{"title":"Alfred Roth Sheet Music","description":"\u003cp\u003eThe Alfred Roth collection features orchestral arrangements of beloved classical and operetta works. Browse full orchestra scores and parts, including Genaro Codina's iconic \u003cem\u003eZacatecas\u003c\/em\u003e Mexican March, Franz Lehár's \u003cem\u003eMerry Widow\u003c\/em\u003e selections, and Felix Mendelssohn's \u003cem\u003eA Midsummer Night's Dream\u003c\/em\u003e incidental music. These pieces are available in multiple formats—condensed scores, conductor scores with parts, and complete orchestrations—making them suitable for concert orchestras, salon ensembles, and theater productions. Part of the Kalmus Orchestra Library and Edwin F. Kalmus catalog.\u003c\/p\u003e","products":[{"product_id":"die-lustige-witwe-the-merry-widow-maxim-march-and-waltz-intermezzo-36-a714699","title":"Die Lustige Witwe (The Merry Widow): Maxim March and Waltz Intermezzo: Full Orchestra, Ensemble Works","description":"The operetta Die Lustige Witwe (The Merry Widow) was written in 1905 by Austro-Hungarian composer Franz Lehár (1870-1948), with a libretto by Viktor Léon and Leo Stein. The story tells of a rich widow for whom her countrymen attempt to find her a new husband that will keep her money in the principality. The operetta was successful when it premiered on December 30, 1905 at the Theater an der Wien in Vienna, with Lehár conducting, and it has remained a staple of the opera repertoire ever since. In 1907, only two short years after the premiere of the staged work, two of the more popular sections were arranged separately by two individuals, then combined and published as this brief two-movement suite: Maxim March, arranged by Alfred Roth, and Waltz Intermezzo, arranged by Walter Henry Lewis. Instrumentation: 1.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568289280136,"sku":"36-A714699","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A714699_large_d056068a-1a6e-487d-bca0-4f1339361b96.jpg?v=1779255356"},{"product_id":"kamarinskaya-fantasy-on-two-russian-folksongs-36-a687199","title":"Kamarinskaya: Fantasy on Two Russian Folksongs: Salon\/ Theater Orchestra, CS","description":"The KAMARINSKAYA is a traditional Russian folk dance. Today, the folk song is best known in the orchestral work by composer Mikhail Glinka (1804-1857), which is famous in part because it is the first orchestral work based wholly on Russian folk music. Glinka's arrangement uses two themes: a slow bridal song called IZ-ZA GOR, GOR VYSOKIIH (From Beyond the Mountain, the High Mountain) and the title song, which is a folk dance called a naigrïsh. The work later inspired Tchaikovsky to utilize folk songs in his music, culminating in his SYMPHONY No. 2, and the work was further praised by the group of nationalistic Russian composers called The Five, which was led by Mily Balakirev. This arrangement for theater orchestra was completed by Alfred Roth. Instrumentation: 2.2.2.2: 4.0+2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Condensed\/Piano Score in set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568298487944,"sku":"36-A687199","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A687199_large_7f211cdb-227c-40ff-813d-4b430bed5456.jpg?v=1779255568"},{"product_id":"kamarinskaya-fantasy-on-two-russian-folksongs-36-a687102","title":"Kamarinskaya: Fantasy on Two Russian Folksongs: Salon\/ Theater Orchestra, Conductor Score \u0026 Parts","description":"The KAMARINSKAYA is a traditional Russian folk dance. Today, the folk song is best known in the orchestral work by composer Mikhail Glinka (1804-1857), which is famous in part because it is the first orchestral work based wholly on Russian folk music. Glinka's arrangement uses two themes: a slow bridal song called IZ-ZA GOR, GOR VYSOKIIH (From Beyond the Mountain, the High Mountain) and the title song, which is a folk dance called a naigrïsh. The work later inspired Tchaikovsky to utilize folk songs in his music, culminating in his SYMPHONY No. 2, and the work was further praised by the group of nationalistic Russian composers called The Five, which was led by Mily Balakirev. This arrangement for theater orchestra was completed by Alfred Roth. Instrumentation: 2.2.2.2: 4.0+2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Condensed\/Piano Score in set.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44568299012232,"sku":"36-A687102","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A687102_large_dcad7fbf-dcd4-4d83-ba77-6bc052f20bc4.jpg?v=1779255193"},{"product_id":"bei-uns-z-haus-walzer-op-361-with-us-at-home-waltzes-roth-arrangement-36-a742102","title":"Bei uns z'Haus Walzer, Op. 361 (With Us At Home Waltzes) [Roth arrangement]: Salon \/ Theater Orchestra, Ensemble Works, Conductor Score \u0026 Parts","description":"Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symbolized Austria-Hungary's aspirations toward industrial and cultural prominence. The waltz was dedicated to Princess Marie Hohenlohe-Schillingsfürst and premiered at one of Strauss's concerts during the fair, held in Vienna's grand Musikverein. It reflects the cosmopolitan elegance and domestic charm associated with Viennese high society, capturing both the public spectacle and the intimate pride of \"home.\" While not as universally recognized as THE BLUE DANUBE, BEI UNS Z'HAUS remains a beloved gem in Strauss's repertoire, admired for its lyrical warmth, stylish instrumentation, and its evocation of 19th-century Viennese life. It continues to be performed in concert settings and remains a testament to Strauss's melodic ingenuity and cultural resonance during the golden age of the waltz. Instrumentation: 1.1.2.1: 2.0+2.1.0: Timp.Perc(2): Str (9.8.76.5 in set): Pno Cond Sc in set. Reprint edition of the small orchestra arrangement by Alfred Roth.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598762963080,"sku":"36-A742102","price":50.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A742102_large_00c00cff-8283-48d6-9bff-4d1622c7ef03.jpg?v=1779255578"},{"product_id":"bei-uns-z-haus-walzer-op-361-with-us-at-home-waltzes-roth-arrangement-36-a742199","title":"Bei uns z'Haus Walzer, Op. 361 (With Us At Home Waltzes) [Roth arrangement]: Salon \/ Theater Orchestra, Ensemble Works, CS","description":"Johann Strauss II composed BEI UNS Z'HAUS WALZER, Op. 361 (WITH US AT HOME or THERE IS NO PLACE LIKE HOME), in 1873 to celebrate the Vienna World's Fair (Wiener Weltausstellung), an event that symbolized Austria-Hungary's aspirations toward industrial and cultural prominence. The waltz was dedicated to Princess Marie Hohenlohe-Schillingsfürst and premiered at one of Strauss's concerts during the fair, held in Vienna's grand Musikverein. It reflects the cosmopolitan elegance and domestic charm associated with Viennese high society, capturing both the public spectacle and the intimate pride of \"home.\" While not as universally recognized as THE BLUE DANUBE, BEI UNS Z'HAUS remains a beloved gem in Strauss's repertoire, admired for its lyrical warmth, stylish instrumentation, and its evocation of 19th-century Viennese life. It continues to be performed in concert settings and remains a testament to Strauss's melodic ingenuity and cultural resonance during the golden age of the waltz. Instrumentation: 1.1.2.1: 2.0+2.1.0: Timp.Perc(2): Str (9.8.76.5 in set): Pno Cond Sc in set. Reprint edition of the small orchestra arrangement by Alfred Roth.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598763683976,"sku":"36-A742199","price":5.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A742199_large_f8c8ff36-e12c-4308-8a4a-663064098e23.jpg?v=1779255578"},{"product_id":"zacatecas-mexican-march-36-a827490","title":"Zacatecas, Mexican March: Full Orchestra, Score and Parts","description":"Composed in 1891 as a result of friendly bet between Genaro Codina (1852-1901) and fellow composer Fernando Villalpando to see who could write the better military march, the ZACATECAS MARCH is perhaps the best known march to come from Mexico, is the anthem of the State of Zacatecas, and is considered the second national anthem of Mexico. Originally written on Condina's preferred instrument, the harp, the good natured loser of the original bet arranged a band version for the premiere. This edition for orchestra was transribed by Alfred Roth. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44598941122696,"sku":"36-A827490","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A827490_large_836275d4-52e7-4812-8b8f-a3a6ef02618a.jpg?v=1779255070"},{"product_id":"die-lustige-witwe-the-merry-widow-maxim-march-and-waltz-intermezzo-36-a714602","title":"Die Lustige Witwe (The Merry Widow): Maxim March and Waltz Intermezzo: Full Orchestra, Ensemble Works","description":"The operetta Die Lustige Witwe (The Merry Widow) was written in 1905 by Austro-Hungarian composer Franz Lehár (1870-1948), with a libretto by Viktor Léon and Leo Stein. The story tells of a rich widow for whom her countrymen attempt to find her a new husband that will keep her money in the principality. The operetta was successful when it premiered on December 30, 1905 at the Theater an der Wien in Vienna, with Lehár conducting, and it has remained a staple of the opera repertoire ever since. In 1907, only two short years after the premiere of the staged work, two of the more popular sections were arranged separately by two individuals, then combined and published as this brief two-movement suite: Maxim March, arranged by Alfred Roth, and Waltz Intermezzo, arranged by Walter Henry Lewis. Instrumentation: 1.2.2.2: 4.2.3.0: Timp.Perc(3): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600103403656,"sku":"36-A714602","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A714602_large_18b1adf9-3142-4136-baf0-f570a04c522e.jpg?v=1779255190"},{"product_id":"zacatecas-mexican-march-36-a827499","title":"Zacatecas, Mexican March: Full Orchestra, Condensed Score","description":"Composed in 1891 as a result of friendly bet between Genaro Codina (1852-1901) and fellow composer Fernando Villalpando to see who could write the better military march, the ZACATECAS MARCH is perhaps the best known march to come from Mexico, is the anthem of the State of Zacatecas, and is considered the second national anthem of Mexico. Originally written on Condina's preferred instrument, the harp, the good natured loser of the original bet arranged a band version for the premiere. This edition for orchestra was transribed by Alfred Roth. Instrumentation: 1.1.2.1: 2.2.1.0: Perc(2): Str (9-8-7-6-5 in set).","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44600634802312,"sku":"36-A827499","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A827499_large_5bf26b6e-3005-4024-8ce7-14bdbceaf84b.jpg?v=1779256254"},{"product_id":"midsummer-night-s-dream-a-incidental-music-op-61-ein-sommernachtstraum-no-9-wedding-march-transcription-36-a684990","title":"Midsummer Night's Dream, A: Incidental Music, Op. 61 (Ein Sommernachtstraum); No. 9: Wedding March [transcription]: Salon\/ Theater Orchestra, Ensemble Works, Conductor Score \u0026 Parts (EDWIN F KALMUS)","description":"Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age of seventeen for no other reason than the love that he and his siblings had for Shakespeare's stage works. He wrote the incidental music, Op. 61 (likely the best-known incidental music in the repertoire) in 1842 as a commission from King Frederick William IV of Prussia. In creating the complete later version, the composer incorporated the original overture, Op. 21 as the overture for the incidental music and the first of the 14 numbers. Starting with what must be four of the most evocative and memorable chords in music, the work also is the origin of this excerpted Wedding March (No. 9) used in so many ceremonies today, commonly referred to as \"Here Comes the Bride.\" The work was premiered in Potsdam, Germany on October 14, 1843 by the Leipzig Gewandhaus Orchestra, conducted by the composer. This transcription for salon\/theater orchestra was completed by Alfred Roth in 1911. Instrumentation: 1.1.2.1: 2.0+2(Crnt).1.0, Perc(2): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806227592,"sku":"36-A684990","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A684990_large_7849707a-f113-44e3-a9fd-7b12c23dcaca.jpg?v=1779255257"},{"product_id":"midsummer-night-s-dream-a-incidental-music-op-61-ein-sommernachtstraum-no-9-wedding-march-transcription-36-a684999","title":"Midsummer Night's Dream, A: Incidental Music, Op. 61 (Ein Sommernachtstraum); No. 9: Wedding March [transcription]: Salon\/ Theater Orchestra, Ensemble Works, CS (EDWIN F KALMUS)","description":"Felix Mendelssohn (1809-1847) wrote music for William Shakespeare's play A MIDSUMMER NIGHT'S DREAM on two separate occasions. He first wrote the concert overture in E Major, Op. 21 in 1826 at the age of seventeen for no other reason than the love that he and his siblings had for Shakespeare's stage works. He wrote the incidental music, Op. 61 (likely the best-known incidental music in the repertoire) in 1842 as a commission from King Frederick William IV of Prussia. In creating the complete later version, the composer incorporated the original overture, Op. 21 as the overture for the incidental music and the first of the 14 numbers. Starting with what must be four of the most evocative and memorable chords in music, the work also is the origin of this excerpted Wedding March (No. 9) used in so many ceremonies today, commonly referred to as \"Here Comes the Bride.\" The work was premiered in Potsdam, Germany on October 14, 1843 by the Leipzig Gewandhaus Orchestra, conducted by the composer. This transcription for salon\/theater orchestra was completed by Alfred Roth in 1911. Instrumentation: 1.1.2.1: 2.0+2(Crnt).1.0, Perc(2): Str (9.8.7.6.5 in set): CS (Pno-Cond) in set. Reprint edition.","brand":"Alfred Music","offers":[{"title":"Default Title","offer_id":44613806260360,"sku":"36-A684999","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0697\/6104\/0520\/files\/36-A684999_large_6caf41d1-8d0e-46db-894e-b0e5bf273ab4.jpg?v=1779255288"}],"url":"https:\/\/www.alfred.com\/collections\/alfred-roth-sheet-music.oembed","provider":"Alfred Music","version":"1.0","type":"link"}