Between the Lines: "Wade in the Water," Arranged by Russell Robinson

A bluesy rhythmic motive stacks up across voices, creating a compelling introduction and scattered interludes for this hip interpretation of the African-American spiritual . Call-and-response verses give individual sections a chance to shine, and a brief descant plus some optional divisi add that final flourish. A great teaching piece for 2- and 3-part choirs.

Dr. Russell L. Robinson, Emeritus Professor Music Education at the University of Florida, has made over 300 appearances as a conductor, speaker, consultant and presenter at festivals, workshops, honor choirs, all-state choirs and state, regional, national and international conferences in the US, Europe, Asia, Africa, Central America, South America, Mexico, Canada, the Middle East, and Australia as well as conducting venues, which include: Carnegie Hall, Lincoln Center, the Kennedy Center, Boston's Symphony Hall, the White House, and Washington's National Cathedral. Dr. Robinson was the 2016 inductee into the Florida Music Educators Association (FMEA) Hall of Fame, and is a past President of FMEA, Associate Dean of the UF College of the Arts, National Collegiate Chair and Choral Adviser for the National Association for Music Education (NAfME).

What inspired you to write Wade in the Water?

I wanted to write an up-beat "jazzy" feel to this wonderful spiritual. I wanted it to be unique and not like any other arrangements. The opening piano part sets the mood for the entire piece.

What teaching suggestions do you have to share for Wade in the Water?

Teachers may want to teach it on "doo" for each note, then add the text. Keep making this fun. Rehearse parts separately then put together as needed.

What message do you have for singers learning this piece?

Pay close attention to dynamics, including crescendos—this will make it more enjoyable to sing. Watch the Score & Sound video on YouTube! Have fun making music with this up-beat piece!