{"title":"Clinton Nieweg Sheet Music","description":"\u003cp\u003eExplore the Clinton Nieweg collection of orchestral masterworks, featuring conductor scores and complete parts for chamber orchestra and solo concerto repertoire. This curated selection includes impressionistic ballets like Ravel's \u003cem\u003eDaphnis et Chloe\u003c\/em\u003e, Holst's iconic \u003cem\u003eThe Planets\u003c\/em\u003e, and celebrated concertos by Elgar and other classical composers. Each score has been carefully edited and prepared for performance, with instrumentation clearly specified. Whether you're conducting an ensemble or performing as a soloist, these editions provide the authentic materials needed for rehearsal and concert.\u003c\/p\u003e","products":[{"product_id":"la-valse-poeme-choregraphique-36-s002401","title":"La Valse - Poeme Choregraphique: Full Orchestra, Ensemble Works Study Score","description":"Maurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work. An older idea that Ravel had as early as 1906 was to compose a work titled \"Wien\" (Vienna) as a tribute to the Waltz King Johann Strauss II. Before any work was completed, World War I intervened, and Ravel composed nothing as he served as an ambulance driver at the front. He returned to the idea when famous impresario and founder of Ballets Russes, Serge Diaghilev, commissioned a new ballet from Ravel in 1919. Upon hearing a piano reduction of the new composition, however, Diaghilev referred to the work as a \"masterpiece,\" but rejected the work as \"not a ballet. It's a portrait of ballet.\" A young Francis Poulenc, who was in the room at the time, reported that, \"Ravel proceeded to give me a lesson in modesty which has lasted me all my life; he picked up his music quite quietly and, without worrying about what we all thought of it, calmly left the room.\" The rejection destroyed Ravel's and Diaghilev's relationship, and when they met one last time, Ravel's refusal to shake hands resulted in Diaghilev challenging the composer to a duel, though the Russian was talked down. Since its premiere in Paris on December 12, 1920, the work has found a regular home in the orchestra repertoire and was even staged as a ballet in the 1950s. But, despite Ravel's own attempt to put to bed the notion that the work is symbolic, many see a commentary on the post-war Europe after the war; a distorted version of a Viennese waltz that critiques Austro-German militarism and looks back at the world where the waltz dominated as a bygone era, one that the war destroyed. Whether a \"dance of death\" or what Ravel describes as just \"a dancing, whirling, almost hallucinatory ecstasy, an increasingly passionate and exhausting whirlwind of dancers, who are overcome and exhilarated by nothing but 'the waltz,'\" La Valse continues to have a place in the concert hall today. Instrumentation: 3(3dPicc).3(3dEH).2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set). Study score.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565456748680,"sku":"36-S002401","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S002401_large_7b3dc693-c616-44e5-a5a2-873a35ec8c72.jpg?v=1779255638"},{"product_id":"prince-igor-act-ii-polovtsian-polovetsian-dances-36-a133601os","title":"Prince Igor, Act II: Polovtsian (Polovetsian) Dances: Full Orchestra, Chorus with Ensemble","description":"From the end of Act 2 from Borodin's opera Prince Igor, which remained unfinished at the time of the composer's death in 1887, this most famous version of the Polovtsian Dances (or Polevetsian Dances) was orchestrated by Nikolai Rimsky-Korsakov.  While the music includes choral\/vocal parts, those are often omitted when performed as an orchestral showpiece.  This edition has been edited by Nancy M. Bradburd and Clinton F. Nieweg. Instrumentation: 2+1.2(2dEH).2.2: 4.2.3.1: Timp.Perc(4-5): Hp: Str(9-8-7-6-5 in set): (Mix Chor). 11x14 score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44565485781128,"sku":"36-A133601OS","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A133601OS_large_64f2a999-506b-425e-9464-78a9a1bf72a5.jpg?v=1779255353"},{"product_id":"mignon-overture-36-a248201","title":"Mignon: Overture: Full Orchestra, Conductor Score","description":"MIGNON is an opera in three acts by Ambroise Thomas (1811-1896). Premiered on November 17, 1866 at the Opéra-Comique, it achieved immediate success. The French libretto, based on a novel by Goethe, was written by Jules Barbier and Michel Carré. A revised version in Italian received its first performance at the Drury Lane Theatre in London on July 5, 1870. The plot involves a minstrel named Lothario, reduced to madness by the loss of his daughter to a group of gypsies. The student Wilhelm, after purchasing her freedom, falls in love with her. After Wilhelm rescues her from a burning castle, Lothario learns that Mignon, in fact, is his lost daughter. The overture, here edited by Clinton Nieweg and Nancy Bradburd in a newly-engraved edition, has enjoyed considerable popularity in concert halls. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566703734920,"sku":"36-A248201","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A248201_large_a334c896-464c-4f28-b07a-34e05188eb22.jpg?v=1779254722"},{"product_id":"mignon-overture-36-a248202","title":"Mignon: Overture: Full Orchestra, Conductor Score \u0026 Parts","description":"MIGNON is an opera in three acts by Ambroise Thomas (1811-1896). Premiered on November 17, 1866 at the Opéra-Comique, it achieved immediate success. The French libretto, based on a novel by Goethe, was written by Jules Barbier and Michel Carré. A revised version in Italian received its first performance at the Drury Lane Theatre in London on July 5, 1870. The plot involves a minstrel named Lothario, reduced to madness by the loss of his daughter to a group of gypsies. The student Wilhelm, after purchasing her freedom, falls in love with her. After Wilhelm rescues her from a burning castle, Lothario learns that Mignon, in fact, is his lost daughter. The overture, here edited by Clinton Nieweg and Nancy Bradburd in a newly-engraved edition, has enjoyed considerable popularity in concert halls. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp: Perc(3-4): Hp: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566704128136,"sku":"36-A248202","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A248202_large_9985b425-5724-44c0-91e8-39b2f34a1917.jpg?v=1779255185"},{"product_id":"le-tombeau-de-couperin-suite-composer-s-transcription-36-a806401","title":"Le Tombeau de Couperin: Suite (composer's transcription): Full Orchestra, Ensemble Works Conductor Score","description":"Originally written as a suite for solo piano, Maurice Ravel (1875-1937) later orchestrated four movements from Le Tombeau de Couperin in 1919 (Prélude, Forlane, Menuet, and Rigaudon). This orchestral version was premiered in February of 1920 by conductor Rhené-Baton and the Pasdeloup Orchestra. Each movement of the suite was written in memory of Ravel's friends who had died fighting in World War I. It has remained one of Ravel's more popular works, with a ballet by the same name choreographed decades later by George Balanchine. Instrumentation: 2(2dPiccc).2(2dEH).2.2: 2.1.0.0: Hp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578260877448,"sku":"36-A806401","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A806401_large_5a911bfe-e2c4-4373-ad81-9c46b46a845c.jpg?v=1779254695"},{"product_id":"symphony-no-2-in-e-minor-op-27-36-a190101os","title":"Symphony No. 2 in E minor, Op. 27: Full Orchestra, Ensemble Works, Oversized Score","description":"The premiere of Rachmaninoff's Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Tchaikovsky. Alongside his Piano Concertos Nos. 2 and 3, this work remains one of the composer's best-known compositions. Instrumentation: 3(3rd dPicc).3(3rd dEH).2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set). 11x14 oversized score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578293285000,"sku":"36-A190101OS","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A190101OS_large_14112938-f455-4709-8410-745f9fd84725.jpg?v=1779254721"},{"product_id":"la-valse-poeme-choregraphique-36-a817802","title":"La Valse - Poeme Choregraphique: Full Orchestra, Ensemble Works Conductor Score \u0026 Parts","description":"Maurice Ravel's (1875-1937) La Valse, poème chorégraphique pour orchestre (a choreographic poem for orchestra), has a somewhat storied history that has resulted in numerous interpretations of the work. An older idea that Ravel had as early as 1906 was to compose a work titled \"Wien\" (Vienna) as a tribute to the Waltz King Johann Strauss II. Before any work was completed, World War I intervened, and Ravel composed nothing as he served as an ambulance driver at the front. He returned to the idea when famous impresario and founder of Ballets Russes, Serge Diaghilev, commissioned a new ballet from Ravel in 1919. Upon hearing a piano reduction of the new composition, however, Diaghilev referred to the work as a \"masterpiece,\" but rejected the work as \"not a ballet. It's a portrait of ballet.\" A young Francis Poulenc, who was in the room at the time, reported that, \"Ravel proceeded to give me a lesson in modesty which has lasted me all my life; he picked up his music quite quietly and, without worrying about what we all thought of it, calmly left the room.\" The rejection destroyed Ravel's and Diaghilev's relationship, and when they met one last time, Ravel's refusal to shake hands resulted in Diaghilev challenging the composer to a duel, though the Russian was talked down. Since its premiere in Paris on December 12, 1920, the work has found a regular home in the orchestra repertoire and was even staged as a ballet in the 1950s. But, despite Ravel's own attempt to put to bed the notion that the work is symbolic, many see a commentary on the post-war Europe after the war; a distorted version of a Viennese waltz that critiques Austro-German militarism and looks back at the world where the waltz dominated as a bygone era, one that the war destroyed. Whether a \"dance of death\" or what Ravel describes as just \"a dancing, whirling, almost hallucinatory ecstasy, an increasingly passionate and exhausting whirlwind of dancers, who are overcome and exhilarated by nothing but 'the waltz,'\" La Valse continues to have a place in the concert hall today. Instrumentation: 3(3dPicc).3(3dEH).2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(6): Hp(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578316353672,"sku":"36-A817802","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A817802_large_df44182c-1d96-4167-8923-432d32da10c2.jpg?v=1779255356"},{"product_id":"scheherazade-op-35-36-s008601","title":"Scheherazade, Op. 35: Full Orchestra Conductor Score","description":"The Sultan Schariar, convinced of the falseness and faithlessness of women, vowed to kill each of his wives after their bridal night. The Sultana Scheherazade, however, saved her life by interested the Sultan in the stories she told him during 1001 nights. In his curiosity for the sequels to her stories, the Sultan postponed Scheherazade's execution from day to day until he finally abandoned his sanquinary resolution altogether. In her stories, Scheherazade frequently included the verses and songs of the poets, and interlaced her narratives of marvels and adventures so as to link them together. Nikolai Rimsky-Korsakov (1844-1908) wrote this work in 1888, and it premiered in Saint Petersburg on October 28 of that year with the composer conducting. The work has remained a popular staple of the repertoire ever since. Edited by Clinton Nieweg and Drew Holmes. Study score.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579051339912,"sku":"36-S008601","price":48.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S008601_large_1fd698ef-2278-447e-9f4f-f99db5e9e138.jpg?v=1779255062"},{"product_id":"symphony-no-7-36-a931501","title":"Symphony No. 7: Full Orchestra, Ensemble Works Conductor Score","description":"Symphony No. 7 in C Major, Op. 105, was Jean Sibelius' (1865-1957) final published symphony. Completed in 1924, the work is notable for being comprised of a single movement, in contrast to the standard symphonic formula of four movements. It has been described as \"completely original in form, subtle in its handling of tempi, individual in its treatment of key and wholly organic in growth\" and \"Sibelius's most remarkable compositional achievement.\" Premiered on March 24th, 1924 in Stockholm by the Konsertföreningen, Sibelius conducting. This edition was originally revised by Julia Burt in 1946, with further edits and fixes to the errata by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2.2.2.2: 4.3.3.0: Timp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579063890056,"sku":"36-A931501","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A931501_large_bdd1e716-8bd5-4ea5-9a9d-3518dfa04d75.jpg?v=1779254621"},{"product_id":"symphony-no-7-36-a931590","title":"Symphony No. 7: Full Orchestra, Ensemble Works Conductor Score \u0026 Parts","description":"Symphony No. 7 in C Major, Op. 105, was Jean Sibelius' (1865-1957) final published symphony. Completed in 1924, the work is notable for being comprised of a single movement, in contrast to the standard symphonic formula of four movements. It has been described as \"completely original in form, subtle in its handling of tempi, individual in its treatment of key and wholly organic in growth\" and \"Sibelius's most remarkable compositional achievement.\" Premiered on March 24th, 1924 in Stockholm by the Konsertföreningen, Sibelius conducting. This edition was originally revised by Julia Burt in 1946, with further edits and fixes to the errata by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2.2.2.2: 4.3.3.0: Timp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579064250504,"sku":"36-A931590","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A931590_large_09249968-0bba-4c77-a7c8-5c87420416d8.jpg?v=1779254698"},{"product_id":"the-planets-op-32-h125-36-a820801","title":"The Planets, Op. 32\/H125: Conductor Score","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068313736,"sku":"36-A820801","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820801_large_56ba6733-432d-4182-bc78-9798c645434a.jpg?v=1779254697"},{"product_id":"concerto-for-cello-in-e-minor-op-85-36-a820401","title":"Concerto for Cello in E minor, Op. 85: Conductor Score","description":"Considered the last notable work of Sir Edward Elgar (1857-1934), his Cello Concerto is a cornerstone of the solo violoncello repertoire. Composed in the aftermath of World War I, it premiered in October of 1919. The premier was reportedly quite the debacle, as Elgar (as director) and the performers of the London Symphony Orchestra had not been allotted proper rehearsal time from director Albert Coates, who overran his rehearsal time at Elgar’s expense. Composed in the summer of 1919, the first theme supposedly came to Elgar during a dangerous procedure to remove an infected tonsil. Upon waking from sedation, he asked for a pencil and paper and began sketching out the melody. The Cello Concerto did not achieve popularity until the 1960’s, where a recording by renowned cellist Jacqueline du Pré made it into a classical best-seller, driving a popularity that remains through today. Instrumentation: 2(2dPicc[opt]).2.2.2: 4.2.3.1[opt]: Timp: Str (9-8-7-6-5 in set): Solo Cello.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068772488,"sku":"36-A820401","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820401_large_ebecd18b-07a0-4475-8517-2cf167675e16.jpg?v=1779255289"},{"product_id":"the-planets-op-32-h125-36-a820802","title":"The Planets, Op. 32\/H125: Conductor Score \u0026 Parts","description":"Written between 1914 and 1917, Gustav Holst was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913.  Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time, and imbue the music with the appropriate astological meaning.  Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness.  Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone colour and knows how to use it.\"  Aside from the large orchestra, the final movement, \"Neptune, the Mystic,\" includes a chorus of female voices that sing a soft wordless line offstage who continue to sing and fade away after the orchestra has fallen silent.  While \"Mars, the Bringer of War\" and \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements, Holst's personal favorite was \"Saturn, the Bringer of Old Age.\"  Certainly Holst's most popular work, this critical edition by Clinton Nieweg and Gregory Vaught, is based on the composer's manuscript.  Instrumentation: 4(3\u0026amp;4dPicc.4dAlto).3(3dBsOb)+EH.3+BCl.3+CtrBsn: 6.4.2+BTbn.2: Timp(2).Perc(3): Hp(2).Clst.Org: Str(9-8-7-6-5): Women's Chor.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579068805256,"sku":"36-A820802","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820802_large_f3998643-8bde-495f-97da-c1361e1c9f1c.jpg?v=1779254697"},{"product_id":"symphony-no-2-in-e-minor-op-27-36-a190102","title":"Symphony No. 2 in E minor, Op. 27: Full Orchestra, Ensemble Works, Score and Parts","description":"The premiere of Rachmaninoff’s Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Tchaikovsky. Alongside his Piano Concertos Nos. 2 and 3, this work remains one of the composer’s best-known compositions. Instrumentation: 3(3rd dPicc).3(3rd dEH).2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44591952691336,"sku":"36-A190102","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A190102_large_52364f24-2176-42ef-9430-0b22871ad5e3.jpg?v=1779255197"},{"product_id":"nabucco-overture-36-a220601","title":"Nabucco: Overture: Conductor Score","description":"Nabucco, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi’s first major operatic success, and was written reluctantly, following a difficult period in the composer’s life. Having lost his young wife, Margherita, in the summer of 1840, and seeing his second opera, Un giorno di regno, fail disastrously, closing after only a single performance in September 1840, Verdi was left understandably depressed and prepared to give up on music altogether. However, Bartolomeo Merelli, who ran the famed Milan opera house, La Scala, urged Verdi to write another opera. Verdi wrote Nabucco in 1841, and it was an instant commercial and critical success upon its premiere in 1842. Instrumentation: 2(2d.Picc).2.2.2: 4.2.3.1: Timp:Perc(2) Str(9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44591956525192,"sku":"36-A220601","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A220601_large_791149ea-2f4a-429e-a063-eb48bae54c07.jpg?v=1779254714"},{"product_id":"rapsodie-espagnole-m-54-36-a343401","title":"Rapsodie Espagnole, M. 54: Full Orchestra, Conductor Score","description":"Maurice Ravel (1875-1937) completed his first published work for orchestra, RAPSODIE ESPAGNOLE, between 1907 and 1908, dedicating the work to the Belgian violinist Charles de Bériot.  The Orchestre des Concerts Colonne gave the first performance on March 3, 1908 at Châtelet Théatre in Paris, Édouard Colonne conducting.  It seemed to evoke an authentic Spanish flavor, drawing the enthusiastic praise of composer Manuel de Falla.  The piece, performed without break, begins with a nocturnal prelude (Prélude à la nuit).  The three following sections, the Malagueña, Habanera, and Feria, depict a gaudy selection of folk dances and festivals.  Instrumentation: 2+2Picc.2+EH.2+BCl.3: Sarrusophone: 4.3.3.1: Timp:Perc(7-8): 2Hp: Cel: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44591960883336,"sku":"36-A343401","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A343401_large_a99da2cc-7c10-4ec2-a3b4-c80e31ffe234.jpg?v=1779255257"},{"product_id":"villanelle-for-horn-and-orchestra-36-a725502","title":"Villanelle for Horn and Orchestra: Conductor Score \u0026 Parts","description":"In French, the word \"villanelle\" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald Miller, this edition was revised in 2009 by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2(2dPicc).2.2.2: 2.2.0.0: Timp.Perc(2): Str (9-8-7-6-5): Solo Horn in Set [All new engraved materials].","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592271392904,"sku":"36-A725502","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A725502_large_2f44d3ca-1d71-4200-8922-aa027ef9027f.jpg?v=1779255192"},{"product_id":"villanelle-for-horn-and-orchestra-36-a725548","title":"Villanelle for Horn and Orchestra: Full Orchestra, Solo Brass with Ensemble, Solo Horn Part","description":"In French, the word \"villanelle\" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald Miller, this edition was revised in 2009 by Clinton Nieweg and Nancy Bradburd. 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Study score.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600040652936,"sku":"36-S008701","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S008701_large_60ce838d-a57a-44d0-9127-50ce426f4137.jpg?v=1779255608"},{"product_id":"mother-goose-ma-mere-l-oye-five-pieces-for-children-36-s002601","title":"Mother Goose (Ma Mere L'oye): Five Pieces for Children: Full Orchestra, SS","description":"Maurice Ravel's (1875-1937) Ma mère l'Oye (\"Mother Goose\") draws its inspiration from the fairy tales of Charles Perrault, Madame d'Aulnoy, and Jeanne-Marie Leprince de Beaumont. Ravel composed the first movement \"Pavane de la Belle au Bois Dormant\" in September of 1908, and after some encouragement from his publisher Jacques Durand, the remaining four movements were added between 1908 and 1910. The piece sought to both be performable by children and also to reflect the world of childhood. Dedicated to the two children of his friends the Godebskis, Ravel intended for them to premier the piece. However, when the piece proved too difficult for the pair, it was instead premiered at a concert in the Salle Gaveau in 1910 by 11-year old pianist Jeanne Leleu and 14-year old Geneviève Durony. In 1911, Ravel wrote an orchestral version of the suite, which became the basis of the ballet which was performed in January 1912. Instrumentation: 2(1dPicc).2(1dEH).2.2(1dCBsn): 2.0.0.0: Timp.Perc(4): Hp.Clst: Str(9-8-7-6-5 in set). Study score.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600041930888,"sku":"36-S002601","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S002601_large_24a8faea-a3ec-46fa-83eb-18929632b270.jpg?v=1779255603"},{"product_id":"concerto-for-cello-no-1-in-a-minor-op-33-36-s000401","title":"Concerto for Cello No. 1 in A minor, Op. 33: Full Orchestra, Solo Strings with Ensemble, SS","description":"Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbecque, who was closely associated with the Société des Concerts du Conservatoire, France's leading concert society, at the Paris Conservatoire on January 19, 1873, this performance was perceived as a mark of Saint-Saëns' growing acceptance by the French musical establishment. Many composers, including Shostakovich and Rachmaninoff, consider this concerto to be the greatest written for cello, with the work solving the issue of balance by limiting the role of the orchestra more often to the background and to punctuating chords. Rather than three   seperate movements, the work is composed in three distinct sections with single musical ideas and themes running through the entire work, a decision likely inspired by conversations with Franz Liszt. Despite the tremendously demanding solo part, this remains a favorite of cellists and a regular work in the repertoire. This edition has been edited by Clinton Nieweg and Nancy Bradburd, with the cello solo part edited by William Stokking. Study score.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600042455176,"sku":"36-S000401","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S000401_large_7a2abaf5-f989-4a5f-8075-d39bb5abc375.jpg?v=1779255602"},{"product_id":"printemps-suite-symphonique-36-a764602","title":"Printemps: Suite Symphonique: Full Orchestra, Conductor Score \u0026 Parts","description":"PRINTEMPS: SUITE SYMPHONIQUE is a two-part orchestral suite by Claude Debussy (1862-1918), produced during his residency at the Villa Medici after having won the 1884 Prix de Rome. Sent back to his mentors in Paris, the work puzzled them for its exploration of color at what they perceived to be a loss of formal structure. The original manscript, which included a wordless chorus, was eventually lost. In 1912, Henri Büsser created an orchestration from the sole surviving source, a reduction for chorus and piano duet. Rhené-Baton conducted its premiere at the Société nationale de musique in Paris on April 18, 1913. Instrumentation: 2(2nd d. Picc). 2(2nd d. EH).2.2: 4.2.3.0: Timp.Perc(2): Hp.Pno4hd: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600049893512,"sku":"36-A764602","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A764602_large_140a18d8-3077-417b-89f1-9cfb7ccf66f8.jpg?v=1779255189"},{"product_id":"printemps-suite-symphonique-36-a764601","title":"Printemps: Suite Symphonique: Full Orchestra, Conductor Score","description":"PRINTEMPS: SUITE SYMPHONIQUE is a two-part orchestral suite by Claude Debussy (1862-1918), produced during his residency at the Villa Medici after having won the 1884 Prix de Rome. Sent back to his mentors in Paris, the work puzzled them for its exploration of color at what they perceived to be a loss of formal structure. The original manscript, which included a wordless chorus, was eventually lost. In 1912, Henri Büsser created an orchestration from the sole surviving source, a reduction for chorus and piano duet. Rhené-Baton conducted its premiere at the Société nationale de musique in Paris on April 18, 1913. Instrumentation: 2(2nd d. Picc). 2(2nd d. EH).2.2: 4.2.3.0: Timp.Perc(2): Hp.Pno4hd: Str (9.8.7.6.5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600050352264,"sku":"36-A764601","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A764601_large_37ba148e-213a-4a3c-bf8b-0260998cb7b3.jpg?v=1779255604"},{"product_id":"samson-and-delilah-op-47-samson-et-dalila-danse-bacchanale-36-a198201os","title":"Samson and Delilah, Op. 47 (Samson et Dalila): Danse Bacchanale: Full Orchestra, Oversized Score","description":"Camille Saint-Saëns' (1835-1921) opera SAMSON ET DALILA, Op. 47 tells the biblical story of Delilah's betrayal of Samson. Originally conceived as an oratorio due to Saint-Saëns' admiration of such works by Handel and Mendelssohn, it was converted to an opera when the composer was convinced by a family member to abandon the less-used oratorio, designed to stage works with biblical themes, in favor of the more common and contemporary secular form. While composition began in 1867, consistent rejection by the French music world of any biblical stories used as a libretto caused numerous delays and spurts of abandonment of the project by the Saint-Saëns.  And when the work was completed in 1876, the 1877 premiere in Weimar was only able to take place due to the support of Franz Liszt.  Further interest around the world, including France, finally started to grow in the 1890s, leaving SAMSON AND DELILAH Saint-Saëns most performed opera today. The \"Danse Bacchanale,\" which takes place in Scene 2 of the third act, plays after Samson has been betrayed by Delilah and apprehended by his enemies, the Philistines.  The Philistines plan a sacrifice to their god Dagon, and the temple priests dance wildly to this savage \"Bacchanale\" as preparation.  This version has been newly engraved and edited by Clinton Nieweg and Nancy Bradburd.  Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set). 11x14 oversized full score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600057233544,"sku":"36-A198201OS","price":58.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A198201OS_large_f730b2b1-fde6-4c3a-8fcb-fc31d9621aab.jpg?v=1779255601"},{"product_id":"le-roi-d-ys-overture-36-a162102","title":"Le Roi d'Ys: Overture: Full Orchestra, Conductor Score \u0026 Parts","description":"French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton legend of the city of Ys as a subject, as she was from Brittany. The opera, with a libretto by Édouard Blau, depicts two daughters of the King of Ys, both of whom love the knight Mylio. Mylio only loves Rozenn, so her jealous sister Margared collaborates with the city's enemy, Prince Karnac, to open the sluice gates and drown the city on the day of Rozenn and Mylio's wedding. Wracked with guilt for what she has done, Margared throws herself into the sea, and the city's patron saint, St. Corentin, saves what remains of Ys. Following failed attempts to see it staged in 1885, and after some rounds of revisions, the opera premiered on May 7, 1888, at the Opéra-Comique in Paris. The opera was met with great success in Paris, and it was regularly staged for many years, though its popularity began to wane after World War I, when tastes began to move away from more romantic, lyrical operas. Occasional revivals have occurred in the 20th and 21st centuries. The dramatic overture, which depicts many of the opera's principal melodic ideas, is considered among the finest in the concert repertoire, and it regularly finds itself on concert programs. Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). Edition by Clinton Nieweg and Nancy Bradburd.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600060477576,"sku":"36-A162102","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A162102_large_7d8069bd-a451-43c0-8219-5dd2ea15c9f4.jpg?v=1779255189"},{"product_id":"le-roi-d-ys-overture-36-a162101","title":"Le Roi d'Ys: Overture: Full Orchestra, Conductor Score","description":"French composer Édouard Lalo (1823-1892) wrote Le roi d'Ys, an opera in three acts and five tableaux, between 1875 and 1888. He was prompted by his wife, contralto Julie de Maligny, to use the Breton legend of the city of Ys as a subject, as she was from Brittany. The opera, with a libretto by Édouard Blau, depicts two daughters of the King of Ys, both of whom love the knight Mylio. Mylio only loves Rozenn, so her jealous sister Margared collaborates with the city's enemy, Prince Karnac, to open the sluice gates and drown the city on the day of Rozenn and Mylio's wedding. Wracked with guilt for what she has done, Margared throws herself into the sea, and the city's patron saint, St. Corentin, saves what remains of Ys. Following failed attempts to see it staged in 1885, and after some rounds of revisions, the opera premiered on May 7, 1888, at the Opéra-Comique in Paris. The opera was met with great success in Paris, and it was regularly staged for many years, though its popularity began to wane after World War I, when tastes began to move away from more romantic, lyrical operas. Occasional revivals have occurred in the 20th and 21st centuries. The dramatic overture, which depicts many of the opera's principal melodic ideas, is considered among the finest in the concert repertoire, and it regularly finds itself on concert programs. Instrumentation: 2.2.2.4: 4.2+2Crnt.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set). Edition by Clinton Nieweg and Nancy Bradburd.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600061395080,"sku":"36-A162101","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A162101_large_b14ac09d-3c77-4b6a-abad-6376d16a317f.jpg?v=1779255602"},{"product_id":"rapsodie-for-saxophone-and-orchestra-l-98-36-s012701","title":"Rapsodie for Saxophone and Orchestra, L. 98: Full Orchestra, Solo Woodwind(s) with Ensemble, SS","description":"In 1901, American saxophonist Elise Hall commissioned works from numerous composers for her instrument, and among those composers was Claude Debussy (1862-1918). While Debussy took the money at the time, he was so focused on his opera Pelléas et Mélisande that he gave little thought to writing Hall's work. When suddenly Hall (whom Debussy referred to as \"the saxophone lady\") and her teacher, French oboist Georges Longy, appeared in Paris unannounced and asked after the commission, the reluctant composer was prompted to finish most of the work in a rough score, at least. He followed this with a contract with his publisher to purchase the work, which resulted in his being paid twice for a work he had not yet fully completed yet. At this point, Debussy turned his attention to La Mer and never fully returned to this solo work which was eventually titled Rapsodie pour Orchestre et Saxophone, L. 98, although other titles were considered prior to this: Rapsodie Arabe; Rapsodie Mauresque pour Orchestre et Saxophone Obligé; Rapsodie Orientale; Esquisse d'une'Rhapsodie Mauresque' pour Orchestre et Saxophone Principal. Debussy died in 1918 before he could put the finishing touches on the work or orchestrate it, so composer Jean Roger-Ducasse was given the Rapsodie by Debussy's second wife, Emma, to complete, along with all of her late husband's other remaining incomplete works. Roger-Ducasse completed the orchestration and the final piano reduction in 1918, and it is these versions with which everyone is now familiar. At this point, Elise Hall had gone completely deaf, so the premiere of the work fell to saxophonist Pierre Mayeur with the Société nationale de musique at Salle Gaveau in Paris on May 14, 1919, André Caplet conducting. Instrumentation: 3.2+EH.2.2: 4.2.3.1: Timp.Perc(3): Hp: Str (9-8-7-6-5 in set): Solo Alto Sax in set. Edited by Clinton Nieweg.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600090722440,"sku":"36-S012701","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-S012701_large_034b8ba7-07b4-4235-be1f-d8705f4ba04c.jpg?v=1779255626"},{"product_id":"planets-the-op-32-h125-no-4-jupiter-the-bringer-of-jollity-36-a820201","title":"Planets, The (Op. 32\/H125), No. 4: Jupiter, the Bringer of Jollity: Full Orchestra, Full Score","description":"Writing it between 1914 and 1917, Gustav Holst (1874-1934) was initially inspired to compose THE PLANETS based on a conversation he had about astrology while on holiday in Spain with some friends in 1913. Intrigued by the concepts, he sought to write an orchestral suite for seven of these astrological signs based on the planets known to the world at the time and imbue the music with the appropriate astrological meaning. Rather than order the planets as an astronomer would, Holst ordered them in such a way as to attain maximum musical effectiveness. Scored for a large orchestra, fellow composer Ralph Vaughan Williams wrote in 1920, \"Holst uses a very large orchestra in THE PLANETS not to make his score look impressive, but because he needs the extra tone color and knows how to use it.\" Both \"Mars, the Bringer of War\" and this excerpt of \"Jupiter, the Bringer of Jollity\" are the most popular and well-known movements in the suite. This critical edition of the \"Jupiter\" movement by Clinton Nieweg and Gregory Vaught is based on the composer's manuscript. Instrumentation: 2+2Picc.3+EH.3+BCl.3+CBsn: 6.4.3.2: Timp.Perc(4): Hp(2): Str(9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600096358536,"sku":"36-A820201","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A820201_large_6af013a5-bfa2-4eab-8d1a-f644f4ee50b4.jpg?v=1779255624"},{"product_id":"symphony-no-7-36-a931501os","title":"Symphony No. 7: Full Orchestra, Ensemble Works","description":"Symphony No. 7 in C major, Op. 105, was Jean Sibelius' (1865-1957) final published symphony. Completed in 1924, the work is notable for being comprised of a single movement, in contrast to the standard symphonic formula of four movements. It has been described as \"completely original in form, subtle in its handling of tempi, individual in its treatment of key and wholly organic in growth\" and \"Sibelius's most remarkable compositional achievement.\" Premiered on March 24th, 1924 in Stockholm by the Konsertföreningen, Sibelius conducting. This edition was originally revised by Julia Burt in 1946, with further edits and fixes to the errata by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2.2.2.2: 4.3.3.0: Timp: Str (9-8-7-6-5 in set). 11x14 score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600097112200,"sku":"36-A931501OS","price":88.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A931501OS_large_1e87aa3b-bb62-4393-aa20-824f95b41748.jpg?v=1779255630"},{"product_id":"daphnis-et-chloe-suite-no-2-3rd-edition-36-a675401os","title":"Daphnis et Chloe: Suite No. 2 (3rd Edition): Full Orchestra, Ensemble Works","description":"Ravel's longest work at almost an hour, the complete one-act ballet Daphnis et Chloe was described by the composer as a \"symphonie choregraphique\" (choreographic symphony).  Ravel began the work, a romance about the Greek goatherd Daphnis and the shepherdess Chloe, upon receiving a 1909 commission from famed Russian ballet impresario Sergei Diaghilev, and the premiere in 1912 included Vaslav Nijinksky and Tamara Karsavina in the title roles.  Full of lush harmonies typical of the impressionist movement and musical leitmotifs, the work is considered among Ravel's most passionate and best compositions.  Ravel extracted the music from the ballet to make two orchestra suites, which can be performed with or without chorus, of which this Suite No. 2 is particularly popular. Instrumentation: 3(2\u0026amp;3dPicc)+Picc+Afl.2+EH.2+BCl+EbCl.3+CtrBsn: 4.4.3.1: Timp.Perc(8): Hp(2): Clst: Str (9-8-7-6-5 in set): Mx Chor (available separately). 11x14 Score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600099831944,"sku":"36-A675401OS","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A675401OS_large_00e574e8-9e13-417b-8567-0412443c5a55.jpg?v=1779255629"},{"product_id":"villanelle-for-horn-and-orchestra-36-a725501os","title":"Villanelle for Horn and Orchestra: Full Orchestra, Solo Brass with Ensemble","description":"In French, the word \"villanelle\" implies a rustic song or dance. It was used during the 16th century to describe songs which used simple language and were of a pastoral nature. Orchestrated by Donald Miller, this edition was revised in 2009 by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2(2dPicc).2.2.2: 2.2.0.0: Timp.Perc(2): Str (9-8-7-6-5): Solo Horn in Set [All new engraved materials]. 11x14 score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600102551688,"sku":"36-A725501OS","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A725501OS_large_31663d6b-082f-4497-8967-259f1f221f20.jpg?v=1779255623"},{"product_id":"nabucco-overture-36-a220601os","title":"Nabucco: Overture: Full Orchestra, Ensemble Works, Oversized Score","description":"Nabucco, a retelling of the biblical story of Jewish exile under the Babylonian King Nebuchadnezzar, was Giuseppe Verdi's first major operatic success, and was written reluctantly, following a difficult period in the composer's life. Having lost his young wife, Margherita, in the summer of 1840, and seeing his second opera, Un giorno di regno, fail disastrously, closing after only a single performance in September 1840, Verdi was left understandably depressed and prepared to give up on music altogether. However, Bartolomeo Merelli, who ran the famed Milan opera house, La Scala, urged Verdi to write another opera. Verdi wrote Nabucco in 1841, and it was an instant commercial and critical success upon its premiere in 1842. Instrumentation: 2(2d.Picc).2.2.2: 4.2.3.1: Timp:Perc(2) Str(9.8.7.6.5 in set). 11x14 oversized score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600104812680,"sku":"36-A220601OS","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A220601OS_large_b6dac2e4-6f12-4ef7-9f32-e09c348e46a6.jpg?v=1779255631"},{"product_id":"symphony-in-d-minor-fwv-m-48-36-a144701os","title":"Symphony in D minor, FWV (M). 48: Full Orchestra, Ensemble Works","description":"César Franck's (1822-1890) SYMPHONY IN D MINOR is the French composer's best-known orchestral work. In three, rather than four, movements, the work's shape is attained through thematic transformation, with important themes recurring in all of the movements. Bumping up against the factionalism of French musical culture, the premiere took some time to be arranged as the leading conductors of the day, sure of being attacked by the opposing faction, were tentative in scheduling new works. When the work was premiered in Paris by the Societe des Concerts du Conservatoire on February 17 1889 under Jules Garcin, opinion was, not surprisingly, divided. Despite that, Franck's only mature symphony entered the international orchestral repertoire. This newly-engraved edition by Clinton Nieweg and Jennifer Johnson address major disparities between the original score and parts. It also transposes the trumpets from F to Bb, the cornets sections in A to Bb, moves the bass clarinet from bass clef to Bb treble clef, and includes bass clef parts for the trombones in addition to the tenor clef parts. Instrumentation in set: 2.2+EH.2+BCl.2: 4.2+2Crnt.3.1: Timp: Hp: Str (9-8-7-6-5). 11x14 score.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600104878216,"sku":"36-A144701OS","price":138.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A144701OS_large_86090380-19e2-44c0-8a5e-a85d71c47b20.jpg?v=1779255632"}],"url":"https:\/\/www.alfred.com\/collections\/clinton-nieweg-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}