{"title":"Edwin F. Kalmus","description":"\u003cp\u003eThe Edwin F. Kalmus collection features a comprehensive selection of choral octavos, orchestral scores, and opera vocal scores spanning classical to modern repertoire. Find SATB arrangements of traditional carols by Arthur Harris, excerpts from Verdi operas, Schubert masses, and orchestral works by Debussy and Gershwin. 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The composer wasted no time in arranging a purely orchestral version, which the Strauss Orchestra premiered only seventeen days later.  The waltz achieved great success during his Russian tour in 1886.  This edition for reduced orchestra was arranged by Adolphe Dumont. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Pno Cond Sc in set: Str (9-8-7-6-5 in set). 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Composed in 1829, it premiered on March 17 of the following year in Warsaw, the composer himself performing the solo under the direction of Carlo Evasio Soliva. He dedicated the concerto to one of his primary influences, the pianist Friedrich Kalbrenner. The first performance at the Teatr Narodowy received an enthusiastic reception and less than two months later, Chopin performed the piece at the Salle Pleyel in Paris. 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Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563653558408,"sku":"36-A820102","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820102_large_a9761c7d-4b15-4cee-b380-9b9c6f2cff43.jpg?v=1775532822"},{"product_id":"home-stretch-36-a907090","title":"Home Stretch: Conductor Score \u0026 Parts","description":"An American Pops classic in it's original scoring, this work is part of the Anderson Classics Series by E.F. 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Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Jupiter, the Bringer of Jollity\" and this excerpt of \"Mars, the Bringer of War\" are the most popular and well-known movements in the suite. This critical edition of the \"Mars\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript.  Instrumentation: 2+2Picc.2+EH+BsOb.3+BCl.3+CBsn: 6.4.2.2: Timp(2).Perc(2): Hp(2).Org: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563654017160,"sku":"36-A820101","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820101_large_c586794b-c9b3-49fb-8692-47070aceec2e.jpg?v=1775533061"},{"product_id":"andalucia-suite-36-a848902","title":"Andalucia Suite: Full Orchestra Conductor Score and Parts","description":"Andalucia Suite consists of six individual compositions. Included are the immortal Malaguena and the equally beautiful Andalucia, known as the The Breeze and I. Both Malaguena and Andalucia are complete in this arrangement, as are Gitanerias and Cordoba. The final two melodies, Guadalquivir and Alhambra, are not nearly as well-known but delight listeners and players alike. The main strains of Guadalquivir are included in this arrangement, though it has been cut somewhat. However, only a brief portion of Alhambra, admittedly the most difficult part of the Suite, is to be found. An Advanced Violins part has been printed to offer more brilliance to the arrangement. This may be used in conjunction with the regular violin parts or may even replace Violin I and Violin II entirely. The exact situation in each orchestra will determine the proper selection of parts for Advanced Violins, Violin I and Violin II. Instrumentation: 2(1dPicc).2.2.2: Asax.Tsax: 4.2.3.0: Timp.Perc: Gtr: Str (9-8-7-6-5 in set; incl advanced Vn).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563654148232,"sku":"36-A848902","price":130.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A848902_large_269e8b97-43ce-4aa3-b0d8-2c0c8074aa22.jpg?v=1775532418"},{"product_id":"pines-of-rome-the-36-a926890","title":"Pines of Rome, The: Full Orchestra, Score and Parts","description":"Pines of Rome (Pini di Roma) is a four-movement symphonic poem for orchestra completed in 1924 by the Italian composer Ottorino Respighi. The piece, which depicts pine trees in four locations in Rome at different times of the day, is the second of Respighi's trilogy of tone poems based on the city, along with Fountains of Rome (1917) and Roman Festivals (1928). It premiered on December, 14 1924 at the Augusteo Theatre in Rome with Bernardino Molinari conducting the Augusteo Orchestra, now known as the Orchestra dell' Accademia Nazionale di Santa Cecilia. This new edition by Tom Myron features completely reengraved score and parts, clarinets in both A and Bb, C and Bb trumpets, and alternate transpositions for the buccina. Instrumentation: 3(3dPicc).2+1.3(3dBcl).2+1: 4.3.3.1: Timp.Glock.Perc(4).7 Buccine(offstage brass): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563654377608,"sku":"36-A926890","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A926890_large_fffd85bd-719c-49de-869a-c542bec2d51e.jpg?v=1775532937"},{"product_id":"per-questa-bella-mano-k-612-concert-aria-for-bass-voice-and-solo-contrabass-with-orchestra-36-a553702","title":"Per Questa Bella Mano K. 612: Concert Aria for Bass Voice and Solo Contrabass with Orchestra: Low Voice, Orchestra Accompaniment, Conductor Score \u0026 Parts","description":"In March of 1791, Wolfgang Amadeus Mozart (1756-1791) composed the concert aria PER QUESTA BELLA MANO, K. 612, shortly before beginning work on THE MAGIC FLUTE. It is known for its double bass part, notorious for the fact that basses were tuned differently than in modern-day practice. Scholarship has suggested the libretto, sung by a bass, was adapted from the 1784 comic opera Le vicende d'amore, written by Giambattista Neri. The vocal and double bass solos were originally performed by Franz Xaver Gerl and Friederich Pischelberger. Instrumentation: 1.2.0.2: 2.0.0.0: Str (4.4.3.3.3 in set): Solo CB in set: Solo B.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44563663618184,"sku":"36-A553702","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A553702_large_9534bfca-c0f6-4bbc-8159-bafaf284e6b6.jpg?v=1775532815"},{"product_id":"scheherazade-op-35-36-a191403","title":"Scheherazade, Op. 35: Violin Book","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564576469128,"sku":"36-A191403","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A191403_large_c69cd51a-918b-4758-ae66-a2c829a36800.jpg?v=1775533602"},{"product_id":"scheherazade-op-35-36-a191405","title":"Scheherazade, Op. 35: Conductor Score \u0026 Parts","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564576501896,"sku":"36-A191405","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A191405_large_9526700f-20b6-416c-b22a-a3c76194eb4c.jpg?v=1775533601"},{"product_id":"scheherazade-op-35-36-a191404","title":"Scheherazade, Op. 35: Conductor Score \u0026 Parts","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564577058952,"sku":"36-A191404","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A191404_large_52ed286d-3f7d-406d-ab4c-c25175e540c5.jpg?v=1775533601"},{"product_id":"scheherazade-op-35-36-a191406","title":"Scheherazade, Op. 35: Viola Book","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564577157256,"sku":"36-A191406","price":9.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A191406_large_c28a9545-4bc3-4571-a977-35ef471b6e33.jpg?v=1775533602"},{"product_id":"messiah-hallelujah-chorus-prout-36-a282427","title":"Messiah: Hallelujah Chorus (Prout): Conductor Score \u0026 Parts","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564578041992,"sku":"36-A282427","price":2.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A282427_large_669e461e-a0a1-4f26-8795-20ce3e50af95.jpg?v=1775533604"},{"product_id":"till-eulenspiegel-s-lustige-streiche-op-28-36-a211827","title":"Till Eulenspiegel's Lustige Streiche, Op. 28: Conductor Score \u0026 Parts","description":"Till Eulenspiegel's Merry Pranks (lustige Streiche), is a tone poem written in 1894–95 by Richard Strauss. It chronicles the misadventures and pranks of the German peasant folk hero Till Eulenspiegel, who is represented by two themes. The first, played by the horn, is a lilting melody that reaches a peak, falls downward, and ends in three long, loud notes, each progressively lower. The second, for D clarinet, is crafty and wheedling, suggesting a trickster doing what he does best. 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The story, set in the Old Kingdom of Egypt, tells of tragic love challenged by jealousy and loyalty to country and family. Commissioned by Cairo's Khedivial Opera House, it was premiered there on December 24th, 1871 in a performance conducted by Giovanni Bottesini, although, due to a limited audience, Verdi considered the performance at La Scala in Milan on February 8th, 1872 to be the true premiere. The Finale to Act II, which includes the Triumphal March and Ballet from the opera, has become a part of popular culture, showcasing the grand spectacle found in opera. Instrumentation: 2+Picc.2.2.2: 4.2+Egyptian Tpt.3.1: Timp.Perc(3): Str (4.4.3.3.3 in set): 15 Banda Pts: Vocal Soli: Mixed Chorus (The appropriate vocal\/choral score to match this set of orchestral score and parts is A400992).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564633878664,"sku":"36-A220502","price":285.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A220502_large_582f9d74-9a7b-40a9-8bc5-2b4547d28e7c.jpg?v=1775540211"},{"product_id":"concerto-for-violin-no-3-in-b-minor-op-61-36-a197548","title":"Concerto for Violin No. 3 in B minor, Op. 61: Full Orchestra, Solo Strings with Ensemble Conductor Score \u0026 Parts","description":"The CONCERTO FOR VIOLIN No. 3 in B minor, Op. 61 was written in March of 1880, when Camille Saint-Saëns (1835-1921) was 44 years old and at the peak of his output. Written for fellow composer and virtuoso Pablo de Sarasate, the soloist initially deemed the work not virtuosic enough to satisfy audiences, although time and seeing the work win success for other soloists led to a revived enthusiasm and the concerto's inclusion in Sarasate's repertoire. Saint-Saëns places the dramatic and technical passages in the 1st and 3rd movements, while the 2nd movement is graceful and songlike. This concerto, along with the INTRODUCTION AND RONDO CAPRICCIOSO, Op. 28, and the HAVANAISE, Op. 83, remain the most popular works for violin and orchestra by Saint-Saëns. Instrumentation: 2(2dPicc).2.2.2: 2.2.3.0: Timp: Str (9-8-7-6-5 in set): Solo Violin. Edited by Clinton Nieweg and Nancy Bradburd.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564634239112,"sku":"36-A197548","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A197548_large_4897d9f4-87fc-4463-b0c5-890e640e04f6.jpg?v=1775533058"},{"product_id":"suite-concertante-36-a502801","title":"Suite Concertante: Conductor Score","description":"SUITE CONCERTANTE was originally written for an orchestra of eight celli and double bass, and the work was premiered on April 19th, 1970 in this form. Some years later, Alfred Reed re-scored the second movement of this five-movement work for string orchestra and harp, and this version was premiered in 1976 with Dr. Lucas Drew conducting the Bicentennial Chamber Orchestra of Miami. Then, in 1981, Lucas Drew, now president of the American String Teachers Association (ASTA), revisited the work, suggesting to Alfred Reed that he re-score the remaining four movements also for string orchestra, though the harp is omitted for those movements. It is this work for string orchestra, with harp included in the 2nd movement, that is available here from the publisher. The music consists of five individual movements of widely varying character, with no special thematic interconnections between them other than the fact that the fourth movement, \"Chorale,\" was designed to lead directly into the fifth, and, in its closing measures, foreshadows the main theme of the movement to come. Movements: I. Prelude and Fugue, II. Siciliana Notturno, III. Scherzando Espagnole, IV. Chorale, V. Toccata La Rocca. String count of 8-8-5-5-5 included in the set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564634337416,"sku":"36-A502801","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A502801_large_706300c6-77e3-4ef9-8fd8-633c2d05c3da.jpg?v=1775532427"},{"product_id":"symphony-no-2-a-london-symphony-1920-version-36-a811502","title":"Symphony No. 2 'A London Symphony' (1920 version): Full Orchestra Score \u0026 Parts","description":"Ralph Vaughan Williams (1872-1958) wrote \u003ci\u003eA London Symphony\u003c\/i\u003e (also called Symphony No. 2, though never by the composer) between 1912 and 1913 at the prompting of his friend and fellow composer George Butterworth, to whose memory the work is dedicated. Premiering successfully on March 27, 1914 at Queen's Hall, Geoffrey Toye conducting, Vaughan Williams sent the score to conductor Fritz Busch in Germany, but it was lost during the chaos of World War I. Reconstructing the score from the parts with the help of Geoffrey Toye, Butterworth, and critic E. J. Dent, Vaughan Williams saw a second performance on February 11, 1915 by the Bournemouth Municipal Orchestra under the baton of Dan Godrey. Several revisions took place until the final version was published in 1936, resulting in three major versions, of which this 1920 revision is the middle. Vaughan Williams includes cues in the parts so that instruments can be omitted if necessary. Instrumentation: 3(2nd\u0026amp;3rd dPicc).2+EH.2+BCl.2+CBsn: 4.2+2Crnt.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564634435720,"sku":"36-A811502","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A811502_large_1fe3c11d-884c-4476-b1a3-2a03a92b27de.jpg?v=1775532819"},{"product_id":"dido-and-aeneas-z-626-36-a232805","title":"Dido and Aeneas, Z. 626: Conductor Score \u0026 Parts","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44564634730632,"sku":"36-A232805","price":5.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A232805_large_9196a36f-8f1b-4d4d-841b-c99a7fd3ab95.jpg?v=1775540212"}],"url":"https:\/\/www.alfred.com\/collections\/edwin-f-kalmus.oembed?page=176","provider":"alfred.com","version":"1.0","type":"link"}