{"title":"Antonin Dvorak Sheet Music","description":"\u003cp\u003eExplore Antonín Dvorák's enduring contributions to vocal and orchestral music through this collection of sheet music. Find Singer's Library of Song anthologies featuring his art songs arranged for high, medium, and low voices—each with historical context and performance notes for developing vocalists. Also included are orchestral and conductor scores, including his symphonic poem \u003cem\u003eA Hero's Song\u003c\/em\u003e and selections from the beloved \u003cem\u003eSlavonic Dances\u003c\/em\u003e. All digital purchases are PDF downloads accessible immediately in your library.\u003c\/p\u003e","products":[{"product_id":"i-will-sing-new-songs-medium-voice-00-ps-0010317","title":"I Will Sing New Songs [Medium Voice]: Vocal","description":"\u003ci\u003eSinger's Library of Song\u003c\/i\u003e features 37 of the world's best-loved songs from the Medieval era through the 20th Century, presented with historical information and performance suggestions that are designed to enhance and educate developing vocalists. Art Songs, arias, folk songs, spirituals, and lieder---they're all here, and they're all beautifully laid out in this comprehensive 200-page anthology for vocal study. English, Latin, Italian, German, French, Spanish, and Hebrew texts are included, and accurate translations and IPA pronunciation guides pave the way for serious singers. Available in low, medium, and high editions with optional accompaniment CDs (set of 2), \u003ci\u003eSinger's Library of Song\u003c\/i\u003e is a must-have for every voice teacher and student.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568295735432,"sku":"00-PS-0010317","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-23499_large_4dd53c30-2b0a-462a-83d2-081bb0bda5ff.jpg?v=1779250986"},{"product_id":"i-will-sing-new-songs-high-voice-00-ps-0010250","title":"I Will Sing New Songs [High Voice]: Vocal","description":"\u003ci\u003eSinger's Library of Song\u003c\/i\u003e features 37 of the world's best-loved songs from the Medieval era through the 20th Century, presented with historical information and performance suggestions that are designed to enhance and educate developing vocalists. Art Songs, arias, folk songs, spirituals, and lieder---they're all here, and they're all beautifully laid out in this comprehensive 200-page anthology for vocal study. English, Latin, Italian, German, French, Spanish, and Hebrew texts are included, and accurate translations and IPA pronunciation guides pave the way for serious singers. Available in low, medium, and high editions with optional accompaniment CDs (set of 2), \u003ci\u003eSinger's Library of Song\u003c\/i\u003e is a must-have for every voice teacher and student.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592135078024,"sku":"00-PS-0010250","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-23498_large_3432cadc-a3ae-4c43-8020-f61c7393b41c.jpg?v=1779250982"},{"product_id":"i-will-sing-new-songs-low-voice-00-ps-0010283","title":"I Will Sing New Songs [Low Voice]: Vocal","description":"\u003ci\u003eSinger's Library of Song\u003c\/i\u003e features 37 of the world's best-loved songs from the Medieval era through the 20th Century, presented with historical information and performance suggestions that are designed to enhance and educate developing vocalists. Art Songs, arias, folk songs, spirituals, and lieder---they're all here, and they're all beautifully laid out in this comprehensive 200-page anthology for vocal study. English, Latin, Italian, German, French, Spanish, and Hebrew texts are included, and accurate translations and IPA pronunciation guides pave the way for serious singers. Available in low, medium, and high editions with optional accompaniment CDs (set of 2), \u003ci\u003eSinger's Library of Song\u003c\/i\u003e is a must-have for every voice teacher and student.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44592136978568,"sku":"00-PS-0010283","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-23500_large_7d064ff3-89c8-4985-8ad5-172423568a47.jpg?v=1779250992"},{"product_id":"hero-s-song-a-op-111-b-199-pisen-bohatyrska-ein-heldenlied-critical-edition-36-a748302","title":"Hero's Song, A, Op. 111\/B. 199 (Pisen Bohatyrska; Ein Heldenlied) [Critical Edition]: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts","description":"Antonín Dvorák (1841-1904) composed A HERO'S SONG (PÍSEN BOHATÝRSKÁ), Op. 111\/B. 199, in 1897, making it his final symphonic poem and one of his last major orchestral works. Unlike his earlier programmatic pieces based on Czech folklore, this score is often interpreted as a deeply personal reflection of the composer's own creative journey and artistic triumphs. The work received its premiere in Vienna on December 4, 1898, conducted by Gustav Mahler, and was warmly received for its vigorous themes, colorful orchestration, and rousing spirit. Today, A HERO'S SONG is less frequently performed than Dvorák's symphonies or his earlier symphonic poems such as THE WATER GOBLIN and THE NOON WITCH, yet it remains a compelling testament to his late style - an affirmation of strength and individuality that closes his orchestral tone poem output with grandeur and conviction. This critical edition based on the composer's manuscript is edited by Otakar Sourek, Antonín Pokorný, Karel Solc and Jirí Berkovec. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edtion.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598642081928,"sku":"36-A748302","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_f42e1a0a-0154-4d7c-bc8f-0c56bc8c0e88.png?v=1780370224"},{"product_id":"hero-s-song-a-op-111-b-199-pisen-bohatyrska-ein-heldenlied-critical-edition-36-a748301","title":"Hero's Song, A, Op. 111\/B. 199 (Pisen Bohatyrska; Ein Heldenlied) [Critical Edition]: Full Orchestra, Ensemble Works, Conductor Score","description":"Antonín Dvorák (1841-1904) composed A HERO'S SONG (PÍSEN BOHATÝRSKÁ), Op. 111\/B. 199, in 1897, making it his final symphonic poem and one of his last major orchestral works. Unlike his earlier programmatic pieces based on Czech folklore, this score is often interpreted as a deeply personal reflection of the composer's own creative journey and artistic triumphs. The work received its premiere in Vienna on December 4, 1898, conducted by Gustav Mahler, and was warmly received for its vigorous themes, colorful orchestration, and rousing spirit. Today, A HERO'S SONG is less frequently performed than Dvorák's symphonies or his earlier symphonic poems such as THE WATER GOBLIN and THE NOON WITCH, yet it remains a compelling testament to his late style - an affirmation of strength and individuality that closes his orchestral tone poem output with grandeur and conviction. This critical edition based on the composer's manuscript is edited by Otakar Sourek, Antonín Pokorný, Karel Solc and Jirí Berkovec. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edtion.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598642376840,"sku":"36-A748301","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_14ce8dcb-5f0e-4efa-83d1-d40a99e90ad3.png?v=1780362987"},{"product_id":"in-nature-s-realm-concert-overture-op-91-b-168-v-prirode-ouvertura-36-a142502","title":"In Nature's Realm: Concert Overture, Op. 91\/B. 168 (V Prirode - Ouvertura): Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts","description":"Written in 1891 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, the concert overture IN NATURE'S REALM, Op. 91\/B. 168 (V PRÍRODE, KONCERTNÍ OUVERTURA) is the first work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. IN NATURE'S REALM opens with a highly poetic stylization of the voices of nature, with the main theme making use of Moravian folk yodeling. Johannes Brahms noted in a letter to Dvorák's publisher that the work was \"merry\" and remarked that, \"music directors will be thankful to you\" for publishing the overtures. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition. The critical edition edited by Dvorák expert Otakar Šourek is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598644375688,"sku":"36-A142502","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A142502_large_13014b3f-5b36-4676-9978-b9ae0e0b9ff7.jpg?v=1779255568"},{"product_id":"othello-overture-op-93-b-174-critical-ed-36-a718202","title":"Othello Overture, Op. 93\/B. 174 (critical ed.): Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts","description":"Written in 1892 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, OTHELLO (OTELLO) is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. OTHELLO take its epic character from the Shakespeare's famous work of literature, and it represents love in its most destructive form, jealousy, which underpins the drama. While the overture is not a faithful adaptation, certain parallels can be found and some of the motifs fit with dramatic sections of the play. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9.8.7.6.5 in set). Reprint edition. This critical edition was edited by Dvorák expert Otakar Šourek and František Bartoš. The original published edition is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598644441224,"sku":"36-A718202","price":125.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A718202_large_19ba7124-bc17-498e-aa99-f24ee89a3d5d.jpg?v=1779255573"},{"product_id":"othello-overture-op-93-b-174-36-a529501","title":"Othello Overture, Op. 93\/B. 174: Full Orchestra, Ensemble Works, Conductor Score","description":"Written in 1892 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, OTHELLO (OTELLO) is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. OTHELLO take its epic character from the Shakespeare's famous work of literature, and it represents love in its most destructive form, jealousy, which underpins the drama. While the overture is not a faithful adaptation, certain parallels can be found and some of the motifs fit with dramatic sections of the play. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9.8.7.6.5 in set). Reprint edition. A critical edition by Dvorák expert Otakar Šourek and František Bartoš is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598645096584,"sku":"36-A529501","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A529501_large_4c54b2b2-3519-48d8-99e0-b78eb9cc5546.jpg?v=1779255571"},{"product_id":"othello-overture-op-93-b-174-critical-ed-36-a718201","title":"Othello Overture, Op. 93\/B. 174 (critical ed.): Full Orchestra, Ensemble Works, Conductor Score","description":"Written in 1892 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, OTHELLO (OTELLO) is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. OTHELLO take its epic character from the Shakespeare's famous work of literature, and it represents love in its most destructive form, jealousy, which underpins the drama. While the overture is not a faithful adaptation, certain parallels can be found and some of the motifs fit with dramatic sections of the play. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9.8.7.6.5 in set). Reprint edition. This critical edition was edited by Dvorák expert Otakar Šourek and František Bartoš. The original published edition is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598645129352,"sku":"36-A718201","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A718201_large_50e9628b-2760-4b5d-8688-86fe70153a44.jpg?v=1779255573"},{"product_id":"in-nature-s-realm-concert-overture-op-91-b-168-v-prirode-ouvertura-36-a142501","title":"In Nature's Realm: Concert Overture, Op. 91\/B. 168 (V Prirode - Ouvertura): Full Orchestra, Ensemble Works, Conductor Score","description":"Written in 1891 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, the concert overture IN NATURE'S REALM, Op. 91\/B. 168 (V PRÍRODE, KONCERTNÍ OUVERTURA) is the first work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. IN NATURE'S REALM opens with a highly poetic stylization of the voices of nature, with the main theme making use of Moravian folk yodeling. Johannes Brahms noted in a letter to Dvorák's publisher that the work was \"merry\" and remarked that, \"music directors will be thankful to you\" for publishing the overtures. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition. The critical edition edited by Dvorák expert Otakar Šourek is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598645194888,"sku":"36-A142501","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A142501_large_0c704374-bde0-4a16-8c7a-7a86cfa4ad8c.jpg?v=1779255568"},{"product_id":"othello-overture-op-93-b-174-36-a529502","title":"Othello Overture, Op. 93\/B. 174: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts","description":"Written in 1892 as Antonín Dvorák (1841-1904) was considering Jeannette Thurber's generous offer to move to the United States and serve as director of her National Conservatory of Music in New York, OTHELLO (OTELLO) is the second work in a triptych of concert overtures meant to offer impressions of what the human soul may experience. Originally titled Nature, Life, and Love, Dvorák decided to publish each with a more distinct identity: NATURE'S REALM, Op. 91 for nature, CARNIVAL, Op. 92 for life, and OTHELLO, Op. 93 for love. OTHELLO take its epic character from the Shakespeare's famous work of literature, and it represents love in its most destructive form, jealousy, which underpins the drama. While the overture is not a faithful adaptation, certain parallels can be found and some of the motifs fit with dramatic sections of the play. The work premiered on April 28th, 1892, by the Orchestra of the National Theatre in Prague, Dvorák conducting. Instrumentation: 2(2nd dPicc).2+1(EH).2.2: 4.2.3.1: Timp.Perc(1-2): Hp: Str (9.8.7.6.5 in set). Reprint edition. A critical edition by Dvorák expert Otakar Šourek and František Bartoš is also available from E.F. Kalmus.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598646079624,"sku":"36-A529502","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A529502_large_c856d575-2c5a-4a6c-bca9-b11acfbbd116.jpg?v=1779255572"},{"product_id":"non-c-e-piu-00-ps-0012075","title":"Non C'e Piu: Piano\/Vocal\/Chords","description":"These piano\/vocal\/chord arrangements are based on Celtic Woman's PBS TV special and 2010 tour. This book showcases their unforgettable style and features four pages of color photos. Titles: Fields of Gold * Amazing Grace * Níl Sé'n Lá * My Lagan Love * When You Believe * The New Ground * Isle of Hope, Isle of Tears * The Coast of Galiçia * Non C'è Più * The Moon's a Harsh Mistress * You'll Be in My Heart * Goodnight My Angel * Galway Bay * The Lost Rose Fantasia * O, America! * The Call * Finale \/ Mo Ghile Mear * True Colors * Pie Jesu * Slumber My Darling \/ The Mason's Apron * Danny Boy * You Raise Me Up.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44599964106888,"sku":"00-PS-0012075","price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/00-34439_large_18523093-dab2-4026-b340-6ec920f644e3.jpg?v=1779250966"},{"product_id":"symphony-no-8-in-g-op-88-b-163-symphony-no-4-in-g-op-88-obsolete-numbering-36-a141601","title":"Symphony No. 8 in G, Op. 88\/B. 163 [Symphony No. 4 in G, Op. 88 - obsolete numbering]: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)","description":"The SYMPHONY No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvorák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4. This edition includes parts with both the original keys and transpositions for Clarinets (transposed to Bb), Trumpets (transposed to Bb), Horns III and IV (transposed to F). Trombones I and II parts include both the original Tenor Clef and a Bass Clef transcription. Instrumentation: 2(2nd dPicc).2(2nd dEH).2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613803606152,"sku":"36-A141601","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A141601_large_be46bfa4-8896-4dad-8f4f-8c9754295898.jpg?v=1779255004"},{"product_id":"symphony-no-8-in-g-op-88-b-163-symphony-no-4-in-g-op-88-obsolete-numbering-36-a141602","title":"Symphony No. 8 in G, Op. 88\/B. 163 [Symphony No. 4 in G, Op. 88 - obsolete numbering]: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"The SYMPHONY No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Literature and Arts. Dvorák conducted the premiere in Prague on 2 February 1890. In contrast to other symphonies of both the composer and the period, the music is cheerful and optimistic. It was originally published as Symphony No. 4. This edition includes parts with both the original keys and transpositions for Clarinets (transposed to Bb), Trumpets (transposed to Bb), Horns III and IV (transposed to F). Trombones I and II parts include both the original Tenor Clef and a Bass Clef transcription. Instrumentation: 2(2nd dPicc).2(2nd dEH).2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613803638920,"sku":"36-A141602","price":210.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A141602_large_00744e02-19b3-4990-b096-58b9d351a1dd.jpg?v=1779255539"},{"product_id":"slavonic-dances-op-46-b-83-nos-5-8-36-a142101","title":"Slavonic Dances Op. 46\/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)","description":"Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904).  The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's \"Moravian Duets\" by Johannes  Brahms.  Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of SLAVONIC DANCES in a style similar to that which had recently proved so successful in the base of Brahms' HUNGARIAN DANCES. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the first series of eight (Opus 46) for piano duet, often also orchestrating them while still composing.  The works are now considered one of the most personal, nationally most characteristic, and most famous of Dvorák's works. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(3-4): Str(9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613803671688,"sku":"36-A142101","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A142101_large_7cf78720-b42f-4423-9ba4-87fafe6bced0.jpg?v=1779255253"},{"product_id":"slavonic-dances-op-46-b-83-nos-5-8-36-a142102","title":"Slavonic Dances Op. 46\/B. 83: Nos. 5-8: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Two series of SLAVONIC DANCES, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904).  The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's \"Moravian Duets\" by Johannes  Brahms.  Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of SLAVONIC DANCES in a style similar to that which had recently proved so successful in the base of Brahms' HUNGARIAN DANCES. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the first series of eight (Opus 46) for piano duet, often also orchestrating them while still composing.  The works are now considered one of the most personal, nationally most characteristic, and most famous of Dvorák's works. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(3-4): Str(9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613803704456,"sku":"36-A142102","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A142102_large_82737bbd-2202-4ddf-9fd4-926479a64218.jpg?v=1779255286"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-36-a429301","title":"Concerto for Piano in G minor, Op. 33\/B. 63: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613805277320,"sku":"36-A429301","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A429301_large_0061aec7-a86a-4aa1-85b4-e91eb21fce72.jpg?v=1779255538"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-36-a429302","title":"Concerto for Piano in G minor, Op. 33\/B. 63: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613805310088,"sku":"36-A429302","price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A429302_large_bb6f5063-6f38-4b99-a9fb-501022dc5a76.jpg?v=1779255348"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-36-a429348","title":"Concerto for Piano in G minor, Op. 33\/B. 63: Full Orchestra, Solo Keyboard with Ensemble, Solo Piano (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613805342856,"sku":"36-A429348","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A429348_large_3717e1fa-df16-4086-910b-60fdca75835a.jpg?v=1779255538"},{"product_id":"suite-in-a-op-98b-b-190-36-a616201","title":"Suite in A, Op. 98b\/B. 190: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)","description":"Antonín Dvorák (1841–1904) composed his SUITE IN A MAJOR, Op. 98b, in 1894, during his time in the United States, where he was serving as director of the National Conservatory of Music in New York. The work originated as a SUITE IN A MAJOR for piano, Op. 98a (B. 184), which Dvorák later orchestrated as Op. 98b (B. 190). Cast in five movements, the suite blends classical balance with Dvorák's hallmark lyricism and rhythmic vitality. Although composed during his American period, the music reflects a more introspective and universal expression rather than direct use of folk or \"New World\" idioms, suggesting a nostalgic return to the composer's Bohemian roots. The orchestral version was first performed posthumously in Prague in 1910. Today, the SUITE IN A MAJOR is valued for its elegant simplicity, warmth, and pastoral character, standing as one of Dvorák's most refined and intimate orchestral works. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806030984,"sku":"36-A616201","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616201_large_882ad6c0-322f-424a-8443-18e29a24d066.jpg?v=1779255539"},{"product_id":"suite-in-a-op-98b-b-190-36-a616202","title":"Suite in A, Op. 98b\/B. 190: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Antonín Dvorák (1841–1904) composed his SUITE IN A MAJOR, Op. 98b, in 1894, during his time in the United States, where he was serving as director of the National Conservatory of Music in New York. The work originated as a SUITE IN A MAJOR for piano, Op. 98a (B. 184), which Dvorák later orchestrated as Op. 98b (B. 190). Cast in five movements, the suite blends classical balance with Dvorák's hallmark lyricism and rhythmic vitality. Although composed during his American period, the music reflects a more introspective and universal expression rather than direct use of folk or \"New World\" idioms, suggesting a nostalgic return to the composer's Bohemian roots. The orchestral version was first performed posthumously in Prague in 1910. Today, the SUITE IN A MAJOR is valued for its elegant simplicity, warmth, and pastoral character, standing as one of Dvorák's most refined and intimate orchestral works. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613805998216,"sku":"36-A616202","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A616202_large_5b8a1201-1633-4aba-beba-c22aab1b5008.jpg?v=1779255352"},{"product_id":"symphony-no-4-in-d-minor-op-13-b-41-36-a645601","title":"Symphony No. 4 in D minor, Op. 13\/B. 41: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)","description":"Composed by Antonín Dvorák (1841-1904) in the first few months of 1874, SYMPHONY NO. 4 IN D MINOR, Op. 13\/B. 41 displays the unmistakable influence of Wagner in its thematic development. A paraphrase of the opening material in the overture to TANNHÄUSER appears in the second movement. Bedrich Smetana conducted the premiere of the third movement on May 25, 1874 at a concert of the Academy Readers' Society in Prague. Due to his own dissatisfaction of the work's merits, Dvorák decided to cancel the planned 1888 premiere by the London Philharmonic Society. Subsequently revised, the symphony was finally heard in its entirety on April 6, 1892, performed by the National Theatre Orchestra under the baton of the composer. It was published posthumously in 1912. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806063752,"sku":"36-A645601","price":85.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_1e8c0ba8-bbdc-4c58-a4e5-3bc89987509f.png?v=1780362950"},{"product_id":"symphony-no-4-in-d-minor-op-13-b-41-36-a645602","title":"Symphony No. 4 in D minor, Op. 13\/B. 41: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Composed by Antonín Dvorák (1841-1904) in the first few months of 1874, SYMPHONY NO. 4 IN D MINOR, Op. 13\/B. 41 displays the unmistakable influence of Wagner in its thematic development. A paraphrase of the opening material in the overture to TANNHÄUSER appears in the second movement. Bedrich Smetana conducted the premiere of the third movement on May 25, 1874 at a concert of the Academy Readers' Society in Prague. Due to his own dissatisfaction of the work's merits, Dvorák decided to cancel the planned 1888 premiere by the London Philharmonic Society. Subsequently revised, the symphony was finally heard in its entirety on April 6, 1892, performed by the National Theatre Orchestra under the baton of the composer. It was published posthumously in 1912. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806129288,"sku":"36-A645602","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_61179068-80c7-4236-bba2-48acf7f1083e.png?v=1780362950"},{"product_id":"slavonic-dances-op-46-b-83-no-8-in-g-minor-furiant-36-a714199","title":"Slavonic Dances, Op. 46\/B. 83: No. 8 in G minor (Furiant): Salon\/ Theater Orchestra, Ensemble Works, CS (EDWIN F KALMUS)","description":"Two series of Slavonic Dances, each consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea for the dances was suggested by the publisher N. Simrock, who had been introduced to Dvorák's Moravian Duets through Johannes Brahms. Recognizing the national character and remarkable talent of the then little-known Czech composer, Simrock suggested he create a series of Slavonic Dances in a style similar to that which had recently proved so successful in the base of Brahms' Hungarian Dances. Rather than using actual folk melodies, Dvorák drew on authentic Slavonic rhythms and dance types, creating original themes that capture the energy, lyricism, and cultural identity of his homeland. The first set, Op. 46, composed in 1878 for piano duet and later orchestrated by the composer, quickly became one of his most popular works. Slavonic Dance Op. 46, No. 8, a lively furiant a fast, fiery Czech dance marked by shifting accents, stands among the most exuberant and nationally characteristic pieces in the set. Czech composer and violin virtuoso Bohuslav Leopold (1888-1956) later arranged several of the Slavonic Dances for small theater orchestra, including this vivid and rhythmically charged arrangement of Op. 46, No. 8. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set (winds cross-cued for perf by smaller orchs). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806293128,"sku":"36-A714199","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A714199_large_c2a0fe7c-ab22-463b-a2dd-25bb7adae81e.jpg?v=1779255248"},{"product_id":"slavonic-dances-op-46-b-83-no-8-in-g-minor-furiant-36-a714190","title":"Slavonic Dances, Op. 46\/B. 83: No. 8 in G minor (Furiant): Salon\/ Theater Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Two series of Slavonic Dances, each consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea for the dances was suggested by the publisher N. Simrock, who had been introduced to Dvorák's Moravian Duets through Johannes Brahms. Recognizing the national character and remarkable talent of the then little-known Czech composer, Simrock suggested he create a series of Slavonic Dances in a style similar to that which had recently proved so successful in the base of Brahms' Hungarian Dances. Rather than using actual folk melodies, Dvorák drew on authentic Slavonic rhythms and dance types, creating original themes that capture the energy, lyricism, and cultural identity of his homeland. The first set, Op. 46, composed in 1878 for piano duet and later orchestrated by the composer, quickly became one of his most popular works. Slavonic Dance Op. 46, No. 8, a lively furiant a fast, fiery Czech dance marked by shifting accents, stands among the most exuberant and nationally characteristic pieces in the set. Czech composer and violin virtuoso Bohuslav Leopold (1888-1956) later arranged several of the Slavonic Dances for small theater orchestra, including this vivid and rhythmically charged arrangement of Op. 46, No. 8. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set (winds cross-cued for perf by smaller orchs). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806358664,"sku":"36-A714190","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A714190_large_613f5b16-4bb3-4d4c-8c8d-7ad987fa693f.jpg?v=1779255289"},{"product_id":"suite-in-a-op-98b-b-190-critical-edition-36-a717501","title":"Suite in A, Op. 98b\/B. 190 [critical edition]: Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)","description":"Antonín Dvorák (1841–1904) composed his SUITE IN A MAJOR, Op. 98b, in 1894, during his time in the United States, where he was serving as director of the National Conservatory of Music in New York. The work originated as a SUITE IN A MAJOR for piano, Op. 98a (B. 184), which Dvorák later orchestrated as Op. 98b (B. 190). Cast in five movements, the suite blends classical balance with Dvorák's hallmark lyricism and rhythmic vitality. Although composed during his American period, the music reflects a more introspective and universal expression rather than direct use of folk or \"New World\" idioms, suggesting a nostalgic return to the composer's Bohemian roots. The orchestral version was first performed posthumously in Prague in 1910. Today, the SUITE IN A MAJOR is valued for its elegant simplicity, warmth, and pastoral character, standing as one of Dvorák's most refined and intimate orchestral works. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint of the critical edition by Otakar Šourek.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806325896,"sku":"36-A717501","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_5a92c0a0-9371-40be-a260-a4c1ce2d385c.png?v=1780362951"},{"product_id":"suite-in-a-op-98b-b-190-critical-edition-36-a717502","title":"Suite in A, Op. 98b\/B. 190 [critical edition]: Full Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Antonín Dvorák (1841–1904) composed his SUITE IN A MAJOR, Op. 98b, in 1894, during his time in the United States, where he was serving as director of the National Conservatory of Music in New York. The work originated as a SUITE IN A MAJOR for piano, Op. 98a (B. 184), which Dvorák later orchestrated as Op. 98b (B. 190). Cast in five movements, the suite blends classical balance with Dvorák's hallmark lyricism and rhythmic vitality. Although composed during his American period, the music reflects a more introspective and universal expression rather than direct use of folk or \"New World\" idioms, suggesting a nostalgic return to the composer's Bohemian roots. The orchestral version was first performed posthumously in Prague in 1910. Today, the SUITE IN A MAJOR is valued for its elegant simplicity, warmth, and pastoral character, standing as one of Dvorák's most refined and intimate orchestral works. Instrumentation: 2+Picc.2.2.2+CBsn: 4.2.3.1: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint of the critical edition by Otakar Šourek.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806424200,"sku":"36-A717502","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_c604d8a8-2a46-4d43-b9fc-5624d0d1216b.png?v=1780362951"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-critical-edition-36-a717901","title":"Concerto for Piano in G minor, Op. 33\/B. 63 [Critical Edition]: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint of the Critical Edition by Otakar Šourek, Karel Šolc, and Jirí Berkovec. Vilém Kurz's edition of the piano solo is offered alongside Dvorak's original with Šolc's orchestra reduction in the solo piano part.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806456968,"sku":"36-A717901","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_93b394a1-908e-4914-a63b-0a4cc0517c2d.png?v=1780362951"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-critical-edition-36-a717902","title":"Concerto for Piano in G minor, Op. 33\/B. 63 [Critical Edition]: Full Orchestra, Solo Keyboard with Ensemble, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint of the Critical Edition by Otakar Šourek, Karel Šolc, and Jirí Berkovec. Vilém Kurz's edition of the piano solo is offered alongside Dvorak's original with Šolc's orchestra reduction in the solo piano part.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806391432,"sku":"36-A717902","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_31b7e70f-a663-4a8b-9528-663e2278ebc0.png?v=1780362951"},{"product_id":"concerto-for-piano-in-g-minor-op-33-b-63-critical-edition-36-a717948","title":"Concerto for Piano in G minor, Op. 33\/B. 63 [Critical Edition]: Piano, Solo with Piano, Solo Piano (EDWIN F KALMUS)","description":"Antonín Dvorak (1841-1904) composed his CONCERTO FOR PIANO in G minor, Op. 33\/B. 63, in 1876, during a period of growing maturity that saw him blending his Czech musical roots with the broader traditions of European Romanticism. Written shortly after his SYMPHONY No. 5, the concerto departs from the virtuosic brilliance typical of Romantic piano concertos, emphasizing instead symphonic balance and organic integration between soloist and orchestra. Premiered in Prague in 1878 with pianist Karel Slavkovský and conductor Adolf Cech, the work initially met with mixed reception-some critics finding the piano writing awkward and less showy than those of Liszt or Tchaikovsky. Despite its early neglect, Dvorak's colleague and later champion, pianist-composer Vilém Kurz, produced a revised version in the 1910s that made the piece more idiomatic for modern performance. Today, though performed less frequently than Dvorak's VIOLIN or CELLO CONCERTOS, the PIANO CONCERTO in G minor is admired for its structural coherence, rhythmic vitality, and symphonic depth, offering a unique, introspective voice within the Romantic concerto repertoire. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Pno in set. Reprint of the Critical Edition by Otakar Šourek, Karel Šolc, and Jirí Berkovec. Vilém Kurz's edition of the piano solo is offered alongside Dvorak's original with Šolc's orchestra reduction in the solo piano part.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806489736,"sku":"36-A717948","price":60.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/book-placeholder_3f7b935c-bded-406b-9ced-4540a565d839.png?v=1780362951"},{"product_id":"largo-and-scherzo-from-symphony-no-9-dvorak-cake-walk-berger-36-b306902","title":"Largo and Scherzo (from Symphony No. 9; Dvorak): Cake Walk (Berger): Concert Band, Ensemble Works, Conductor Score \u0026 Parts (LUDWIGMASTERS)","description":"This version of the celebrated Largo from Antonín Dvorák's Symphony No. 9 is paired with the following Scherzo movement, arranged for band by Jacob Kappey. Also included is Dvorák contemporary Rodolphe Berger's Cake Walk.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613807702152,"sku":"36-B306902","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-B306902_large_693afa16-f480-4ffd-a5ce-054447f7b2ea.jpg?v=1779255352"},{"product_id":"largo-and-scherzo-from-symphony-no-9-dvorak-cake-walk-berger-36-b306998","title":"Largo and Scherzo (from Symphony No. 9; Dvorak): Cake Walk (Berger): Concert Band, Ensemble Works, CS (LUDWIGMASTERS)","description":"This version of the celebrated Largo from Antonín Dvorák's Symphony No. 9 is paired with the following Scherzo movement, arranged for band by Jacob Kappey. Also included is Dvorák contemporary Rodolphe Berger's Cake Walk.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613807767688,"sku":"36-B306998","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-B306998_large_b4617e13-bef6-4cf8-a12c-1d23e669d960.jpg?v=1779255539"},{"product_id":"piano-quartet-no-2-in-eb-op-87-b-162-critical-edition-36-m131491","title":"Piano Quartet No. 2 in Eb, Op.87\/B. 162 (critical edition): String Duo \u0026 Ensemble, Piano Quartet, Conductor Score \u0026 Parts (LUDWIGMASTERS)","description":"Antonín Dvorák composed his Piano Quartet No. 2 in E-flat Major, Op. 87\/ B. 162 in the summer of 1889, while residing at his country home in Vysoká. The first performance took place in Frankfurt on October 17, 1890. Although it has sometimes been overlooked, it demonstrates the composer's mastery of form and melodic inventiveness. Reprint of the critical edition by Karel Šolc and Antonín Pokorný.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613808226440,"sku":"36-M131491","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-M131491_large_735990d3-a5ae-46ff-8e33-87d36e55887d.jpg?v=1779254694"},{"product_id":"slavonic-dances-op-72-b-147-no-2-in-e-minor-36-a713999","title":"Slavonic Dances, Op. 72\/B. 147: No. 2 in E minor: Salon\/ Theater Orchestra Condensed Score","description":"Two series of \u003ci\u003eSlavonic Dances\u003c\/i\u003e, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's \u003ci\u003eMoravian Duets\u003c\/i\u003e by Johannes Brahms.  Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of \"Slavonic Dances\" in a style similar to that which had recently proved so successful in the base of Brahms' \u003ci\u003eHungarian Dances\u003c\/i\u003e. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. These are considered among the most personal, nationally most characteristic, and most famous of Dvorák's works. This arrangement of Op. 72, No. 2, Dumka (also referred to as No. 10 when the first eight dances from Op. 46 are considered) is by Bohuslav Leopold. Instrumentation: 2.2.2.2: 4.0.0.0: Timp.Perc(1-2): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set. (winds cross-cued for perf by smaller orchs). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44862890967176,"sku":"36-A713999","price":4.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A713999_large_e676b7d0-e604-4571-9275-e4329ceac15b.jpg?v=1779254699"},{"product_id":"slavonic-dances-op-72-b-147-no-2-in-e-minor-36-a713990","title":"Slavonic Dances, Op. 72\/B. 147: No. 2 in E minor: Salon\/ Theater Orchestra Conductor Score \u0026 Parts","description":"Two series of \u003ci\u003eSlavonic Dances\u003c\/i\u003e, each of them consisting of eight numbers and separated by eight years, were composed by Antonín Dvorák (1841-1904). The idea was suggested to the composer by the publisher, N. Simrock, following the publisher's introduction to Dvorák's \u003ci\u003eMoravian Duets\u003c\/i\u003e by Johannes Brahms.  Understanding the national characteristics and talent of the hitherto unknown Czech composer, Simrock suggested he create a series of \"Slavonic Dances\" in a style similar to that which had recently proved so successful in the base of Brahms' \u003ci\u003eHungarian Dances\u003c\/i\u003e. Using only the rhythms as the most characteristic and expressive element of Slavonic music rather than original folk dance songs, Dvorák quickly completed the second series of eight (Opus 72) for piano duet, often also orchestrating them while still composing. These are considered among the most personal, nationally most characteristic, and most famous of Dvorák's works. This arrangement of Op. 72, No. 2, Dumka (also referred to as No. 10 when the first eight dances from Op. 46 are considered) is by Bohuslav Leopold. Instrumentation: 2.2.2.2: 4.0.0.0: Timp.Perc(1-2): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set. (winds cross-cued for perf by smaller orchs). Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44862896996488,"sku":"36-A713990","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A713990_large_2516098f-ecfd-4a47-a568-e4362178cab2.jpg?v=1779255250"}],"url":"https:\/\/www.alfred.com\/collections\/antonin-dvorak-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}