{"title":"Carl Vine Sheet Music","description":"\u003cp\u003eExplore Carl Vine's distinctive contributions to modern classical music with this collection of sheet music for piano, flute, and chamber ensemble. From intimate piano works like \u003cem\u003eThe Anne Landa Preludes\u003c\/em\u003e and \u003cem\u003eFive Bagatelles\u003c\/em\u003e to substantial sonatas and duets, Vine's compositions blend pianistic tradition with contemporary voice. Find advanced piano sonatas, a Flute Sonata for contest and festival performance, and the four-hand \u003cem\u003eSonata for Piano Four Hands\u003c\/em\u003e. Published by Faber Music, these scores are essential for intermediate to advanced pianists and chamber musicians seeking 20th-century repertoire with character and depth.\u003c\/p\u003e","products":[{"product_id":"piano-concerto-12-0571564828","title":"Piano Concerto: Piano Book","description":"","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44566736994440,"sku":"12-0571564828","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/12-0571564828_large_7cd09c39-e368-4816-b620-a82a4dd3e93a.jpg?v=1779255253"},{"product_id":"the-anne-landa-preludes-12-0571530303","title":"The Anne Landa Preludes: Piano Book","description":"Anne Landa made an extraordinary and sustained contribution to the encouragement of young pianists in Australia. This set of twelve small pieces are intended to be the successor to the Vine's previous \u003ci\u003eFive Bagatelles\u003c\/i\u003e. There are significant notes provided by the composer for each of the twelve pieces. Commissioned by John Sharpe, the first performance was given at an Invitation Concert at the Goossens Hall, Sydney, Australia by various pianists on 4 September 2006.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44578346434696,"sku":"12-0571530303","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/12-0571530303_large_4fcb23f0-2b63-4dfb-8432-138daee1d1a6.jpg?v=1779254722"},{"product_id":"piano-concerto-no-1-12-0571572162","title":"Piano Concerto No. 1: Full Orchestra Full Score","description":"Carl Vine's \u003ci\u003ePiano Concerto No. 1\u003c\/i\u003e (1997) is one of three large-scale works composed with pianist Michael Kieran Harvey in mind---the others being his first two piano sonatas. Vine describes it as \"a conscious and continuous tribute to the piano concerto as a medium and historical entity,\" a fact most apparent in the slow movement, with its long melodic lines evoking both Ravel and Bach. This 25-minute concerto is cast in the familiar three-movement form, with fast outer movements framing a central slow movement. The outer movements share some material (particularly in some lively conversational interchanges between piano and trumpet), and also some typically pianistic glitter across the orchestra, with harp and glockenspiel ensuring that the piano is less of an outsider than might have otherwise been the case.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44579125592200,"sku":"12-0571572162","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/12-0571572162_large_2ef2de59-400f-4b84-8e7d-09bdbd63b842.jpg?v=1779255380"},{"product_id":"piano-sonata-no-4-12-0571542212","title":"Piano Sonata No.4: Piano Book","description":"\u003cp\u003eCarl Vine's Piano Sonatas are a crucial contribution to the piano repertoire. Each one carries the essence of pianistic traditions through Vine's own stylistic voice. The latest in the series, his \u003ci\u003ePiano Sonata No.4 \u003c\/i\u003eis comprised of three seamless movements of high character.\u003c\/p\u003e\u003cp\u003e\"Aphorisms\" opens the sonata with strings of fast lines and arpeggios articulating a set of materials that don't seem to interact as much as coexist. 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Like that work it also features text by Walt Whitman, being a setting of his 1855 poem, Who learns my lesson complete?, which was renamed Wonders in the 1892 edition of Leaves of Grass. (This substantial collection of poetry also supplied the words for Vaughan Williams' symphony).\u003cbr\u003e\u003cbr\u003eWonders is a short poem in twenty-six lines of free verse. I was drawn to it for its manifest humanism, its tangible though irreligious spirituality and its powerful expression of communal inclusivity. Although the text functions largely as a soliloquy, its message is meant equally for all, and so in my setting is passed between the soloists and the collective consciousness of the two choirs - large and small. The soloists speak respectively for the male and female principle of the original voice, while the choirs echo the social sentiment of acceptance.\u003cbr\u003e\u003cbr\u003eIt is hard to not get swept up in the boundless beauty that the poet finds in the simple things that surround us every day: from one's eyesight, friendship and conversation up to the miracles of childbirth and the unknowable extent of time and the universe. In this concise statement the poet has encapsulated a comprehensive holistic view of humankind and the way we should live together. It is wonderful.\u003cbr\u003e\u003cbr\u003eCarl Vine, June 2016\u003cbr\u003e\u003cbr\u003eWonders was first performed by Sydney Philharmonia Choirs with Penelope Miller, Christopher Hillier and the Sydney Youth Orchestra conducted by Brett Weymark on the 22nd of September 2016 at the Sydney Opera House.\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. 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Mine workers discovered that the high-speed downhill journey through virgin mountain scenery was distinctly thrilling, and in less productive periods tourists were invited to enjoy the ride, which became known as \"The Gravity Road\" - the world's first roller-coaster. Other mines proved to be more productive, and Mauch Chunk became dedicated to thrill-seekers paying fifty cents a ride (US$12.50 today). A steam engine replaced the hardy mules in 1846, and it remained a popular tourist attraction until it closed in 1932, precipitated by the Great Depression.\u003cbr\u003e\u003cbr\u003eWhen it first opened, the maximum Gravity Road downhill speed, exceeding 30 mph, was the fastest any human, who wasn't falling off a cliff, had ever travelled. This short orchestral tone poem is a homage to the pioneering spirit and sense of adventure that led to the construction and deployment of the Gravity Road at Mauch Chunk.\u003cbr\u003e\u003cbr\u003eGravity Road was commissioned by Queensland Youth Orchestras with financial assistance from the Music Board of the Australia Council. It is dedicated to the first orchestral conductor to insist that I compose symphonic music, John Curro AM MBE (1932-2019).\u003cbr\u003e\u003cbr\u003eIt was first performed by the Queensland Youth Orchestra conducted by John Curro on 31 May 2014, at the Concert Hall of the Queensland Performing Arts Centre in Brisbane, Australia.\u003cbr\u003e\u003cbr\u003e© Carl Vine, January 2014\u003cbr\u003e\u003cbr\u003eThis product is Printed on Demand and may take several weeks to fulfill. 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