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This book opens flat for easy use at the piano. Its noteheads are large and easy to read, and margins and spaces between staves provide ample room for notes, fingerings, and turnovers. 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These include such time-honored selections as \"Wake Up Jonah,\" \"Rock Chariot,\" \"Wonder Where Is My Brother Gone,\" \"Traveling Shoes,\" \"It's Getting Late in the Evening,\" \"Dark Was the Night,\" \"I'm Crossing Jordan River,\" \"Russia, Let That Moon Alone,\" \"Long John,\" \"Rosie,\" \"Motherless Children,\" three versions of \"John Henry,\" and many others. \u003cbr\u003e\u003cbr\u003eOne of the first and best surveys in its field, \u003ci\u003eNegro Folk Music, U.S.A.\u003c\/i\u003e has long been admired for its perceptive history and analysis of the origins and musical qualities of typical forms, ranging from simple cries and calls to anthems and spirituals, ballads, and the blues. Traditional dances and musical instruments are examined as well. 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A beautifully written, sweeping yet intimate account of America's cultural awakening in that decade. Massively entertaining\" -- Rolling Stone.\u003cbr\u003e\u003cbr\u003e As a pioneering rock journalist for Hit Parader, Vogue, Saturday Review, and other publications, Ellen Sander had a backstage pass to the hottest music scenes of the 1960s. In this feast of juicy anecdotes and keen social commentary, she draws upon her professional and personal experiences to chronicle pop culture's highs and lows during the turbulent decade. Join her for weird and wild road trips with companions ranging from Yippies to the members of Led Zeppelin. 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