as One: SAB Choral Octavo
About this collection
Essential Pop Hits: New Pop Music for Choirs
Pop music belongs in the choir room. This collection gathers contemporary pop hits arranged for SATB, SAB, and 2-part choirs, spanning classic pop standards, jazz-inflected favorites, and recent releases. Popular titles include Blessing Offor's "Brighter Days" and Bruno Mars' "I Just Might," both available as octavos ready to ship to your school or ensemble. All arrangements come in traditional choral octavo format.
Who it's for
- High school and middle school choir directors seeking contemporary material
- College and community choirs wanting accessible pop and jazz standards
- Private voice instructors working with pop-interested singers
What's inside
- Pop, jazz, and classic pop standards in SATB, SAB, and 2-part voicings
- Choral octavo format, shipped directly to you
- Arrangements by Jack Zaino, Alan Billingsley, Andy Beck, and others
- Mix of original pop hits and Great American Songbook selections
Things to consider
Start by matching voicing to your ensemble size and voice distribution. SATB works for mixed groups with solid bass lines; SAB and 2-part are ideal for younger or smaller ensembles. These arrangements lean rhythmic and contemporary, so they suit groups comfortable with syncopation and modern idioms. Many titles here work well as concert openers or closers because they engage both singers and audiences.