$29.99
Audio Mixing Boot Camp
Hands-On Basic Training for Musicians
By Bobby Owsinski
Item: 00-37741
UPC: 038081422787
ISBN 10: 0739082396
ISBN 13: 9780739082393
PRICE: $29.99
Series: Boot Camp
Category: Pro Audio Textbook
Format: Book & DVD
If you're creating your first mix and don't know where to begin, or your mixes aren't as good as you'd like them to be, Audio Mixing Boot Camp is here to help. Built around a series of hands-on mixing exercises designed to show you how to listen and work like a pro, best-selling author Bobby Owsinski reveals the tips, tricks, and secrets to all the different facets of mixing, including instrument and vocal balance, panning, compression, EQ, reverb, delay, and making your mix as interesting as possible. You'll cut years off the time usually needed to become proficient in the art of mixing with this book, which is specifically designed to accelerate learning. See how the pros handle the critical balance between the bass and drums. Learn where, when, why, and how EQ should be used on virtually any instrument. Become proficient at using effects in just the right way for each particular mixing situation. And master the key to fat and punchy sounding mixes: compression. Audio Mixing Boot Camp also features an accompanying DVD-ROM filled with lessons, templates, and examples specifically developed to take your mixing chops to the next level.
TITLE COMPOSER
Modulation on Guitars
Exercise Pod -- Modulation on Guitars
Modulation on Keyboards
PREFACE
Welcome to the Audio Mixing Bootcamp
CHAPTER 1: MONITORING
The Listening Environment
Visualize Your Mix
Exercise Pod -- Visualize Your Mix
The Musical Elements of an Arrangement
"Born This Way" by Lady Gaga
Exercise Pod -- Compressing the Lead Vocal
Compressing Other Instruments
Compressing Loops
Exercise Pod -- Compressing Loops
Delay Setup
The Single-Delay Quick-Setup Method
The Three-Delay Full-Setup Method
Adding Delay to Instruments
"Power" by Kanye West
De-essers
Adding Delay to the Vocals
EQ Parameters
Exercise Pod -- Adding Delay to Keyboards
Building the Mix
Arrange Your Tracks
Delete Empty Tracks
Deactivate and Hide Unused Tracks
Pseudo-Stereo
Exercise Pod -- Pseudo-Stereo Panning
Panning Vocals
Exercise Pod -- Making an Element Interesting
CHAPTER 12: THE MASTER MIX
Mixing with Subgroups
Reverb Setup
The Two-Reverb Quick-Setup Method
The Three-Reverb Full-Setup Method
Reorder Your Tracks
Exercise Pod -- Panning the Lead Vocals
Adding Reverb to Instruments
Exercise Pod -- Mixing with Subgroups
Color-Code the Tracks
Correctly Label the Tracks
Exercise Pod -- Panning the Background Vocals
CHAPTER 6: COMPRESSION
Compression Basics
Compressor Controls
Adding Reverb to the Drum Kit
Exercise Pod -- Adding Reverb to the Drum Kit
Adding Reverb to the Bass
Exercise Pod -- Adding Reverb to the Bass
The Master Level Meters
Types of Meters
The VU Meter
Ratio
Adding Reverb to the Vocal
The Peak Meter
Insert Section Markers
Mix Bus Levels
Exercise Pod -- Setting the Mix-Bus Levels
Mix-Bus Compression
Exercise Pod -- Adding Reverb to the Lead Vocal
Exercise Pod -- Adding Reverb to the Background Vocals
Adding Reverb to Guitars
Exercise Pod -- Adding Reverb to the Guitar
Set Up Subgroups
Set Up Your Effects
Assign the Channels
Insert Compressors and Limiters
Threshold or Input
Attack and Release
Gain, Make-Up Gain or Output
Exercise Pod -- Prepping Your Mix
Gain Reduction Meter
Adding Reverb to Keyboards
Mix-Bus Compressor Settings
Prepping Yourself
Play Something You Know
Take Notes
The Side Chain
Bypass or In
Compressor Operation
Exercise Pod -- Adding Reverb to the Piano
Exercise Pod -- Adding Reverb to the Organ
Exercise Pod -- Adding Reverb to Synthesizers
Exercise Pod -- Setting Up the Mix-Bus Compressor
Stay Away from Hypercompression!
Exercise Pod -- The Evils of Hypercompression
Setting the Compressor
Adding Reverb to Strings
How Long Should My Mix Take?
Make Yourself Comfortable
Exercise Pod -- Adding Delay to the Vocals
Adding Delay to the Guitar
Exercise Pod -- Adding Delay to the Guitar
"Grenade" by Bruno Mars
Exercise Pod -- Using The De-esser
Gates
Exercise Pod -- Using a Gate
CHAPTER 7: USING THE EQ
Equalization Basics
Adding Delay to Keyboards
Exercise Pod -- Identifying Arrangement Elements
CHAPTER 4: BALANCE
Compressing Vocals
Exercise Pod -- Timing the Delay
Exercise Pod -- Identifying the Tall, Deep and Wide Dimensions
What Does an Amateur Mix Sound Like?
The 6 Elements of a Mix
Exercise Pod -- The Elements of a Mix
Exercise Pod -- Compressing Electric Guitars
Exercise Pod -- Compressing the Acoustic Guitar
Compressing Keyboards
Exercise Pod -- Compressing Keyboards
Typical Delay Parameters
The Haas Effect
Timing the Delay to the Track
Other Note Divisions
Balances
Panning Guitars
The Major Parameter Controls
Finding the Most Important Element
Delay Basics
Putting the Performers in an Environment
Compressing Guitars
Exercise Pod -- Compressing the Drums
Parallel Compression
Compressing the Bass
Exercise Pod -- Compressing the Bass
Developing the Groove
Exercise Pod -- Identifying the Groove
Emphasizing the Most Important Elements
Exercise Pod -- Identifying the Most Important Song Element
INDEX
Exercise Pod -- Adding Reverb to Shakers and Triangles
Layering the Mix
Exercise Pod -- Layering the Mix
CHAPTER 9: ADDING DELAY
Exercise Pod -- Listening in Mono
CHAPTER 2: SESSION SETUP
Prepping Your Mix
Exercise Pod -- Panning Guitars
Stereo Instruments
Panning Keyboards
Timing a Reverb to the Track
Timing the Decay
Exercise Pod -- Timing Reverb Decay
Timing the Pre-Delay
Exercise Pod -- Finding the Most Important Element
Emphasizing the Most Important Element
Exercise Pod -- Emphasizing the Most Important Element
Make a Session File Copy
Exercise Pod -- Panning the Keyboards
Exercise Pod -- Timing Reverb Pre-Delay
Making a Mix Element Interesting
Exercise Pod -- Balancing the Bass and Drums
Exercise Pod -- EQing the Drums
Chorus
Modulation Basics
Types of Modulation
Flangers and Phasers
The Magic High-Pass Filter
EQing Various Instruments
Equalizing the Drums
Exercise Pod -- Checking the Drum Phase
Assigning the Drums to a Group or Subgroup
Exercise Pod -- Assigning the Drum Channels to a Subgroup
The Bass
Equalizing the Bass
Exercise Pod -- EQing the Bass
Equalizing the Vocal
Exercise Pod -- Balancing Guitars
Exercise Pod -- EQing the Background Vocals
Modulation on Instruments
The Vocals
Background Vocals
Exercise Pod -- Balancing the Lead and Background Vocals
Guitars
Tremolo and Vibrato
Parameter Settings
Tremolo / Vibrato
Modulation Setup
Exercise Pod -- EQing the Vocal
Determining the Listening Position
Synthesizers
Equalizing the Piano
Exercise Pod -- Modulation on Keyboards
Keyboards
Piano
Electric Piano
Organ
Equalizing the Electric Guitar
Exercise Pod -- EQing the Electric Guitar
Equalizing the Acoustic Guitar
Exercise Pod -- EQing the Acoustic Guitar
Standing Waves
Acoustic Quick Fixes
Exercise Pod -- Improving the Listening Environment
Basic Monitor Setup
Exercise Pod -- Balancing the Keyboards
Loops
Exercise Pod -- Balancing Loops
Exercise Pod -- EQing the Piano
Equalizing the Organ
Exercise Pod -- EQing the Organ
Modulation on Vocals
Exercise Pod -- Modulation on Lead Vocal
Exercise Pod -- Modulation on Background Vocals
Modulation on Strings
Exercise Pod -- EQing the String Section
Equalizing Horns
Exercise Pod -- EQing Horns
Equalizing Percussion
Modulation on Other Instruments
Exercise Pod -- Modulation on Drums
CHAPTER 11: INTEREST
Developing the Groove
How to Listen
Basic Listening Technique
Exercise Pod -- What to Listen For
How Loud (or Soft) Should I Listen?
Automation
CHAPTER 5: PANNING
The Three Main Panning Areas
Low Frequencies in the Center
Exercise Pod -- EQing Bongos and Congas
Finding the Groove
Exercise Pod -- Listening Levels
Panning the Drums
Listening on Several Speaker Systems
Exercise Pod -- Listening on Multiple Monitors
Listening in Mono
Phase Coherency
Exercise Pod -- Panning the Drums
Panning the Bass
Exercise Pod -- Panning the Bass
Exercise Pod -- EQing Shakers and Triangle
CHAPTER 8: ADDING REVERB
Reverb Basics
Typical Reverb Parameters
Exercise Pod -- Finding the Groove
Establishing the Groove
Exercise Pod -- Establishing the Groove
Emphasizing the Most Important Element
The Drums
Setting the Levels
Exercise Pod -- Balancing the Drums
A Description of the Audio Bands
Using the Equalizer
Subtractive Equalization
Adding Delay to the Drum Kit
Exercise Pod -- Adding Delay to the Drum Kit
Adding Delay to Other Instruments
Exercise Pod -- Prepping Yourself
CHAPTER 3: MIXING BASICS
A Brief History
Exercise Pod -- Identifying Different Recording Techniques and Eras
How to Know When Your Mix Is Finished
Exercise Pod -- Am I Finished Yet?
CHAPTER 13: THE FINAL MIX
GLOSSARY
Exercise Pod -- Adding Reverb to the String Section
Adding Reverb to Horns
Exercise Pod -- Adding Reverb to Horns
Adding Reverb to Percussion
How Much Compression Do I Need?
Compression As an Effect
Limiting
Compressing the Various Instruments
What Are You Trying to Accomplish?
Compressing the Drums
Exercise Pod -- Adding Reverb to Bongos and Congas
BIBLIOGRAPHY
Exercise Pod -- Speaker Placement
Mixing by Muting
Equalizing Strings
Exercise Pod -- Modulation on Strings
Checking the Drum Phase
Juggling Frequencies
CHAPTER 10: MODULATION EFFECTS